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  • Avant Garde/Experimental Close
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Shaping Abstractions: Eye Tracking Experimental Film

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Jodi Sita

Jodi Sita is Senior Lecturer in Anatomy and Neurosciences in the School of Allied Health at Australian Catholic University, Australia. She is a neuroscientist, health scientist, and eye-tracking expert, heading the eye-tracking laboratory at Australian Catholic University.. Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Introduction It can be argued that a great deal of eye tracking the moving-image research has concentrated on examining mainstream, narrative-driven film and television texts. As William Brown observes, eye-tracking research has up until...

Why Avant-Garde?

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

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Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...Avant-garde films have more often than not been relegated to the margins of film history. Any comprehensive film history text will cover avant-garde film, but the amount of information provided is usually a chapter (if one is lucky...

Street of Crocodiles

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

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Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...Timothy and Stephen Quay, identical twins who are American born but have lived and worked in London all of their filmmaking lives, produce darkly disturbing and densely textured films highlighting their fascination with and mastery...

Dispositif: An Expanded Layered Structure

Janna Houwen

Janna Houwen is an Assistant Professor at the Department of Film and Literary Studies, Leiden University, The Netherlands. Author affiliation details are correct at time of print publication.

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Film and Video Intermediality : The Question of Medium Specificity in Contemporary Moving Images

Bloomsbury Academic, 2017

Book chapter

...French film scholars Jean-Louis Baudry and Christian Metz were of the opinion that films bring the film viewer in a state which is close to dreaming and hallucination. According to Baudry, this dreamlike state of the film viewer is not so...

Surfaces and Screens: Video’s Embodying Dispositifs

Janna Houwen

Janna Houwen is an Assistant Professor at the Department of Film and Literary Studies, Leiden University, The Netherlands. Author affiliation details are correct at time of print publication.

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Film and Video Intermediality : The Question of Medium Specificity in Contemporary Moving Images

Bloomsbury Academic, 2017

Book chapter

...I can feel my body. I am lying in a dark space. I can feel my body lying here. I am awake. I feel my breathing, in and out, quiet and regular. I can feel my breathing. I move my body. [. . .] I imagine my body. I imagine my body...

Medium Specificity and The Reality Effect

Janna Houwen

Janna Houwen is an Assistant Professor at the Department of Film and Literary Studies, Leiden University, The Netherlands. Author affiliation details are correct at time of print publication.

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Film and Video Intermediality : The Question of Medium Specificity in Contemporary Moving Images

Bloomsbury Academic, 2017

Book chapter

...The first chapter of this part ended with the assertion that the media of film and video do not only produce a reality effect automatically because of the chemical and technical ways they each record objects in front of the lens. For,...

Introduction

Janna Houwen

Janna Houwen is an Assistant Professor at the Department of Film and Literary Studies, Leiden University, The Netherlands. Author affiliation details are correct at time of print publication.

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Film and Video Intermediality : The Question of Medium Specificity in Contemporary Moving Images

Bloomsbury Academic, 2017

Book chapter

...In David Cronenberg’s film Videodrome (1983), video is a very dangerous medium. It causes brain tumors, hallucinations, and murderous intent in its viewers. Malicious videotapes send out invisible signals, which slowly manipulate the people...

The Production of Portable Objects

Janna Houwen

Janna Houwen is an Assistant Professor at the Department of Film and Literary Studies, Leiden University, The Netherlands. Author affiliation details are correct at time of print publication.

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Film and Video Intermediality : The Question of Medium Specificity in Contemporary Moving Images

Bloomsbury Academic, 2017

Book chapter

...In contrast to objective registration, the capability which will be discussed in this chapter is not attributed to photography, film, and video by convention. The three media are technically able to produce portable objects, with the word...

Spectres of the Spectrum

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

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Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...A film that is a nearly complete mash-up or reassemblage of many, various, and different clips from other films is arguably not an adaptation at all since it is comprised of others’ materials instead of one’s own. But the appropriation...

A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

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Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...There is no formal academic study or history of avant-garde adaptation; what I am attempting to do is offer a few ideas about some alternative forms of adaptation that have occurred since the origins of cinema, highlighting specific...