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James Franco grew up in the northern California town of Palo Alto. He is an actor, director, screenwriter and artist. His film appearances include Milk, Pineapple Express, the Spider-Man trilogy, Howl, Oz the Great and Powerful, Spring Breakers, and This Is The End. Author affiliation details are correct at time of print publication.

Roy Stafford is a freelance lecturer and writer based in West Yorkshire, working in film education with independent cinemas. He is co-author, with Gill Branston, of The Media Student's Book (Routledge, 4th edition 2006) and has produced a wide range of film materials for teachers and students. Author affiliation details are correct at time of print publication.

Matthew Tinkcom is Associate Professor of Communication, Culture and Technology and Affiliate Faculty of English at Georgetown University, USA. He is the author of Working Like a Homosexual: Camp, Capital, Cinema and Grey Gardens, co-editor of Key Frames: Popular Cinema and Cultural Studies as well as articles that have appeared in Cinema Journal, South Atlantic Quarterly and collections from Duke University Press and the British Film Institute. He has served as Associate Dean for Academic Affairs in the Georgetown University School of Foreign Service in Qatar and Director of the Program in American Studies. Author affiliation details are correct at time of print publication.

Matthew Tinkcom is Associate Professor of Communication, Culture and Technology and Affiliate Faculty of English at Georgetown University, USA. He is the author of Working Like a Homosexual: Camp, Capital, Cinema and Grey Gardens, co-editor of Key Frames: Popular Cinema and Cultural Studies as well as articles that have appeared in Cinema Journal, South Atlantic Quarterly and collections from Duke University Press and the British Film Institute. He has served as Associate Dean for Academic Affairs in the Georgetown University School of Foreign Service in Qatar and Director of the Program in American Studies. Author affiliation details are correct at time of print publication.

Matthew Tinkcom is Associate Professor of Communication, Culture and Technology and Affiliate Faculty of English at Georgetown University, USA. He is the author of Working Like a Homosexual: Camp, Capital, Cinema and Grey Gardens, co-editor of Key Frames: Popular Cinema and Cultural Studies as well as articles that have appeared in Cinema Journal, South Atlantic Quarterly and collections from Duke University Press and the British Film Institute. He has served as Associate Dean for Academic Affairs in the Georgetown University School of Foreign Service in Qatar and Director of the Program in American Studies. Author affiliation details are correct at time of print publication.

Matthew Tinkcom is Associate Professor of Communication, Culture and Technology and Affiliate Faculty of English at Georgetown University, USA. He is the author of Working Like a Homosexual: Camp, Capital, Cinema and Grey Gardens, co-editor of Key Frames: Popular Cinema and Cultural Studies as well as articles that have appeared in Cinema Journal, South Atlantic Quarterly and collections from Duke University Press and the British Film Institute. He has served as Associate Dean for Academic Affairs in the Georgetown University School of Foreign Service in Qatar and Director of the Program in American Studies. Author affiliation details are correct at time of print publication.

James Franco grew up in the northern California town of Palo Alto. He is an actor, director, screenwriter and artist. His film appearances include Milk, Pineapple Express, the Spider-Man trilogy, Howl, Oz the Great and Powerful, Spring Breakers, and This Is The End. Author affiliation details are correct at time of print publication.

Tino Balio is Emeritus Professor of Communication Arts at the University of Wisconsin-Madison.The 2001 recipient of the inaugural Academy Film Scholar Grant from the Academy of Motion Picture Arts and Sciences, Balio has written widely on the historical development of Hollywoodand the American film industry. He is the author of a two-volume history of United Artists, Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939 (1996), and The Foreign Film Renaissance on American Screens, 1946–1973 (2010). Author affiliation details are correct at time of print publication.