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  • Cronenberg, David
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Epilogue

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book

...At the Guardian Edinburgh International Television Festival on 22 August 2013, The James MacTaggart Memorial Lecture.So I predict in the next decade or two, any differentiation between these platforms will fall away. Is 13 hours watched...

The Mind Erupts

Scott Wilson

Scott Wilson is a Senior Lecturer in film history, film theory, and cultural studies in the Department of Performing and Screen Arts at Unitec, Institute of Technology in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

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The Politics of Insects : David Cronenberg's Cinema of Confrontation

Continuum, 2011

Book

...Frames and Framing In the introduction to The Fright of Real Tears (2001), Žižek recounts an occasion when, as part of a conference, he was caught out by an unexpected question regarding a painting he had only seen once before. In response...

Transfer: From Big Science to Little Films

Cronenberg on Cronenberg

Faber & Faber, 1997

Book

...Not long after Cronenberg had successfully situated his mind and body at the most conducive end of the University campus and curriculum, his creative juices instigated yet another of their unforeseen flows. They began tentatively...

‘All Agents Defect …’

Scott Wilson

Scott Wilson is a Senior Lecturer in film history, film theory, and cultural studies in the Department of Performing and Screen Arts at Unitec, Institute of Technology in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

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The Politics of Insects : David Cronenberg's Cinema of Confrontation

Continuum, 2011

Book

...Can We Call for Meta-Heresy? As should now be clear, throughout this volume I have sought to utilize Žižek's injunction about heresy as a means of exploring Cronenberg's cinematic activities. In each case, the actions of the heretic...

Performance Capture’s Spectacle of Self

Drew Ayers

Drew Ayers is Assistant Professor of Theatre and Film at Eastern Washington University, USA. His research focuses on visual culture, digital technology, visual effects, cinema, and nonhuman theory, and he has previously been published in Animation, Configurations, Film Criticism, and several edited anthologies. Ayers also serves as a board member and programmer for the Spokane International Film Festival. Author affiliation details are correct at time of print publication.

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Spectacular Posthumanism : The Digital Vernacular of Visual Effects

Bloomsbury Academic, 2019

Book

...In my discussion of David Cronenberg’s films in Chapter 1, I used Walter Benjamin’s brief commentary on the relationship between the cinematographer and the surgeon to frame my analysis of the VFX used in Dead Ringers (specifically...

The Body Explodes

Scott Wilson

Scott Wilson is a Senior Lecturer in film history, film theory, and cultural studies in the Department of Performing and Screen Arts at Unitec, Institute of Technology in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

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The Politics of Insects : David Cronenberg's Cinema of Confrontation

Continuum, 2011

Book

...Cartesian Difficulties As discussed in the previous chapter, Cronenberg utilizes the body onscreen as a means of revealing previously effaced disciplinary structures that govern not just the body but, through what Sontag identifies...

Functions of Failure

Scott Wilson

Scott Wilson is a Senior Lecturer in film history, film theory, and cultural studies in the Department of Performing and Screen Arts at Unitec, Institute of Technology in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

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The Politics of Insects : David Cronenberg's Cinema of Confrontation

Continuum, 2011

Book

...Escaping the Genre Bind The three films of this chapter – M. Butterfly (1993), Dead Ringers (1988) and Crash (1996) – mark a significant development in the way Cronenberg's work continues his ‘project’. This, as we have seen, consists...

Cronenberg’s New Flesh

Drew Ayers

Drew Ayers is Assistant Professor of Theatre and Film at Eastern Washington University, USA. His research focuses on visual culture, digital technology, visual effects, cinema, and nonhuman theory, and he has previously been published in Animation, Configurations, Film Criticism, and several edited anthologies. Ayers also serves as a board member and programmer for the Spokane International Film Festival. Author affiliation details are correct at time of print publication.

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Spectacular Posthumanism : The Digital Vernacular of Visual Effects

Bloomsbury Academic, 2019

Book

...David Cronenberg’s films violate not only the bodies of their characters but also their own bodies, the bodies of the films themselves. The technologies—both analog and digital—that produce Cronenberg’s images rupture both the profilmic...

The Subject Under Examination

Scott Wilson

Scott Wilson is a Senior Lecturer in film history, film theory, and cultural studies in the Department of Performing and Screen Arts at Unitec, Institute of Technology in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

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The Politics of Insects : David Cronenberg's Cinema of Confrontation

Continuum, 2011

Book

...Shadow Texts The three films of this chapter, The Brood, Scanners and Naked Lunch, all elaborate on the detailed analysis of disciplining discourses that we saw emerging from the films discussed in Chapter 4. Here, though, the focus...

The Filmmaker as Heretic

Scott Wilson

Scott Wilson is a Senior Lecturer in film history, film theory, and cultural studies in the Department of Performing and Screen Arts at Unitec, Institute of Technology in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

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The Politics of Insects : David Cronenberg's Cinema of Confrontation

Continuum, 2011

Book

...Introduction: The Politics of Insects Midway through David Cronenberg's 1986 remake of The Fly, as Seth Brundle (Jeff Goldblum) begins to fully comprehend the accident that will eventually lead to his death, he makes the following...