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For an Ethics of the Cinema

Giorgio Agamben

Giorgio Agamben

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

...Translated by John V. Garner and Colin Williamson Type In his “Notes sur les Tableaux parisiens de Baudelaire,” drafted in French during the last years of his exile in Paris, Walter Benjamin evokes a “nightmare” familiar to anyone who...

Rabid (2002)

Directed by

David Cronenberg

Written by

David Cronenberg

Screenplay

Image
...Hilly Country Road ‒ Day A large, black, powerful-looking motorcycle waits propped up on its center stand on the gravel shoulder of a deserted country road. The gold lettering on its tank and side covers identifies it as a Norton Commando...

Auditing the Call Centre Voice: Accented Speech and Listening in Sonali Gulati’s Nalini by Day, Nancy by Night (2005)

Pooja Rangan

Pooja Rangan

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Vocal Projections : Voices in Documentary

Bloomsbury Academic, 2019

Book chapter

...What can we learn from call centres about the place of voice in documentary? Although these two sites – the offshore call centre and documentary’s vocal conventions – may seem at first to have little to do with each other, I will suggest...

Feminism and Film Since the 1990s

Barbara Creed

Barbara Creed

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The Cinema Book

British Film Institute, 2007

Book chapter

...River Phoenix in My Own Private IdahoFeminist film theory will soon be entering its 40th year. While some post-feminists have declared that the feminist movement is over, others are more optimistic, preparing to celebrate the dictum that,...

Shivers (2002)

Directed by

David Cronenberg

Written by

David Cronenberg

Screenplay

Image
...Starliner Towers Apartment Complex ‒ Morning Starliner Towers is seen in LS through the windshield of a moving car. The car approaches the complex and stops near the main doors of the West Tower. Out of the car climb Kresimir and Benda...

Biopolitics of Gesture

Pasi Väliaho

Pasi Väliaho

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

...The genealogy that Giorgio Agamben provides for cinema in his short but powerful text “Notes on Gesture” strikes in its singularity. Rather than thinking of cinema as an art of optical spectacles, he approaches the medium in terms...

From Freezing to Touching

Janna Houwen

Janna Houwen is an Assistant Professor at the Department of Film and Literary Studies, Leiden University, The Netherlands. Author affiliation details are correct at time of print publication.

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Film and Video Intermediality : The Question of Medium Specificity in Contemporary Moving Images

Bloomsbury Academic, 2017

Book chapter

...With straightened backs and deadpan expressions, about forty police officers pose together in what seems to be a conventional group portrait. Because of the static poses held by the portrayed figures, the large image projected on the wall...

Introduction

Tarja Laine

Tarja Laine is Assistant Professor of Film Studies at the University of Amsterdam in the Netherlands. She is the author of Shame and Desire: Emotion, Intersubjectivity, Cinema (2007). Author affiliation details are correct at time of print publication.

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Feeling Cinema : Emotional Dynamics in Film Studies

Continuum, 2011

Book chapter

...The poem above, entitled “An Argument with Wordsworth,” is written by Wendy Cope as a response to the famous Wordsworth quotation from his Lyrical Ballads.Wendy Cope, Serious Concerns (London: Faber and Faber, 1992), 47. Similar, I feel...

The End of Summer: Conte d’été (1996)

Jacob Leigh

Dr. Jacob Leigh is Lecturer in the department of Media Arts at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

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Film Moments : Criticism, History, Theory

British Film Institute, 2003

Book chapter

...In Eric Rohmer’s Conte d’été/A Summer’s Tale (1996), the boundary between friendship and love is marked by four kisses between Gaspard (Melvil Poupaud) and Margot (Amanda Langlet), with each character initiating two of them.The major theme...

Anime’s Bodies

Rayna Denison

Rayna Denison is Senior Lecturer in the School of Art, Media and American Studies at the University of East Anglia, UK, specializing in Japanese and Asian film and television cultures. Denison is the author of Anime: A Critical Introduction (2015), has co-edited the Eisner Award-nominated Superheroes on World Screens (2015) as well as publishing in a wide range of academic journals including Cinema Journal, the International Journal of Cultural Studies and Velvet Light Trap. Her research interests include anime, Japanese cinema, comic book movies and children’s film and television, especially animation. Author affiliation details are correct at time of print publication.

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The Animation Studies Reader

Bloomsbury Academic, 2019

Book chapter

...In this chapter from her book Anime: A Critical Introduction (Bloomsbury 2015), Denison contextualizes how women’s bodies in anime are read and understood by both Japanese and Western audiences. She examines their mutable...