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Feminism and Cléo from 5 to 7

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...The roles of women Released in 1962, Agnès Varda’s Cléo de 5 à 7 (Cléo from 5 to 7) appeared before the majority of the developments of feminist theory that I’ve discussed in the previous chapter. As we will see in the following filmic...

Conclusion

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...Wandering through the streets of Paris, Agnès Varda reveals to the spectator her own questions about being a woman. In Cléo from 5 to 7, she situates Cléo (Corinne Marchand) in spaces filled with possibility and restriction, asking us...

Exotic Objects

Elizabeth Ezra

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

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The Cinema of Things : Globalization and the Posthuman Object

Bloomsbury Academic, 2017

Book chapter

...In the climax of Micmacs, the homeless band hoodwinks the arms dealers into thinking they are in the Middle East, when in fact they have never left the outskirts of Paris. A similar play of distance and proximity is at work...

Feminist Film Theory

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

Search for publications

Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...Feminism and identification There is, of course, neither one type of feminism nor one type of feminist film theory. Most major ideas within feminist film theory inspire various competing positions. Nonetheless, it is this very struggle...

Introduction

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

Search for publications

Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...In 2015, the Cannes Film Festival awarded French filmmaker Agnès Varda an honorary Palme d’Or, the highest honor at the festival. Cannes gives the honorary Palme d’Or as a lifetime achievement award, and Varda was the first female filmmaker...

The Spirit of ’36

Charles Drazin

Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.

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The Faber Book of French Cinema

Faber & Faber, 2011

Book chapter

...As an industry, the French cinema of the 1930s led an against-the-odds existence of continuous crises. After the collapse of Gaumont in 1934, a government report reached the conclusion that film production in France was deplorably...

Accursed Films

Charles Drazin

Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.

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The Faber Book of French Cinema

Faber & Faber, 2011

Book chapter

...In France, every time an attempt is made to organise, to adopt systems, the individual rebels and slips in between the gears of the mechanism. One result of this is that crooks easily get the upper hand, but another is the formation...

The Golden Age

Charles Drazin

Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.

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The Faber Book of French Cinema

Faber & Faber, 2011

Book chapter

...Few French directors during the 1930s would have seen their careers in terms of the cinema of personal expression that the Cahiers generation of critics introduced as an increasingly popular way of thinking about the cinema. Instead...

The Art House

Charles Drazin

Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.

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The Faber Book of French Cinema

Faber & Faber, 2011

Book chapter

...The audience that even the most popular French film-makers enjoyed in Britain and America was a limited one. It lay chiefly in the network of art-house cinemas that had come into being during the 1920s and 1930s. In Britain, the founding...

The Avant Garde

Charles Drazin

Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.

Search for publications

The Faber Book of French Cinema

Faber & Faber, 2011

Book chapter

...The principal members of the new generation of cineastes were Abel Gance, Germaine Dulac, Jean Epstein and Marcel L’Herbier, but always in the vanguard was Louis Delluc. In 1922 he made the first of the three films he would direct in his...