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Subjective Interpretation

Kelly McErlean

Kelly McErlean has developed graduate and postgraduate programs in film and new media for local and international delivery and successfully delivered eLearning and onsite contracts for international broadcast organisations on behalf of the European Broadcasting Union. Kelly lectures on new media, film and entrepreneurship at the Department of Creative Arts, Media and Music, Dundalk Institute of Technology, Ireland. He has won several awards including a Golden Spider Award and a Digital Media Award for his film, new media, and photographic works. Kelly holds a PhD in visual culture from the National College of Art and Design, Dublin. Author affiliation details are correct at time of print publication.

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Interactive Narratives and Transmedia Storytelling : Creating Immersive Stories Across New Media Platforms

Routledge, 2018

Book

... Subjective Interpretation Context influences the interpretation of narrative texts. Audiences will endlessly reinterpret films during repeat viewings if the work has substance enough to promote critical analysis. Knowledge of the text...

Audiences as Detectives: Eye Tracking and Problem Solving in Screen Mysteries

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book

...The mystery genre has experienced a recent resurgence in screen media, from teen noirs Veronica Mars (2004–2007, 2014) and Pretty Little Liars (2010–present), teen slasher Scream (2015–present), to the many adaptations of Sherlock Holmes...

Eating with Your Eyes: Edible Cinema and Participatory Synaesthesia

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book

...A substantial amount of research has, and with reason, been devoted to the subject of gastronomic representation and consumption upon the silver screen. It goes without saying that this most fundamental and necessary human activity allows...

Marketing, Metrics, and Audience Cultivation

Scott Kirkpatrick

Scott Kirkpatrick is the Senior Vice President of North and South American business development and global digital strategy for DRG, a London-based production, development and distribution company that manages over 1,000 media properties, including Channel 4’s Shameless and ITV’s Doc Martin. Previously, Kirkpatrick served as executive director of distribution for MarVista Entertainment, a Los Angeles-based production and distribution company that produces original TV movies and has managed international TV deals on major franchises, including Mighty Morphin Power Rangers. Author affiliation details are correct at time of print publication.

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Introduction to Media Distribution : Film, Television, and New Media

Focal Press, 2019

Book

... Marketing, Metrics, and Audience Cultivation Although end-users have no shortage of choices when it comes to accessing new media properties, they do have a limited amount of available cash and time. Yet despite the fact that distributors...

Conclusion: Cinema as Infrastructure

Stephen Groening

Stephen Groening is Assistant Professor of Cinema and Media Studies at the University of Washington, USA. Author affiliation details are correct at time of print publication.

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Cinema Beyond Territory : Inflight Entertainment and Atmospheres of Globalisation

British Film Institute, 2014

Book

...The globalist visions analysed in this book were both inspired by and inspirational to cinema and aviation. They relied on the logics of technological solutionism – the idea that social relations can be transformed, altered and/or fixed...

Widescreen

The Cinema Book

British Film Institute, 2007

Book

...During the first 20 years of cinema, the industry was engaged in a number of patent wars, one of which also determined the development of widescreen film formats. In August 1897, Thomas Edison was granted a patent for his 35mm...

Constructing Film Festival Audiences: Performative Practices and Material Conditions

International Film Festivals : Contemporary Cultures and History Beyond Venice and Cannes

I.B.Tauris, 2018

Book

...Introduction Film festivals are often considered sites that bring different audience groups together. Viewers who purchase tickets to see films; film critics and journalists, who attend multiple festivals every year; and industry...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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and

and Helen W. Kennedy

and Helen W. Kennedy

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book

...The act of film viewing is inherently a time-based, temporally specific occasion. Nowhere more is this the case than in film festivals which work to a large extent to a specific annual or biannual calendar, take place over a clearly defined...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Helen W. Kennedy

Helen W. Kennedy is Head of the School of Media at the University of Brighton, UK. Author affiliation details are correct at time of print publication.

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book

...This section brings together cutting-edge, practice-based enquiry into different aspects of live cinema production. The contributions take creative practice forwards in a number of key ways:They examine advances in creative practice in live...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

Search for publications
and

and Helen W. Kennedy

and Helen W. Kennedy

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book

...Our readers will have already discerned that audiences feature a great deal in the first two sections of this volume – populating and negotiating the spaces and temporalities of live cinema; audiences are indeed key to animating live cinema...