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Murray Pomerance is an independent scholar based in Toronto, Canada. He is the author of books including The Eyes Have It: Cinema and the Reality Effect (2013), Alfred Hitchcock's America (2013) and the BFI Film Classics on Hitchcock's Marnie (2014) and The Man Who Knew Too Much (2016). Author affiliation details are correct at time of print publication.

Sandra Meiri is a senior lecturer and academic supervisor of film studies in the Department of Literature, Linguistics and Art, The Open University of Israel. She has taught many undergraduate, graduate courses, and seminars (on film theories, gender, sexuality, film history, film and psychoanalysis) in the Department of Film and Television, Tel Aviv University. Author affiliation details are correct at time of print publication.

Odeya Kohen Raz is a lecturer and coordinator of film theory teaching at the Sapir Academic College, a teaching coordinator in the Department of Literature, Linguistics and Art, The Open University of Israel, and teaches in the Department of Film and Television, Tel Aviv University. Author affiliation details are correct at time of print publication.

Benjamin Bratt is a visual effects artist based out of Dallas, Texas who has worked as a digital artist on recent movies such as Underworld: Rise of the Lycans, Race to Witch Mountain, Obsessed, and The Proposal. He is currently the lead compositor at Radium/Reel FX in Dallas. Clients include the Dallas Cowboys, Coors, Ram Truck, and more. Benjamin has also taught Visual Effects and Rotoscoping classes at the Academy of Art. Author affiliation details are correct at time of print publication.

Giorgio Agamben

Pooja Rangan

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London. She is the author of Fetishism and Curiosity (1996), Death Twenty-four Times a Second: Stillness and the Moving Image (2006), and Visual and Other Pleasures (2nd edition, 2010), and the BFI Film Classic on ‘Citizen Kane’ (1992, 2012). Author affiliation details are correct at time of print publication.

Sandra Meiri is a senior lecturer and academic supervisor of film studies in the Department of Literature, Linguistics and Art, The Open University of Israel. She has taught many undergraduate, graduate courses, and seminars (on film theories, gender, sexuality, film history, film and psychoanalysis) in the Department of Film and Television, Tel Aviv University. Author affiliation details are correct at time of print publication.

Odeya Kohen Raz is a lecturer and coordinator of film theory teaching at the Sapir Academic College, a teaching coordinator in the Department of Literature, Linguistics and Art, The Open University of Israel, and teaches in the Department of Film and Television, Tel Aviv University. Author affiliation details are correct at time of print publication.

Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London. She is the author of Fetishism and Curiosity (1996), Death Twenty-four Times a Second: Stillness and the Moving Image (2006), and Visual and Other Pleasures (2nd edition, 2010), and the BFI Film Classic on ‘Citizen Kane’ (1992, 2012). Author affiliation details are correct at time of print publication.