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Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

James Russell is Principal Lecturer in Film Studies at De Montfort University, UK. His last book was The Historical Epic and Contemporary Hollywood (Bloomsbury, 2007). His short writing has appeared in Cinema Journal, the Journal of American Studies, the Guardian and numerous edited collections. Author affiliation details are correct at time of print publication.

Jim Whalley is an independent scholar based in the UK. He writes on American cinema history, and is the author of Saturday Night Live, Hollywood Comedy and American Culture (2010). His short writing has also appeared in The New Review of Film and Television Studies. Author affiliation details are correct at time of print publication.

MICHAEL CHANAN is a documentary film-maker and Professor of Film and Video at Roehampton University. His films include 'Detroit - Ruin of a City' (with George Steinmetz, 2005). His books include 'Cuban Cinema' (2003) and 'Repeated Takes: A Short History of Recording and its Effects on Music' (1995). Author affiliation details are correct at time of print publication.

J Tyree