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“Crowdsourcing” “The Bad-Ass Slave”: A Critique of Quentin Tarantino’s Django Unchained

Reynaldo Anderson

,

Reynaldo Anderson

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D. L. Stephenson

D. L. Stephenson

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Chante Anderson

Chante Anderson

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

...The philosophy of Franz Fanon articulated in his books The Wretched of the Earth (1963), the bible of the Black Revolution, and Black Skin, White Masks (1967) reached its apogee during the turbulent decade of the 1960s. Fanon theorized...

The “D” Is Silent, but Human Rights Are Not: Django Unchained as Human Rights Discourse

Kate E. Temoney

Kate E. Temoney

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

...Life, liberty, and the pursuit of vengeanceWe hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit...

Hark, Hark, the (dis)Enchanted Kantian, or Tarantino’s “Evil” and Its Anti-Cathartic Resonance

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

...“Okay,” he said, “listen to this.” He started to pace between the drawing tables, looking down at his feet, declaiming in a sharp, barking tenor that Joe recognized from the announcers on American radio. “To, uh, to all those who, uh, toil...

Dr. “King” Schultz as Ideologue and Emblem: The German Enlightenment and the Legacy of the 1848 Revolutions in Django Unchained

Robert von Dassanowsky

Robert von Dassanowsky is Professor of German and Film, and Carnegie/CASE Professor of the Year (Colorado) at U Colorado, Colorado Springs. Publications include Austrian Cinema: A History; Gale Encyclopedia of Multicultural America (ed); New Austrian Film (ed. w/ Oliver Speck) and Hofmannsthal’s “Der Schwierige” (ed. w/Martin Liebscher). He is also an independent film producer. Author affiliation details are correct at time of print publication.

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

...Austrian actor Christoph Waltz embodied a negative take on Austria’s troubled postimperial identity and relationship with Nazism as the identity shifting SS officer Hans Landa in Tarantino’s Inglourious Basterds (2009). The director creates...

Thirteen Ways of Looking at a Black Film: What Does It Mean to Be a Black Film in Twenty-First Century America?

Heather Ashley Hayes

Heather Ashley Hayes

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Gilbert B. Rodman

Gilbert B. Rodman

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

...I. —Henry Louis Gates, Jr, Thirteen Ways of Looking at a Black Man (1997) We can agree that the notion of a unitary black man is as imaginary (and as real) as Wallace Stevens’s blackbirds are; and yet to be a black man...

Django Blues: Whiteness and Hollywood’s Continued Failures

David J. Leonard

David J. Leonard

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

...This chapter contains and builds upon a previous essay “Django Blues,” which appeared in The Crisis (April 2013, 26–29). http://www.academia.edu/3249551/Django_Blues.Quentin Tarantino is a good white filmmaker. Irrespective of his talents...

Bodies In and Out of Place: Django Unchained and Body Spaces

Alexander D. Ornella

Alexander D. Ornella

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

...Introduction “There’s a nigger on the horse” marks the beginning of Quentin Tarantino’s most recent violation of filmic style, language, and good taste other directors might not get by with. As offensive as language and images might be,...

Chained to It: The Recurrence of the Frontier Hero in the Films of Quentin Tarantino

Samuel P. Perry

Samuel P. Perry

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

...An earlier version of this chapter was presented at the ALTA Conference on Argumentation and is set to be published in the Selected Papers volume for the conference under the title: “Django Unchained and the Undisturbed Frontier Hero...

Guess Who’s Coming to Get Her: Stereotypes, Mythification, and White Redemption

Ryan J. Weaver

Ryan J. Weaver

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Nichole K. Kathol

Nichole K. Kathol

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

...In recent memory, few films have polarized audiences like Quentin Tarantino’s Django Unchained (2012). While the film received an abundance of mostly positive reviews from critics, Django aroused a sizable group of objectors to voice...

Of Handshakes and Dragons: Django’s German Cousins

Dana Weber

Dana Weber

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

...Crucial scenes in Quentin Tarantino’s Django Unchained (2012) are formulated in a “Sekundenstil”Invented by Naturalists, the literary technique of “Sekundenstil” aims to copy reality in minute detail (Gero Von Wilpert, “Sekundenstil...