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Anna Kornbluh is Associate Professor of English at the University of Illinois, Chicago, US. She is the author of Realizing Capital (2013), and her articles on Marxist aesthetics have appeared in Mediations, Novel, the LARB, Understanding Film: Marxist Perspectives, Lacan & Contemporary Cinema, and the Bloomsbury Companion to Marx. Author affiliation details are correct at time of print publication.

Roger Odin

Tom Zaniello is Professor Emeritus, having taught film and cultural studies, and directed the Honors Program at Northern Kentucky University, USA. He has been active as a film programmer for the Hill Center in Washington DC and for the London and North West (Liverpool) Labour Film Festivals. He recently published California’s Lamson Murder Mystery (2016), the story of the wrongful conviction of a Hollywood screenwriter for murder, along with Working Stiffs, Union Maids, Reds, and Riffraff: An Expanded Guide to Films about Labor, 2nd ed. (2003) and The Cinema of Globalization (2007). Author affiliation details are correct at time of print publication.

Jen Caruso

Tom Zaniello is Professor Emeritus, having taught film and cultural studies, and directed the Honors Program at Northern Kentucky University, USA. He has been active as a film programmer for the Hill Center in Washington DC and for the London and North West (Liverpool) Labour Film Festivals. He recently published California’s Lamson Murder Mystery (2016), the story of the wrongful conviction of a Hollywood screenwriter for murder, along with Working Stiffs, Union Maids, Reds, and Riffraff: An Expanded Guide to Films about Labor, 2nd ed. (2003) and The Cinema of Globalization (2007). Author affiliation details are correct at time of print publication.

Colin Maccabe is Distinguished Professor of English and Film at the University of Pittsburgh and Associate Director of the London Consortium. Author affiliation details are correct at time of print publication.

Anna Kornbluh is Associate Professor of English at the University of Illinois, Chicago, US. She is the author of Realizing Capital (2013), and her articles on Marxist aesthetics have appeared in Mediations, Novel, the LARB, Understanding Film: Marxist Perspectives, Lacan & Contemporary Cinema, and the Bloomsbury Companion to Marx. Author affiliation details are correct at time of print publication.

Patrick Russell is Senior Curator (Non-Fiction), BFI National Archive, UK. He is the author of 100 British Documentaries (2007) and co-editor of The Lost World of Mitchell and Kenyon (BFI 2004) and Shadows of Progress: Documentary Film in Post-War Britain (2010) and has been a regular contributor to BFI Screenonline. Author affiliation details are correct at time of print publication.

Barbara Plotz is Associate Lecturer at London College of Communication and she also teaches in the Department of Film Studies at King’s College London, UK. She is a film scholar working at the intersection of film and cultural studies, with a focus on representation, gender, the body, and genre – specifically horror cinema. Author affiliation details are correct at time of print publication.

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.