Loading
Loading
Log In

Results

  • Audience
Sort By:  1-10 of 422 (43 pages)
Results per page:
         

Audiences as Detectives: Eye Tracking and Problem Solving in Screen Mysteries

Jared Orth

Jared Orth

Search for publications

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...The mystery genre has experienced a recent resurgence in screen media, from teen noirs Veronica Mars (2004–2007, 2014) and Pretty Little Liars (2010–present), teen slasher Scream (2015–present), to the many adaptations of Sherlock Holmes...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

Search for publications
and

and Helen W. Kennedy

and Helen W. Kennedy

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Our readers will have already discerned that audiences feature a great deal in the first two sections of this volume – populating and negotiating the spaces and temporalities of live cinema; audiences are indeed key to animating live cinema...

Conclusion: Cinema as Infrastructure

Stephen Groening

Stephen Groening is Assistant Professor of Cinema and Media Studies at the University of Washington, USA. Author affiliation details are correct at time of print publication.

Search for publications

Cinema Beyond Territory : Inflight Entertainment and Atmospheres of Globalisation

British Film Institute, 2014

Book chapter

...The globalist visions analysed in this book were both inspired by and inspirational to cinema and aviation. They relied on the logics of technological solutionism – the idea that social relations can be transformed, altered and/or fixed...

Widescreen

Michael Allen

Michael Allen

Search for publications

The Cinema Book

British Film Institute, 2007

Book chapter

...During the first 20 years of cinema, the industry was engaged in a number of patent wars, one of which also determined the development of widescreen film formats. In August 1897, Thomas Edison was granted a patent for his 35mm...

Eating with Your Eyes: Edible Cinema and Participatory Synaesthesia

Brendon Wocke

Brendon Wocke

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...A substantial amount of research has, and with reason, been devoted to the subject of gastronomic representation and consumption upon the silver screen. It goes without saying that this most fundamental and necessary human activity allows...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

Search for publications
and

Helen W. Kennedy

Helen W. Kennedy is Head of the School of Media at the University of Brighton, UK. Author affiliation details are correct at time of print publication.

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...This section brings together cutting-edge, practice-based enquiry into different aspects of live cinema production. The contributions take creative practice forwards in a number of key ways:They examine advances in creative practice in live...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

Search for publications
and

and Helen W. Kennedy

and Helen W. Kennedy

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...The act of film viewing is inherently a time-based, temporally specific occasion. Nowhere more is this the case than in film festivals which work to a large extent to a specific annual or biannual calendar, take place over a clearly defined...

The Challenge of Archiving Commercials

Catherine Cormon

Catherine Cormon

Search for publications

Films That Sell : Moving Pictures and Advertising

British Film Institute, 2016

Book chapter

...Recognition of commercials in collection policies of audiovisual archives is a rather recent phenomenon. From being considered an encumbrance in the past, collections of commercials are now turning into assets. Heritage institutions...

Living Cinema Memories: Restaging the Past at the Pictures

Matthew Jones

Matthew Jones is Associate Professor in Film Studies at De Montfort University, UK. He has published widely on mid-century cinema audiences and science fiction film and television. He is the co-editor of Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games (2015). Author affiliation details are correct at time of print publication.

Search for publications

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Introduction Between 2013 and 2016, I was part of a team of researchers at University College London, led by Melvyn Stokes and also including Emma Pett, which collected people’s memories of visiting cinemas in Britain’s villages, towns...

‘Adventure Dramas of the Future’: Creating Genre

Keith M Johnston

Keith M. Johnston is Lecturer in Film and Television Studies at the University of East Anglia and author of Coming Soon: Film Trailers and the Selling of Hollywood Technology. Author affiliation details are correct at time of print publication.

Search for publications

Science Fiction Film : A Critical Introduction

Berg, 2011

Book chapter

...Hollywood has no interest … in explicitly identifying a film with a single genre. On the contrary, the industry’s publicity purposes are much better served by implying that a film offers ‘Everything the Screen can give you’ …The indication...