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John Saunders is head of film studies at Bedford Modern School, UK, and the author of The Film Genre Book. Author affiliation details are correct at time of print publication.

John Saunders is head of film studies at Bedford Modern School, UK, and the author of The Film Genre Book. Author affiliation details are correct at time of print publication.

John Saunders is head of film studies at Bedford Modern School, UK, and the author of The Film Genre Book. Author affiliation details are correct at time of print publication.

Katie Barnett is Lecturer in Film Studies at the University of Chester, UK. She has published work on the star persona of Robin Williams, cult television practices in Freaks and Geeks, and representations of boyhood and death in film. She has contributed to the film blogs Bitch Flicks and Screening Sex, and is a former editor of the journal 49thParallel. Author affiliation details are correct at time of print publication.

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

Jim Hillier, who died in 2014, was Visiting Lecturer in the Department of Film and Television Studies at the University of Reading, UK. He was a pioneer of film education in the UK. His publications include, as co-author, 100 Documentary Films and 100 Film Noirs in the BFI Screen Guides series (2008); American Independent Cinema (2001), The Film Studies Dictionary (2000) and Howard Hawks: American Artist (1996). Author affiliation details are correct at time of print publication.

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Andrew Osmond is a freelance journalist based in Berkshire, UK. He writes for a range of high-profile film magazines including Sight and Sound, Empire and SFX. Author affiliation details are correct at time of print publication.

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

Patrick Russell is Senior Curator (Non-Fiction), BFI National Archive, UK. He is the author of 100 British Documentaries (2007) and co-editor of The Lost World of Mitchell and Kenyon (BFI 2004) and Shadows of Progress: Documentary Film in Post-War Britain (2010) and has been a regular contributor to BFI Screenonline. Author affiliation details are correct at time of print publication.