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The Glory

Barbara Freedman Doyle

Barbara Freedman Doyle began her career as Assistant to the Senior VP of Worldwide Production at Tri-Star Pictures and continued as Coordinator/Production Supervisor on projects for CBS, NBC, Disney, TNT, Showtime, Hearst Entertainment, Hallmark, 20th Century Fox, and more. Currently, she is the Chair of the Film Division of Chapman University. Author affiliation details are correct at time of print publication.

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Make Your Movie : What You Need to Know About the Business and Politics of Filmmaking

Focal Press, 2012

Book

... The Glory REVIEWS In these days of instant information via texting and postings, print reviews mat- ter less than they used to. Newspaper circulation is down, and by the time amag- azine comes out, everyone pretty much knows whether...

Getting Seen

Marilyn Beker

Marilyn Beker is a professor of screenwriting in the School of Film and Television at Loyola Marymount University in Los Angeles, California. She is the author of Screenwriting With a Conscience: Ethics for Screenwriters and The Screenwriter Activist: Writing Social Issue Movies. She has extensive screenwriting and production experience and is the recipient of the Visionary Leader in Education Award from Shorts HD and Shorts International for her work in short films. Author affiliation details are correct at time of print publication.

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Write To Shoot : Writing Short Films for Production

Routledge, 2017

Book

... G E T T I N G S E E N The Festival Circuit Let’s face it—every filmmaker intends to show at film festivals. Unfortunately, there are no guarantees that a film will make it into a festival. And then, of course, there are entry fees...

New Perspectives for Online Film Festivals

Christel Taillibert

Christel Taillibert

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International Film Festivals : Contemporary Cultures and History Beyond Venice and Cannes

I.B.Tauris, 2018

Book

...In the 1960s, a new festival logic gradually defined itself on the sidelines of the large international film festivals. Its aim was to explore the fringes of art cinema and those texts overlooked by commercial exploitation and mainstream...

The Celluloid Canon

Philip Gillett

Philip Gillett is an independent film critic and writer and author of The British Working Class in Postwar Film. Author affiliation details are correct at time of print publication.

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Movie Greats : A Critical Study of Classic Cinema

Berg, 2008

Book

...Defining the Canon Film in Britain lies outside the remit of the Arts Councils, which sums up its anomalous position among the arts. Should this shadowy treasure be called an art at all? Janet Staiger in her seminal paper sees...

Introduction

Roy Stafford

Roy Stafford is a freelance lecturer and writer based in West Yorkshire, working in film education with independent cinemas. He is co-author, with Gill Branston, of The Media Student's Book (Routledge, 4th edition 2006) and has produced a wide range of film materials for teachers and students. Author affiliation details are correct at time of print publication.

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Understanding Audiences and the Film Industry

British Film Institute, 2007

Book

...‘Everybody loves the movies’: it is an easy assumption to make, but in the century since the first film programmes were presented to a paying public, its veracity has been demonstrated all over the world. Film as a medium...

The Passing of a Tradition and Coming of Age

David Lewis Yewdall

David Lewis Yewdall, MPSE is a veteran sound editor who has worked on over 100 feature films and TV series. He is currently Filmmaker-in-Residence at North Carolina School of the Arts. He is also the author of FILM - The Practical Art of Motion Picture Sound. Author affiliation details are correct at time of print publication.

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Practical Art of Motion Picture Sound

Focal Press, 1999

Book

... The Passing of a Tradition and Coming of Age In the professional world of sound award achievements for film and television, the four standards are the Golden Reel Awards (Motion Picture Sound Editors), the CAS Awards (Cinema Audio...

Steve Martin & Gillies MacKinnon

Projections 6 : Film-makers on Film-making

Faber and Faber Limited, 1996

Book

...Acting, writing and directing Simple Twist of FateGinnie AtkinsonPerhaps you could tell us why you wanted to do the film and wanted to write it yourself, because it's based on the book Silas Mamer.Do we have to? I'd rather start...

From The Exterminating Angel to Simon of the Desert (1961–6)

Luis Buñuel : A Life in Letters

Bloomsbury Academic, 2019

Book

...To José Rubia Barcia Mexico City, 2 October 1961 My dear don Pepe, I thought Rafael was only going stay with you for a few days, but I gather from your last letter that in fact he spent quite a while at your house. I’m so sorry if he put...

Being Different: Almodóvar and the Academia

Nuria Triana-Toribio

Professor of Hispanic Studies at the University of Kent, UK. Her research interests include Spanish film and film cultures, cultural studies, and popular cinema and culture. She is the author of Spanish National Cinema (2003), co-author of The Cinema of Álex de la Iglesia (2007) and co-editor of the Spanish and Latin Filmmakers series for Manchester University Press. Author affiliation details are correct at time of print publication.

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Spanish Film Cultures : The Making and Unmaking of Spanish Cinema

British Film Institute, 2016

Book

...It is cool to do things on your own, it is fun to be ignored and insulted by those around you. It is life affirming to ‘get’ and embrace matters that most others don’t.That Kugelberg’s words appear at the start of this chapter may surprise...

Images and Accidents

Projections 6 : Film-makers on Film-making

Faber and Faber Limited, 1996

Book

...Introduction I was in San Francisco filming a music video for Chris Isaak directed by Larry Clark. In fact, it was the first time I worked with Larry and the first time he had ever made a movie, albeit a small one. As part of his concept...