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Transnational Topographies: Barry Lyndon as Irish Odyssey

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book

...A little bit of Hollywood has fallen off the merry-go-round and landed in Ireland.An innovation every day.In Chapter 3, I argue that succession—which is both a temporal ordering and a process of exchange between generations—structures...

Introduction

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book

...Ireland mustn’t be such a bad place so, if the Yanks want to come to Ireland to do their filming.In an interview aired on May 2, 2013 on National Public Radio’s “Morning Edition” program, David Chase, the creator of the popular HBO...

Barry Lyndon and Aesthetic Time

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book

...Eternity itself rests in unity, and this image we call time.A new relationship to time was the most significant change, and perhaps the defining development, of the French Revolution.When it emphasizes the time in which things take place...

Paternal Crisis, or: History as Succession

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

Search for publications

Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book

...Considered Kubrick’s “most literary” film by Vincent Lo Brutto (45) and described by Frank Rich as “as far away from literary modes of filmmaking as you can possibly get” (27), Barry Lyndon is, in fact, both literary and abstract...

Untimely Cinema: Barry Lyndon and the 1970s

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book

...Perhaps when everything is beautiful, nothing is beautiful.The preceding chapters have explored key aspects of the discourse of temporality within Barry Lyndon (1975), including the way it counters narrative sequence with a disruptive...

Adapting Barry Lyndon: A Tale of Two Auteurs

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book

...A great narrative is a kind of miracle.[Stanley Kubrick] thought that Thackeray was better than any screenwriter alive.Stanley Kubrick “aspired to be the novelist of American filmmakers,” according to Robert Kolker (97). His films have been...

The Rhythm and the Rest: Painting, Cinema, Stillness

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book

...Three hours and four minutes of pictures.There is no work which does not have its beginning and end in other arts.We expect photographs, like paintings, to be transparent in the manner that is captured by the term “looking through...

The Dead Kitten: Sacrifice in Barry Lyndon

Alexander Nemerov

Alexander Nemerov

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

...A serious house on serious earth it is . . .Representation can sometimes be found dreaming of its own endeavors. At its most outlandish, it even entertains fantasies of what it can achieve. One such fantasy is as follows: representation...

Stanley Kubrick’s Cinema of Failure

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Articles

...Stanley Kubrick (1928–99) is frequently lauded as one of the most influential US filmmakers of the twentieth century. Revered by film directors from Steven Spielberg, Paul Thomas Anderson, and Christopher Nolan to George Romero and Akira...

Kubrick’s Machine Vision

Drew Ayers

Drew Ayers is Assistant Professor of Theatre and Film at Eastern Washington University, USA. His research focuses on visual culture, digital technology, visual effects, cinema, and nonhuman theory, and he has previously been published in Animation, Configurations, Film Criticism, and several edited anthologies. Ayers also serves as a board member and programmer for the Spokane International Film Festival. Author affiliation details are correct at time of print publication.

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Spectacular Posthumanism : The Digital Vernacular of Visual Effects

Bloomsbury Academic, 2019

Book

...It might seem strange to begin my discussion of digital spectacle with some examples from Stanley Kubrick, that most modernist of directorsJames Naremore (2007) memorably refers to Kubrick as “The Last Modernist.” who passed away before...