Results

Gautam Basu Thakur is Assistant Professor of English at Boise State University, USA. His teaching and research interests include postcolonial literature and theory, transnational/world literature, critical theory with a particular focus on Freudian-Lacanian psychoanalysis, and nineteenth- and twentieth-century British literature of the Empire. Author affiliation details are correct at time of print publication.

Gautam Basu Thakur is Assistant Professor of English at Boise State University, USA. His teaching and research interests include postcolonial literature and theory, transnational/world literature, critical theory with a particular focus on Freudian-Lacanian psychoanalysis, and nineteenth- and twentieth-century British literature of the Empire. Author affiliation details are correct at time of print publication.

C. Jason Smith is Assistant Professor of English at LaGuardia Community College-CUNY. Author affiliation details are correct at time of print publication.

A native of Chile, Ximena Gallardo-C. graduated with a Ph.D. in English from Louisiana State University. She lives in New York. Author affiliation details are correct at time of print publication.

Marianne Kac-Vergne is Associate Professor at the Université de Picardie Jules Verne in Amiens, France, where she teaches courses in American cultural history at graduate and undergraduate levels. Her research focuses on gender and genre in American cinema, and she has published and presented on masculinity and femininity in science fiction, romantic comedy and western films. Author affiliation details are correct at time of print publication.

Gautam Basu Thakur is Assistant Professor of English at Boise State University, USA. His teaching and research interests include postcolonial literature and theory, transnational/world literature, critical theory with a particular focus on Freudian-Lacanian psychoanalysis, and nineteenth- and twentieth-century British literature of the Empire. Author affiliation details are correct at time of print publication.

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

Gautam Basu Thakur is Assistant Professor of English at Boise State University, USA. His teaching and research interests include postcolonial literature and theory, transnational/world literature, critical theory with a particular focus on Freudian-Lacanian psychoanalysis, and nineteenth- and twentieth-century British literature of the Empire. Author affiliation details are correct at time of print publication.

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

David Greven is Professor of English at the University of South Carolina, USA, and the author of many books, including Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin and Manhood in Hollywood from Bush to Bush. Author affiliation details are correct at time of print publication.

Marianne Kac-Vergne is Associate Professor at the Université de Picardie Jules Verne in Amiens, France, where she teaches courses in American cultural history at graduate and undergraduate levels. Her research focuses on gender and genre in American cinema, and she has published and presented on masculinity and femininity in science fiction, romantic comedy and western films. Author affiliation details are correct at time of print publication.