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  • Cameron, James
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Corporeal Projections and Drone Bodies

Steen Ledet Christiansen

Steen Ledet Christiansen is Associate Professor of English at Aalborg University, Denmark. His research focuses on popular visual culture, particularly film and the burgeoning field of post-cinema. Author affiliation details are correct at time of print publication.

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Drone Age Cinema : Action Film and Sensory Assault

I.B.Tauris, 2017

Book

...With action cinema’s emphasis on physical empowerment and ability, power becomes a central concern. I have already shown several ways in which post-cinematic bodies express power and render forces across and with our bodies. These lines...

Conclusion

Gautam Basu Thakur

Gautam Basu Thakur is Assistant Professor of English at Boise State University, USA. His teaching and research interests include postcolonial literature and theory, transnational/world literature, critical theory with a particular focus on Freudian-Lacanian psychoanalysis, and nineteenth- and twentieth-century British literature of the Empire. Author affiliation details are correct at time of print publication.

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Postcolonial Theory and Avatar

Bloomsbury Academic, 2016

Book

...The conclusion undertakes a cross-cultural analysis and comparative study of subject-production in Mahasweta Devi’s Bengali short story “Strange Children,” Michael Haneke's French film Caché, and James Cameron’s Avatar. Each...

Postcolonial Theory and Avatar, Or, Postcolonial Criticism in a Multicultural World

Gautam Basu Thakur

Gautam Basu Thakur is Assistant Professor of English at Boise State University, USA. His teaching and research interests include postcolonial literature and theory, transnational/world literature, critical theory with a particular focus on Freudian-Lacanian psychoanalysis, and nineteenth- and twentieth-century British literature of the Empire. Author affiliation details are correct at time of print publication.

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Postcolonial Theory and Avatar

Bloomsbury Academic, 2016

Book

...This chapter investigates four colonial narrative tropes employed in Avatar to constitute the white, male Western subject as rational, entrepreneurial, and political in contrast to the indigene other Na’vi. However, unlike colonial...

Ripley Gets Her Gun

Ximena C. Gallardo

C. Jason Smith is Assistant Professor of English at LaGuardia Community College-CUNY. Author affiliation details are correct at time of print publication.

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and

C. Jason Smith

A native of Chile, Ximena Gallardo-C. graduated with a Ph.D. in English from Louisiana State University. She lives in New York. Author affiliation details are correct at time of print publication.

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Alien Woman : The Making of Lt. Ellen Ripley

Continuum, 2004

Book

...I have my veto pen drawn and ready for any tax increase that Congress might even think of sending up. And I have only one thing to say to the tax increasers. Go ahead—make my day. Rewriting Ripley: From Sci-Fi Horror to Action Adventure...

The Postcolonial Avatar: A Brief History of Postcolonial Theory

Gautam Basu Thakur

Gautam Basu Thakur is Assistant Professor of English at Boise State University, USA. His teaching and research interests include postcolonial literature and theory, transnational/world literature, critical theory with a particular focus on Freudian-Lacanian psychoanalysis, and nineteenth- and twentieth-century British literature of the Empire. Author affiliation details are correct at time of print publication.

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Postcolonial Theory and Avatar

Bloomsbury Academic, 2016

Book

...This chapter examines more closely the criticisms and challenges assailing the discipline of postcolonial theory in the present to segue into an overview of the historical background and epistemological precepts of postcolonial theory...

Glimpses of Eternity: Stanley Kubrick’s Time Machines

Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

...Whoever the director may be, and however perceptively he has filmed and edited his movie, he can never have the same experience that the audience has when it sees the film for the first time. The director’s first time is the first reading...

The Terminator

Barry Keith Grant

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

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100 Science Fiction Films : BFI Screen Guides

British Film Institute, 2013

Book

...DIRECTOR James CameronPRODUCER Gale Anne HurdSCREENPLAY James Cameron, Gale Anne HurdDIRECTOR OF PHOTOGRAPHY Adam GreenbergEDITOR Mark GoldblattMUSIC Brad FiedelART DIRECTOR George CostelloMAIN CAST Arnold Schwarzenegger, Linda Hamilton...

Marketing the ‘Avatar Revolution’, or How to Sell Digital Technology to Exhibitors

Film Marketing into the Twenty-First Century

British Film Institute, 2015

Book

...Hailed by critics and industry insiders as a technological and cinematic breakthrough, James Cameron’s epic movie Avatar offers an illustration of how Hollywood blockbusters are ‘discursively supported and constructed’Daniel Biltereyst...

Digital 3D, Technological Auteurism and the Rhetoric of Cinematic Revolution

Special Effects : New Histories, Theories, Contexts

British Film Institute, 2015

Book

...On 14 January 2012, moviegoers watching Martin Scorsese’s Hugo (2011) at the Regal Union Square Theatre in Manhattan were confronted with an unexpected experience. Because the digital projection technology stopped working twice during...

Vulnerable Hypermasculinity

Marianne Kac-Vergne

Marianne Kac-Vergne is Associate Professor at the Université de Picardie Jules Verne in Amiens, France, where she teaches courses in American cultural history at graduate and undergraduate levels. Her research focuses on gender and genre in American cinema, and she has published and presented on masculinity and femininity in science fiction, romantic comedy and western films. Author affiliation details are correct at time of print publication.

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Masculinity in Contemporary Science Fiction Cinema : Cyborgs, Troopers and other Men of the Future

I.B.Tauris, 2018

Book

...American society in the 1980s witnessed an important shift in the representations and significance of masculinity in both politics and Hollywood. Indeed, the emergence and popularity of extremely masculine heroes embodied by the likes...