Loading
Loading
Log In

Results

  • Avant Garde/Experimental Close
Sort By:  1-10 of 433 (44 pages)
Results per page:
         

Conclusion

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...Cinema adaptations of well-known novels proliferate, and there will always be a demand for them because they reinforce the popular cultural idioms and tastes of both the impressionable youth (Twilight, Harry Potter) and the high-minded...

Why Avant-Garde?

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...Avant-garde films have more often than not been relegated to the margins of film history. Any comprehensive film history text will cover avant-garde film, but the amount of information provided is usually a chapter (if one is lucky...

The Exploitative Adaptation

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...Almost any text, whether literary or cultural artifact, can be rewritten or appropriated through public consumption or by an individual artist. Adaptations can change dramatically from original sources to their finished, or secondary...

Appropriation

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...The “theft” of previously available artistic works, cultural artifacts, historical data, or biographical information, whether in performance or as a published piece, has been a common practice of creative endeavor, whether in filmmaking...

Defining the Avant-Garde Film

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...Avant-garde films are not always easy to define in an all-inclusive manner, but they are typically recognized by cineastes and even average spectators because of their very nature of being “different.” Experimental and avant-garde films do...

Shaping Abstractions: Eye Tracking Experimental Film

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

Search for publications
and

Jodi Sita

Jodi Sita is Senior Lecturer in Anatomy and Neurosciences in the School of Allied Health at Australian Catholic University, Australia. She is a neuroscientist, health scientist, and eye-tracking expert, heading the eye-tracking laboratory at Australian Catholic University.. Author affiliation details are correct at time of print publication.

Search for publications

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Introduction It can be argued that a great deal of eye tracking the moving-image research has concentrated on examining mainstream, narrative-driven film and television texts. As William Brown observes, eye-tracking research has up until...

Introduction

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...Film adaptations of previously published or existent material, from novels, stories, and plays to less “suitable” material such as operas, other films, biography, or history, have been an essential aspect of film history since the silent...

Dracula: Pages from a Virgin’s Diary

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...Of all the plentiful vampire film adaptations, Guy Maddin’s Dracula: Pages from a Virgin’s Diary (2002) is the most inventive, exploitative, and visually stimulating. It is daring in all aspects of its production, including its mode...

Cinematic video installations: Hybridized apparatuses inside the black box

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

Search for publications

Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

...The gallery is not a repository for the splinters and debris of cinema, which has not so much “expanded” . . . as exploded. And video is clearly the agent that has enabled the overlap of film and gallery.Chris Darke, “Cinema Exploded...

A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book chapter

...There is no formal academic study or history of avant-garde adaptation; what I am attempting to do is offer a few ideas about some alternative forms of adaptation that have occurred since the origins of cinema, highlighting specific...