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  • Auteur, Authorship
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Introduction

Julia Erhart

Julia Erhart is Associate Professor in the School of Humanities and Creative Arts at Flinders University. She researches in the areas of contemporary women filmmakers and feminist and LGBT representations in film and television and is the recipient of a grant from the Australian Academy of the Humanities (2016), a Citation for Outstanding Contribution to Student Learning from the Australian Office for Learning and Teaching (2014), and a fellowship from Fulbright (2000). Author affiliation details are correct at time of print publication.

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Gendering History on Screen : Women Filmmakers and Historical Films

I.B.Tauris, 2018

Book

...As this book was nearing completion, a number of new titles were in the news. Viceroy’s House (Chadha 2017), about the postwar partitioning of India and Pakistan, had been reviewed in the Sydney Morning Herald and deemed ‘fascinating...

Audio Description for All? Enhancing the Experience of Sighted Viewers through Visual Media Access Services

Iwona Mazur

Iwona Mazur

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Representing Translation : The Representation of Translation and Translators in Contemporary Media

Bloomsbury Academic, 2019

Book

...Introduction Audio description (AD) has been created with visually impaired persons (VIPs) in mind. It gives them access to the visual semiotic codes that would otherwise remain inaccessible to them. However, AD can also benefit...

Joseph Morder, the “Filmateur”: An Interview with Joseph Morder

Dominique Bluher

Dominique Bluher

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Amateur Filmmaking : The Home Movie, the Archive, the Web

Bloomsbury Academic, 2014

Book

...Dominique Bluher: I would like to devote this interview to the notion of the “amateur,” not only because it is particularly meaningful with respect to your work, but also because in French the word “amateur” does not only mean a hobbyist...

Introduction: 1999–2019, and Beyond: A Post-Kubrickian Odyssey

Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

...We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?And the stars look very different today. Black Stars In 1969, the song “Space Oddity,” by a young artist named David Bowie, reached the top...

Situating the Art Cinema Field of Cultural Production and Consumption

Geoff King

Geoff King is Professor of Film and TV Studies at Brunel University London. He is the author of Indiewood, USA: Where Hollywood Meets Independent Cinema (I.B. Tauris, 2009) and Spectacular Narratives: Hollywood in the Age of the Blockbuster (I. B. Tauris, 2000). Author affiliation details are correct at time of print publication.

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Positioning Art Cinema : Film and Cultural Value

I.B. Tauris, 2019

Book

...How should we understand the sphere of art cinema more broadly; the way it is positioned and typically ascribed particular forms of cultural value? A number of social, cultural and historical frameworks are outlined in this chapter...

Fantasy, Authorship and Genre

James Walters

Tom Brown is Senior Lecturer in Film at King's College London, UK. He is co-editor, with James Bennett, of Film and Television After DVD (2008). Author affiliation details are correct at time of print publication.

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Fantasy Film : A Critical Introduction

Berg, 2011

Book

...Who Made What In Chapter 1 I suggested that a series of creative decisions taken by Fritz Lang in the concluding moments of You Only Live Once effectively transform both the tone and narrative possibilities of the film, giving rise...

Making Meaning

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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The Fundamentals of Film-Making

AVA Publishing SA, 2008

Book

... QC Preflight Point 2nd 3 3 1: FILM THEORY The study of film theory includes a number of approaches, from the history of technological innovations in sound and colour to the study of film form for particular directors. Copyright:Tatiana...

Preliminaries

Robert Edgar Hunt

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Publications include Screenwriting (2009) and Directing Fiction (2010) and most recently the second edition of The Language of Film(Bloomsbury, 2015). Research projects include work on Hitchcock and Herrmann, contemporary television and Top Gear. Robert was a co-editor of The Music Documentary: Acid Rock to Electropop (2013). Author affiliation details are correct at time of print publication.

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Basics Film-Making 03: Directing Fiction

AVA Publishing SA, 2010

Book

... 1 st Proof Title: BFM TEXT 7/15/09 4:576:301 PM The Eiger Sanction (dir: Clint Eastwood 1975) We all ‘love the movies’, and plenty of people say they have a great idea for a movie of their own. However, a director is more than...

Film Constructs

Nitzan Ben-Shaul

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

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Film : The Key Concepts

Berg, 2007

Book

...Introduction Semiological and structural approaches that developed in the 1950s strove to decipher some deep underlying sign system (semiology) or structure (structuralism) able to explain or reveal the meaning of a variety of surface...

Representing the Past and the Meaning of Home in Péter Forgács’s Private Hungary

Ruth Balint

Ruth Balint

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Amateur Filmmaking : The Home Movie, the Archive, the Web

Bloomsbury Academic, 2014

Book

...Since the 1980s, Hungarian filmmaker Péter Forgács has been working with old home movies and amateur films, using them as the foundation upon which to create his extraordinary narratives of twentieth-century European, mostly Hungarian...