Results

Kate Taylor-Jones is Senior Lecturer in East Asian Studies at The University of Sheffield, UK. She has published on topics including colonial Japanese and Korean cinema, cinema and landscape in East Asia, and domestic violence and the sex trade. She is author of Rising Sun, Divided Land: Japanese and South Korean Filmmakers (2013); and editor-in-chief of the East Asian Journal of Popular Culture. She is co-editor with Fiona Handyside of International Cinema and the Girl: Local Issues, Transnational Contexts (2015). Author affiliation details are correct at time of print publication.

Martin Stollery

Kate Taylor-Jones is Senior Lecturer in East Asian Studies at The University of Sheffield, UK. She has published on topics including colonial Japanese and Korean cinema, cinema and landscape in East Asia, and domestic violence and the sex trade. She is author of Rising Sun, Divided Land: Japanese and South Korean Filmmakers (2013); and editor-in-chief of the East Asian Journal of Popular Culture. She is co-editor with Fiona Handyside of International Cinema and the Girl: Local Issues, Transnational Contexts (2015). Author affiliation details are correct at time of print publication.

Greg Dolgopolov

J Alison

Murray Levine

Kate Taylor-Jones is Senior Lecturer in East Asian Studies at The University of Sheffield, UK. She has published on topics including colonial Japanese and Korean cinema, cinema and landscape in East Asia, and domestic violence and the sex trade. She is author of Rising Sun, Divided Land: Japanese and South Korean Filmmakers (2013); and editor-in-chief of the East Asian Journal of Popular Culture. She is co-editor with Fiona Handyside of International Cinema and the Girl: Local Issues, Transnational Contexts (2015). Author affiliation details are correct at time of print publication.

Martin McLoone is Professor of Media Studies attached to the Centre for Media Research at the University of Ulster, Coleraine. He is author of Irish Film: The Emergence of a Contemporary Cinema (BFI, 2000) and has edited numerous collections on aspects of the media in Britain and Ireland, including Broadcasting in a Divided Community: 70 Years of the BBC in Northern Ireland (Institute of Irish Studies, 1996), Big Picture, Small Screen: The Relations Between Film and Television (University of Luton Press, 1996) and Border Crossing: Film in Ireland, Britain and Europe (Institute of Irish Studies/BFI, 1994). Author affiliation details are correct at time of print publication.

Shelleen Greene is Assistant Professor, Department of Art and Design, University of Wisconsin, Milwaukee. Author affiliation details are correct at time of print publication.

Kate Taylor-Jones is Senior Lecturer in East Asian Studies at The University of Sheffield, UK. She has published on topics including colonial Japanese and Korean cinema, cinema and landscape in East Asia, and domestic violence and the sex trade. She is author of Rising Sun, Divided Land: Japanese and South Korean Filmmakers (2013); and editor-in-chief of the East Asian Journal of Popular Culture. She is co-editor with Fiona Handyside of International Cinema and the Girl: Local Issues, Transnational Contexts (2015). Author affiliation details are correct at time of print publication.

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.