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Aaron Kerner is an Associate Professor in the Cinema Department at San Francisco State University. Author affiliation details are correct at time of print publication.

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Tom Zaniello is Professor Emeritus, having taught film and cultural studies, and directed the Honors Program at Northern Kentucky University, USA. He has been active as a film programmer for the Hill Center in Washington DC and for the London and North West (Liverpool) Labour Film Festivals. He recently published California’s Lamson Murder Mystery (2016), the story of the wrongful conviction of a Hollywood screenwriter for murder, along with Working Stiffs, Union Maids, Reds, and Riffraff: An Expanded Guide to Films about Labor, 2nd ed. (2003) and The Cinema of Globalization (2007). Author affiliation details are correct at time of print publication.

David Matless

David Deamer is Associate Lecturer in film at Manchester Metropolitan University, UK. He has published in Martin-Jones and Brown’s Deleuze and Film; Bell and Colebrook’s Deleuze and History; Deleuze Studies; and the online A/V Journal, of which he was co-founder. He blogs on Deleuze and cinema at www.daviddeamer.com. Author affiliation details are correct at time of print publication.

Deborah Shaw is Associate Dean of Research in the Faculty of Creative and Cultural Industries and Reader in Film Studies at the University of Portsmouth, UK. Shaw is the founding co-editor of the journal Transnational Cinemas, and author of The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (2013), and editor of Contemporary Latin American Cinema: Breaking into the Global Market (2007), and co-editor of The Transnational Fantasies of Guillermo del Toro (2014) with Ann Davies and Dolores Tierney. Author affiliation details are correct at time of print publication.

I.Q. Hunter is Reader in Film Studies at De Montfort University, Leicester, UK. He is the editor of British Science Fiction Cinema (1999), and the co-editor of British Comedy Cinema (2012), Controversial Images (2012) and Science Fiction Across Media (2013). Author affiliation details are correct at time of print publication.

Amy Raphael was born in London in 1967. She has worked on The Face, NME, Elle and Esquire and now freelances for the Guardian, the Observer and The Times. Her first book, Never Mind the Bollocks: Women Rewrite Rock, was published by Virago in 1995. She conducted the conversations and edited Mike Leigh on Mike Leigh, which was published by Faber in 2008. She has also contributed to the The Rolling Stone Book of Women in Rock and Perfect Pitch, a series of books about football. Author affiliation details are correct at time of print publication.

David Deamer is Associate Lecturer in film at Manchester Metropolitan University, UK. He has published in Martin-Jones and Brown’s Deleuze and Film; Bell and Colebrook’s Deleuze and History; Deleuze Studies; and the online A/V Journal, of which he was co-founder. He blogs on Deleuze and cinema at www.daviddeamer.com. Author affiliation details are correct at time of print publication.

Mark Jancovich

Robert Manning