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Color

The Hair Stylist Handbook : Techniques for Film and Television

Focal Press, 2016

Book

... Color Figure 2.1 Don Juskos Color Wheel Hair coloring is an age-old art. Plants, henna, and indigo, for example, were often used for tinting hair in ages past. The sun was another alternative, and still is now, for creating high- lights....

Colour

Michael Allen

Michael Allen

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Annette Kuhn

Annette Kuhn is Emeritus Professor in Film Studies at Queen Mary University of London, UK, and a Fellow of the British Academy. Publications include Family Secrets: Acts of Memory and Imagination; An Everyday Magic: Cinema and Cultural Memory (2002); Little Madnesses: Winnicott, Transitional Phenomena and Cultural Experience (2013); and, with Guy Westwell, Oxford Dictionary of Film Studies (2012). Author affiliation details are correct at time of print publication.

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The Cinema Book

British Film Institute, 2007

Book

...As with sound, colour was one of the aesthetic options available to film-makers from the earliest years of cinema and, as with sound, the technical problems involved in making colour films were sufficiently daunting to dissuade many...

Post-production

Robert Klenner

Robert Klenner is the Acting Head of Directing at The Australian Film, Television and Radio School. Author affiliation details are correct at time of print publication.

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Directing Screen Performances

Bloomsbury Academic, 2019

Book

...Films are made in post-production. The shooting of the film is like shopping for cooking ingredients—you know the cake you want to make and you try to get the best ingredients you can, and then you put them together. And it is the putting...

Codecs & Formats

Blain Brown

Blain Brown is a cinematographer, director and writer based in Los Angeles. He has been the director of photography on features, commercials, music videos, industrials and other types of projects. He has directed and edited features and commercials, worked as a producer and has had three screenplays produced. His previous books include: Cinematography: Theory and Practice, Motion Picture and Video Lighting and The Filmmakers Pocket Reference. Author affiliation details are correct at time of print publication.

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The Filmmaker’s Guide to Digital Imaging : For Cinematographers, Digital Imaging Technicians, and Camera Assistants

Focal Press, 2015

Book

... Video can be defined by its compression format, resolution, aspect ratio, color depth, the type of “wrapper” or other criteria. For example we might refer to a clip as “4K video” or “ProRes” or “a 10-bit file.” In the end, all...

Metadata & Timecode

Blain Brown

Blain Brown is a cinematographer, director and writer based in Los Angeles. He has been the director of photography on features, commercials, music videos, industrials and other types of projects. He has directed and edited features and commercials, worked as a producer and has had three screenplays produced. His previous books include: Cinematography: Theory and Practice, Motion Picture and Video Lighting and The Filmmakers Pocket Reference. Author affiliation details are correct at time of print publication.

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The Filmmaker’s Guide to Digital Imaging : For Cinematographers, Digital Imaging Technicians, and Camera Assistants

Focal Press, 2015

Book

... minutes, seconds and frames. Shooting and editing digitally has many advantages and one that is often overlooked is metadata. The term simply means “data about data,” and in this context it means information within the signal other...

Bit Depths, Color Spaces, and Color Grading

Lee Lanier

Lee Lanier has worked as a professional computer animator and visual effects (VFX) artist since 1994. He has more than 70 features, shorts, music videos, trailers, and commercials to his credit. Lee has written nine high-end software books that have sold more than 30,000 copies, has authored VFX training videos for lynda.com, has taught VFX compositing at the Gnomon School of Visual Effects in Hollywood, and is a member of the Visual Effects Society. A strong supporter of the arts, Lee co-founded the Dam Short Film Festival—Nevada’s largest film festival—and continues to serve as its executive director. He also co-manages the Boulder City branch of Dr. Sketchy’s Anti-Art School, curates several art gallery spaces, and is an avid painter and illustrator. You can see his work at beezlebugbit.com and diabolica-art.com. Author affiliation details are correct at time of print publication.

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Digital Compositing with Nuke

Focal Press, 2012

Book

... CHAPTER 3 Bit Depths, Color Spaces, and Color Grading A critical component of digital compositing is the proper selection and conversion of color spaces. Failure to take color space into account can lead to composites with mismatched color...

Color Correction and Color Grading CinemaDNG with LightPost and Camera Raw

Kurt Lancaster

Kurt Lancaster earned his PhD from New York University and has shot documentaries that have screened nationally and internationally. He is the author of DSLR Cinema and has consulted for the Pulitzer Prize winning newspaper, The Christian Science Monitor, training their print journalists in video journalism, and he has shot and edited documentary journalism pieces. He is an associate professor of digital filmmaking in the School of Communication at Northern Arizona University, where he teaches courses on documentary and multimedia journalism. Author affiliation details are correct at time of print publication.

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Cinema Raw : Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras

Focal Press, 2014

Book

... Color Correction and Color Grading CinemaDNG with LightPost and Camera Raw1 159 Like Blackmagic’s DaVinci Resolve, Adobe Camera Raw—found embedded in Adobe’s Photoshop, Lightroom, and After Effects—is an advanced color correction...

Primary Color Correction: Tonal Range Primer

Steve Hullfish

Steve Hullfish is a feature film and TV editor with credits including, Courageous, War Room, Champion and the theatrically-released feature documentary, Clinton Inc. Hullfish is the author of five other books, including The Art and Technique of Digital Color Correction and Avid Uncut. Hullfish also trains editors and colorists around the world. Author affiliation details are correct at time of print publication.

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The Art and Technique of Digital Color Correction

Focal Press, 2012

Book

... Primary Color Correction: Tonal Range Primer Color correction is generally broken down into two distinct processes: pri- mary and secondary color correction. These two processes will probably always be referred to as two distinct...

Primary Color Correction: Color Control Primer

Steve Hullfish

Steve Hullfish is a feature film and TV editor with credits including, Courageous, War Room, Champion and the theatrically-released feature documentary, Clinton Inc. Hullfish is the author of five other books, including The Art and Technique of Digital Color Correction and Avid Uncut. Hullfish also trains editors and colorists around the world. Author affiliation details are correct at time of print publication.

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The Art and Technique of Digital Color Correction

Focal Press, 2012

Book

... Primary Color Correction: Color Control Primer Many of the concepts discussed in the tonal chapters continue to be appli- cable as we advance the discussion of how to control the hue and saturation of the image. These changes in hue...

Primary Color Correction: Color Manipulation Tools

Steve Hullfish

Steve Hullfish is a feature film and TV editor with credits including, Courageous, War Room, Champion and the theatrically-released feature documentary, Clinton Inc. Hullfish is the author of five other books, including The Art and Technique of Digital Color Correction and Avid Uncut. Hullfish also trains editors and colorists around the world. Author affiliation details are correct at time of print publication.

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The Art and Technique of Digital Color Correction

Focal Press, 2012

Book

... Primary Color Correction: Color Manipulation Tools In the previous chapter, we discussed two of the most important color manipulation tools: the hue offset wheels and the individual red, green, and blue gain, gamma, and shadow controls....