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  • Avant Garde/Experimental
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Conclusion

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

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Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book

...Cinema adaptations of well-known novels proliferate, and there will always be a demand for them because they reinforce the popular cultural idioms and tastes of both the impressionable youth (Twilight, Harry Potter) and the high-minded...

The Exploitative Adaptation

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

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Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book

...Almost any text, whether literary or cultural artifact, can be rewritten or appropriated through public consumption or by an individual artist. Adaptations can change dramatically from original sources to their finished, or secondary...

Appropriation

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

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Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book

...The “theft” of previously available artistic works, cultural artifacts, historical data, or biographical information, whether in performance or as a published piece, has been a common practice of creative endeavor, whether in filmmaking...

Defining the Avant-Garde Film

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

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Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book

...Avant-garde films are not always easy to define in an all-inclusive manner, but they are typically recognized by cineastes and even average spectators because of their very nature of being “different.” Experimental and avant-garde films do...

Why Avant-Garde?

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

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Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book

...Avant-garde films have more often than not been relegated to the margins of film history. Any comprehensive film history text will cover avant-garde film, but the amount of information provided is usually a chapter (if one is lucky...

Counter-Structure

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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Jeff Rush

Jeff Rush is an associate professor at Temple University's Department of Film & Media Arts. He has served as director of the MFA program and as Department Chair in Film & Media Arts. He received an MFA in Screenwriting and Directing from the American Film Institute and an MFA in Fiction Writing from the University of Iowa's Writer's Workshop. In addition to teaching, Jeff has worked as a freelance screenwriter and has published numerous articles and books. Author affiliation details are correct at time of print publication.

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Alternative Scriptwriting : Beyond the Hollywood Formula

Focal Press, 2013

Book

... C ounter-Structure As we have seen, stories cast in restorative three-act form tend to be c onservative, suggesting an orderly, clear-cut world in which characters con- trol their own fates and action is redeemable by motive...

Shaping Abstractions: Eye Tracking Experimental Film

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Jodi Sita

Jodi Sita is Senior Lecturer in Anatomy and Neurosciences in the School of Allied Health at Australian Catholic University, Australia. She is a neuroscientist, health scientist, and eye-tracking expert, heading the eye-tracking laboratory at Australian Catholic University.. Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book

...Introduction It can be argued that a great deal of eye tracking the moving-image research has concentrated on examining mainstream, narrative-driven film and television texts. As William Brown observes, eye-tracking research has up until...

Introduction

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book

...Film adaptations of previously published or existent material, from novels, stories, and plays to less “suitable” material such as operas, other films, biography, or history, have been an essential aspect of film history since the silent...

Dracula: Pages from a Virgin’s Diary

William Verrone

William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell. Author affiliation details are correct at time of print publication.

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Adaptation and the Avant-Garde : Alternative Perspectives on Adaptation Theory and Practice

Continuum, 2011

Book

...Of all the plentiful vampire film adaptations, Guy Maddin’s Dracula: Pages from a Virgin’s Diary (2002) is the most inventive, exploitative, and visually stimulating. It is daring in all aspects of its production, including its mode...

Genres of Voice

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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and

Jeff Rush

Jeff Rush is an associate professor at Temple University's Department of Film & Media Arts. He has served as director of the MFA program and as Department Chair in Film & Media Arts. He received an MFA in Screenwriting and Directing from the American Film Institute and an MFA in Fiction Writing from the University of Iowa's Writer's Workshop. In addition to teaching, Jeff has worked as a freelance screenwriter and has published numerous articles and books. Author affiliation details are correct at time of print publication.

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Alternative Scriptwriting : Beyond the Hollywood Formula

Focal Press, 2013

Book

... Genres of Voice V oice, the editorial opinion of the writer about the story he is writing, can be deeply embedded, masked within the genre, or it can be foregrounded, superseding all the narrative elements of the script...