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Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

Casey McKittrick is an Associate Professor of English at Western Michigan University in Kalamazoo, Michigan, USA. He regularly teaches courses in Film Interpretation, The Films of Alfred Hitchcock, African American Literature, and American Literature surveys. He has published essays in The Velvet Light Trap, the anthologies Writing as Re-Vision and Porn and Philosophy, and reviews in several film and gender studies journals. Author affiliation details are correct at time of print publication.

Casey McKittrick is an Associate Professor of English at Western Michigan University in Kalamazoo, Michigan, USA. He regularly teaches courses in Film Interpretation, The Films of Alfred Hitchcock, African American Literature, and American Literature surveys. He has published essays in The Velvet Light Trap, the anthologies Writing as Re-Vision and Porn and Philosophy, and reviews in several film and gender studies journals. Author affiliation details are correct at time of print publication.

Casey McKittrick is an Associate Professor of English at Western Michigan University in Kalamazoo, Michigan, USA. He regularly teaches courses in Film Interpretation, The Films of Alfred Hitchcock, African American Literature, and American Literature surveys. He has published essays in The Velvet Light Trap, the anthologies Writing as Re-Vision and Porn and Philosophy, and reviews in several film and gender studies journals. Author affiliation details are correct at time of print publication.

Casey McKittrick is an Associate Professor of English at Western Michigan University in Kalamazoo, Michigan, USA. He regularly teaches courses in Film Interpretation, The Films of Alfred Hitchcock, African American Literature, and American Literature surveys. He has published essays in The Velvet Light Trap, the anthologies Writing as Re-Vision and Porn and Philosophy, and reviews in several film and gender studies journals. Author affiliation details are correct at time of print publication.

Casey McKittrick is an Associate Professor of English at Western Michigan University in Kalamazoo, Michigan, USA. He regularly teaches courses in Film Interpretation, The Films of Alfred Hitchcock, African American Literature, and American Literature surveys. He has published essays in The Velvet Light Trap, the anthologies Writing as Re-Vision and Porn and Philosophy, and reviews in several film and gender studies journals. Author affiliation details are correct at time of print publication.

Casey McKittrick is an Associate Professor of English at Western Michigan University in Kalamazoo, Michigan, USA. He regularly teaches courses in Film Interpretation, The Films of Alfred Hitchcock, African American Literature, and American Literature surveys. He has published essays in The Velvet Light Trap, the anthologies Writing as Re-Vision and Porn and Philosophy, and reviews in several film and gender studies journals. Author affiliation details are correct at time of print publication.

Casey McKittrick is an Associate Professor of English at Western Michigan University in Kalamazoo, Michigan, USA. He regularly teaches courses in Film Interpretation, The Films of Alfred Hitchcock, African American Literature, and American Literature surveys. He has published essays in The Velvet Light Trap, the anthologies Writing as Re-Vision and Porn and Philosophy, and reviews in several film and gender studies journals. Author affiliation details are correct at time of print publication.

Casey McKittrick is an Associate Professor of English at Western Michigan University in Kalamazoo, Michigan, USA. He regularly teaches courses in Film Interpretation, The Films of Alfred Hitchcock, African American Literature, and American Literature surveys. He has published essays in The Velvet Light Trap, the anthologies Writing as Re-Vision and Porn and Philosophy, and reviews in several film and gender studies journals. Author affiliation details are correct at time of print publication.