Skip to main content
Loading
Loading
Log In

Results

  • Cronenberg, David
Sort By:  1-10 of 29 (3 pages)
Results per page:
         

Epilogue

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

Search for publications

Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book

...At the Guardian Edinburgh International Television Festival on 22 August 2013, The James MacTaggart Memorial Lecture.So I predict in the next decade or two, any differentiation between these platforms will fall away. Is 13 hours watched...

‘All Agents Defect …’

Scott Wilson

Scott Wilson is a Senior Lecturer in film history, film theory, and cultural studies in the Department of Performing and Screen Arts at Unitec, Institute of Technology in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

Search for publications

The Politics of Insects : David Cronenberg's Cinema of Confrontation

Continuum, 2011

Book

...Can We Call for Meta-Heresy? As should now be clear, throughout this volume I have sought to utilize Žižek's injunction about heresy as a means of exploring Cronenberg's cinematic activities. In each case, the actions of the heretic...

Performance Capture’s Spectacle of Self

Drew Ayers

Drew Ayers is Assistant Professor of Theatre and Film at Eastern Washington University, USA. His research focuses on visual culture, digital technology, visual effects, cinema, and nonhuman theory, and he has previously been published in Animation, Configurations, Film Criticism, and several edited anthologies. Ayers also serves as a board member and programmer for the Spokane International Film Festival. Author affiliation details are correct at time of print publication.

Search for publications

Spectacular Posthumanism : The Digital Vernacular of Visual Effects

Bloomsbury Academic, 2019

Book

...In my discussion of David Cronenberg’s films in Chapter 1, I used Walter Benjamin’s brief commentary on the relationship between the cinematographer and the surgeon to frame my analysis of the VFX used in Dead Ringers (specifically...

Videodrome

Barry Keith Grant

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

Search for publications

100 Science Fiction Films : BFI Screen Guides

British Film Institute, 2013

Book

...DIRECTOR David CronenbergPRODUCER Claude HérouxSCREENPLAY David CronenbergDIRECTOR OF PHOTOGRAPHY Mark IrwinEDITOR Ronald SandersMUSIC Howard ShoreART DIRECTOR Carol SpierMAIN CAST James Woods, Sonja Smits, Deborah Harry, Peter Dvorsky, Les...

The Mind Erupts

Scott Wilson

Scott Wilson is a Senior Lecturer in film history, film theory, and cultural studies in the Department of Performing and Screen Arts at Unitec, Institute of Technology in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

Search for publications

The Politics of Insects : David Cronenberg's Cinema of Confrontation

Continuum, 2011

Book

...Frames and Framing In the introduction to The Fright of Real Tears (2001), Žižek recounts an occasion when, as part of a conference, he was caught out by an unexpected question regarding a painting he had only seen once before. In response...

The Fly

Barry Keith Grant

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

Search for publications

100 Science Fiction Films : BFI Screen Guides

British Film Institute, 2013

Book

...DIRECTOR David CronenbergPRODUCER Stuart CornfeldSCREENPLAY David Cronenberg, Charles Edward Pogue, based on the 1957 story by George LangelaanDIRECTOR OF PHOTOGRAPHY Mark IrwinEDITOR Ronald SandersMUSIC Howard ShorePRODUCTION DESIGN Carol...

The Body Explodes

Scott Wilson

Scott Wilson is a Senior Lecturer in film history, film theory, and cultural studies in the Department of Performing and Screen Arts at Unitec, Institute of Technology in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

Search for publications

The Politics of Insects : David Cronenberg's Cinema of Confrontation

Continuum, 2011

Book

...Cartesian Difficulties As discussed in the previous chapter, Cronenberg utilizes the body onscreen as a means of revealing previously effaced disciplinary structures that govern not just the body but, through what Sontag identifies...

Functions of Failure

Scott Wilson

Scott Wilson is a Senior Lecturer in film history, film theory, and cultural studies in the Department of Performing and Screen Arts at Unitec, Institute of Technology in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

Search for publications

The Politics of Insects : David Cronenberg's Cinema of Confrontation

Continuum, 2011

Book

...Escaping the Genre Bind The three films of this chapter – M. Butterfly (1993), Dead Ringers (1988) and Crash (1996) – mark a significant development in the way Cronenberg's work continues his ‘project’. This, as we have seen, consists...

Transfer: From Big Science to Little Films

Cronenberg on Cronenberg

Faber & Faber, 1997

Book

...Not long after Cronenberg had successfully situated his mind and body at the most conducive end of the University campus and curriculum, his creative juices instigated yet another of their unforeseen flows. They began tentatively...

Surrealism and Contemporary Cinema

Neil Coombs

Neil Coombs is a video and multimedia artist who has exhibited individual and collaborative work internationally. He is an experienced lecturer in Film and Media Studies across a range of Further and Higher education courses. Author affiliation details are correct at time of print publication.

Search for publications

Studying Surrealist and Fantasy Cinema : A History of British Horror Cinema

Auteur, 2007

Book

...As discussed in the opening sections of this book, we can see the influence of Surrealism pervading contemporary popular culture at all levels. An interesting way to complete this study is to consider one contemporary director and one...