Keith B. Wagner is an Assistant Professor of Film Studies and Social Theory in the Graduate School of Film and Digital Media at Hongik University in Seoul, South Korea. Before moving to Asia, he completed his M.Phil degree at the University of Cambridge and his PhD at King’s College London. He is the co-editor of Neoliberalism and Global Cinema: Capital, Culture and Marxist Critique (2011) and is completing a manuscript based on his dissertation entitled Living with Uncertainty: Precarious Labor in Global Cinema. Author affiliation details are correct at time of print publication.
China’s iGeneration: Cinema and Moving Image Culture for the Twenty-First Century
Bloomsbury Academic, 2014
...Standing in front of Wu Wenguang’s Beijing studio in 2010, young documentarian Xue Jianqiang is found violently knocking at his predecessor’s door. Armed with his DV camera in his film, I Beat Tiger When I Was Young/Wo nianqing shi ye da...
...Broomfield’s initial film on what the American media frenziedly dubbed its first female serial killer revolves around three central characters: prostitute Aileen Wuornos, whom Broomfield interviews in prison whilst charged with the murder...
...Beginning as a documentary about the music of Kurt Cobain, his contemporaries and the environment that informed them, Kurt and Courtney took a different turn when Cobain’s widow, Courtney Love, refused to license Broomfield any of Cobain...
Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.
...A king as dictator: Ian McKellen in Richard III (Richard Loncraine, 1995)Julian Barnes’ 1998 novel, England, England, describes a fictitious project to build a theme park simulacrum of the realm on the Isle of Wight. Market research...
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