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Conclusion

Stephanie Fremaux

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

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The Beatles on Screen : From Pop Stars to Musicians

Bloomsbury Academic, 2018

Book

...The journey the Beatles take between their first film and their last depicts the turbulence, challenges, and new possibilities of individuality that come from questioning and undermining traditional ways of thinking about image. And in case...

A Hard Day’s Night

Stephanie Fremaux

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

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The Beatles on Screen : From Pop Stars to Musicians

Bloomsbury Academic, 2018

Book

...Writing for the Village Voice on August 27, 1964, film critic Andrew Sarris made a bold comparison between a faddish pop musical and one of the great Hollywood classics by calling A Hard Day’s Night “the Citizen Kane of jukebox musicals...

From seaside mystery trips to Pepperland

Stephanie Fremaux

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

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The Beatles on Screen : From Pop Stars to Musicians

Bloomsbury Academic, 2018

Book

...Yellow Submarine comes the closest of the Beatles’ films to fit the examples of Dyer’s (2002) work on the musical in that it most closely represents entertainment as pure entertainment and, at first glance, its narrative form...

The end of an era, the end of the Beatles—Let It Be

Stephanie Fremaux

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

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The Beatles on Screen : From Pop Stars to Musicians

Bloomsbury Academic, 2018

Book

...The Beatles spent the majority of the summer and early autumn of 1968 working in the studio on what they insisted should be a double album, The Beatles, despite George Martin’s advice that it would make a stronger record if it was cut down...

Let It Be

Patrick Russell

Patrick Russell is Senior Curator (Non-Fiction), BFI National Archive, UK. He is the author of 100 British Documentaries (2007) and co-editor of The Lost World of Mitchell and Kenyon (BFI 2004) and Shadows of Progress: Documentary Film in Post-War Britain (2010) and has been a regular contributor to BFI Screenonline. Author affiliation details are correct at time of print publication.

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100 British Documentaries : BFI Screen Guides

British Film Institute, 2007

Book

...Popular music has long been much the most regular, lucrative source for cinema documentary, but this famous early example originated as an intended television documentary sketch of The Beatles at work. Partly to help the band meet...

Help! Beatlemania is out of control

Stephanie Fremaux

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

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The Beatles on Screen : From Pop Stars to Musicians

Bloomsbury Academic, 2018

Book

...I have argued that one of the unusual aspects of A Hard Day’s Night was the duality of the musical sequences in depicting the role of the audience. On one level, the use of the live performance mode encouraged the audience as an integral...

Living the Dream

Danny Powell

Danny Powell is a London-based teacher of media and film studies whose books include Studying British Cinema: The 1960s. Author affiliation details are correct at time of print publication.

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Studying British Cinema: The 1960s

Auteur, 2009

Book

...Films to watch: Help! (1965) Yellow Submarine (1968) Symbols of change ‘I suppose…it all goes back to The Beatles. We were lucky enough that they were quite cool and hip and there weren’t a lot of cool and hip people around…they became...

Introduction

Stephanie Fremaux

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

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The Beatles on Screen : From Pop Stars to Musicians

Bloomsbury Academic, 2018

Book

...When asked about what it was like to see the Beatles for the first time on television, American actress and comedienne Whoopi Goldberg replied, “They were, you know, fucking amazing. The Beatles gave me this idea that everyone was welcome...

Roll up for the Magical Mystery Tour

Stephanie Fremaux

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

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The Beatles on Screen : From Pop Stars to Musicians

Bloomsbury Academic, 2018

Book

...The Beatles’ decision to quit touring in 1966 became an important turning point in the band’s direction and outlook. Performing live has always been a key marketing strategy and a direct way to connect with the fan base. Bands use touring...

Yellow Submarine

Andrew Osmond

Andrew Osmond is a freelance journalist based in Berkshire, UK. He writes for a range of high-profile film magazines including Sight and Sound, Empire and SFX. Author affiliation details are correct at time of print publication.

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100 Animated Feature Films : BFI Screen Guides

British Film Institute, 2010

Book

...[Miscellaneous techniques] DIRECTOR George Dunning PRODUCER Al Brodax STORY Lee Minoff, Al Brodax, Jack Mendelsohn, Erich Segal, Roger McGough SCORE George Martin DESIGN Heinz Edelmann, Jon...