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Transnational Topographies: Barry Lyndon as Irish Odyssey

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...A little bit of Hollywood has fallen off the merry-go-round and landed in Ireland.An innovation every day.In Chapter 3, I argue that succession—which is both a temporal ordering and a process of exchange between generations—structures...

Barry Lyndon and Aesthetic Time

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Eternity itself rests in unity, and this image we call time.A new relationship to time was the most significant change, and perhaps the defining development, of the French Revolution.When it emphasizes the time in which things take place...

Paternal Crisis, or: History as Succession

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Considered Kubrick’s “most literary” film by Vincent Lo Brutto (45) and described by Frank Rich as “as far away from literary modes of filmmaking as you can possibly get” (27), Barry Lyndon is, in fact, both literary and abstract...

Introduction

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

Search for publications

Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Ireland mustn’t be such a bad place so, if the Yanks want to come to Ireland to do their filming.In an interview aired on May 2, 2013 on National Public Radio’s “Morning Edition” program, David Chase, the creator of the popular HBO...

Untimely Cinema: Barry Lyndon and the 1970s

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Perhaps when everything is beautiful, nothing is beautiful.The preceding chapters have explored key aspects of the discourse of temporality within Barry Lyndon (1975), including the way it counters narrative sequence with a disruptive...

Adapting Barry Lyndon: A Tale of Two Auteurs

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...A great narrative is a kind of miracle.[Stanley Kubrick] thought that Thackeray was better than any screenwriter alive.Stanley Kubrick “aspired to be the novelist of American filmmakers,” according to Robert Kolker (97). His films have been...

The Rhythm and the Rest: Painting, Cinema, Stillness

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Three hours and four minutes of pictures.There is no work which does not have its beginning and end in other arts.We expect photographs, like paintings, to be transparent in the manner that is captured by the term “looking through...

Stanley Kubrick’s Cinema of Failure

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Overview Articles

...Stanley Kubrick (1928–99) is frequently lauded as one of the most influential US filmmakers of the twentieth century. Revered by film directors from Steven Spielberg, Paul Thomas Anderson, and Christopher Nolan to George Romero and Akira...

Appendix: Selected Filmographies

Roy Perkins

Roy Perkins

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and

Martin Stollery

Martin Stollery

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British Film Editors : “The Heart of the Movie”

British Film Institute, 2014

Book chapter

...The careers of British editors can be related, in general terms, to the distinction between artists and craftspersons, and to issues of class, education and gender. These provide a broad context for the diverse backgrounds, achievements...

1980s

Amy Sargeant

Douglas Gomery is Resident Scholar at the Library of American Broadcasting and Film at the University of Maryland, USA. Author affiliation details are correct at time of print publication.

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British Cinema : A Critical History

British Film Institute, 2005

Book chapter

...Charlotte Rampling as Iron Lady in David Hare’s 1988 Paris by Night Boxed Sets The 1980s were self-consciously preoccupied with literary and visual style and presentation across a range of contemporary cultural and political activity...