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Dialectic Film Montage

Nitzan Ben-Shaul

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

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Film : The Key Concepts

Berg, 2007

Book chapter

...Introduction The concept of dialectic film montage has been used by formalists and cognitivists as a peculiar film device, whose dialectic or rather asymmetrical or contradictory film transitions enhance the viewers’ attention...

Cannes, 2008

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...Ten years after Central Station triumphed at the Berlin Film Festival, the 2008 Cannes festival was heralded as one in which the South Americans were showing in force. It was no longer the case that a lone Brazilian of an international...

Human Subjects—Alien Objects? Abjection and the Constructions of Race and Racism in District 9

Andrew M. Butler

Andrew M. Butler is Senior Lecturer in Media and Cultural Studies at Canterbury Christ Church University, UK. He is the co-editor of The Routledge Companion to Science Fiction (2009), and author of The Pocket Essential Philip K. Dick (2007) and Solar Flares (2012). Author affiliation details are correct at time of print publication.

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Alien Imaginations : Science Fiction and Tales of Transnationalism

Bloomsbury Academic, 2015

Book chapter

...Science fiction frequently represents the other—aliens, robots, clones, and so forth—in order to discuss racial difference. Whilst this metaphor can facilitate a nuanced reading of often politicised situations, it can appear racist...

Digital Acinema from Afrance

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book chapter

...I did not remember much of the plot of Alain Gomis’s L’Afrance (France/Senegal, 2001) after seeing it for the first time at the Ritzy cinema in Brixton, London, in November 2013. I knew that the film is about a Senegalese man, El Hadj Diop...

Whisky and wattage in Uruguay

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...‘There is not much of a film industry in my country,’ admits Uruguayan Manuel Nieto Zas, while counting the working directors in his head. ‘There are ten. And between us we make one and a half films a year.’It’s always been like...

Feminism and Film Since the 1990s

The Cinema Book

British Film Institute, 2007

Book chapter

...River Phoenix in My Own Private IdahoFeminist film theory will soon be entering its 40th year. While some post-feminists have declared that the feminist movement is over, others are more optimistic, preparing to celebrate the dictum that,...

Latin American iconoclast: Lucrecia Martel

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...With La ciénaga (The Swamp, 2001) and La niña santa (The Holy Girl, 2004), Lucrecia Martel established herself as the most distinctive director of the New Argentine Cinema of the late nineties and early 2000s. Indeed, if one were to piece...

Another Brazil

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...Now, as ever, Rio de Janeiro and São Paulo, the Cariocas and the Paulistas, dominate film production. The commercial companies and television stations that fund films are based in the two cities, as are the independent production houses O2...

Conversations with Walter Salles

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...London – Rio de Janeiro – London, 2006–8During my conversations with the Brazilian director Walter Salles, which spanned the summers of 2006 and 2008, and London and Rio de Janeiro, he was involved in two projects that epitomise his work...

The droll revolution of Martín Rejtman

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...Martín Rejtman recalls that when he was making his first feature, Rapado (Shaved), in Buenos Aires in 1991, ‘I felt totally alone in that moment. I felt there were no other movies I could really relate to. For me Rapado was starting from...