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  • Connery, Sean
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Zardoz

Barry Keith Grant

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

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100 Science Fiction Films : BFI Screen Guides

British Film Institute, 2013

Book

...DIRECTOR John BoormanPRODUCER John BoormanSCREENPLAY John BoormanDIRECTOR OF PHOTOGRAPHY Geoffrey UnsworthEDITOR John MerrittMUSIC David MunrowPRODUCTION DESIGN Anthony PrattMAIN CAST Sean Connery, Charlotte Rampling, Sara Kestelman, John...

Goldfinger (1964)

Mark Axelrod

Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Constructing Dialogue : Screenwriting From Citizen Kane to Midnight in Paris

Bloomsbury Academic, 2014

Book

...Screenplay by Richard Maibaum and Paul Dehn Based on the novel by Ian FlemingIn an American Film Institute [AFI] interview, Hitchcock once talked about cinematic tension and the example he used was the “bomb under the table” ploy. According...

Spies Like Us

Danny Powell

Danny Powell is a London-based teacher of media and film studies whose books include Studying British Cinema: The 1960s. Author affiliation details are correct at time of print publication.

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Studying British Cinema: The 1960s

Auteur, 2009

Book

...Films to watch: Khartoum (1966), Zulu (1964), Damn the Defiant! (1962), Lawrence of Arabia (1962), Dr No (1962), Modesty Blaise (1966), Thunderball (1965), You Only Live Twice (1967), On Her Majesty’s Secret Service (1969) New heroes...

Marnie

Murray Pomerance

Murray Pomerance is an independent scholar based in Toronto, Canada. He is the author of books including The Eyes Have It: Cinema and the Reality Effect (2013), Alfred Hitchcock's America (2013) and the BFI Film Classics on Hitchcock's Marnie (2014) and The Man Who Knew Too Much (2016). Author affiliation details are correct at time of print publication.

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British Film Institute, 2014

Focused Study

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...A thrilling tale of anxiety and moral extremity, Marnie (1964) cemented Alfred Hitchcock's reputation as a master of suspense and the visual form. Murray Pomerance here ranges through the many tortuous and thrilling passages of Marnie...

Studying From Russia with Love

Will Rimmer

Will Rimmer is Head of Film Studies at Knowsley Community College, Liverpool. Author affiliation details are correct at time of print publication.

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Auteur, 2008

Focused Study

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...It is difficult to imagine now the importance of the Bond films of the early 1960s to British cinema. The effects of Bond, both in an industrial and institutional context, are immense. The ‘Swinging 60s’ was about to explode...

1960s

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

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British Cinema : A Critical History

British Film Institute, 2005

Book

...Spymaster Major Dalby (Nigel Green) keeping an eye on the ‘shrewd little cockney’ Harry Palmer (Michael Caine) in Sidney J. Furie’s 1965 The Ipcress FileVivian Nicholson’s memories of her upbringing in Castleford match the familiar...

Touching the Surface: Marnie, Melodrama, Modernism

Alfred Hitchcock : Centenary Essays

British Film Institute, 1999

Book

...The cinema is necessarily fascination and rape, that is how it acts on people.What is to be done with Marnie? Of Hitchcock’s major works, it has always been something of a problem child, more sharply dividing the director’s admirers...

1970s

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

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British Cinema : A Critical History

British Film Institute, 2005

Book

...Latin Lovers: Sebastiane (Derek Jarman/Paul Humfress, 1976)John Fowles’ 1977 novel Daniel Martin is written, in part, in the conventional manner of a screenplay, suggesting camera shots and significant details through which the protagonist...