Neil Archer is a lecturer in Film Studies at Keele University. He is the author of The French Road Movie: Space, Mobility, Identity (2013) and Studying The Bourne Ultimatum (2012), and editor of a work on adaptation in French film, theatre and literature (2011). He has just completed a book on the film, Hot Fuzz (2015). Author affiliation details are correct at time of print publication.
Cinema and Brexit: The Politics of Popular English Film
Bloomsbury Academic, 2020
...Introduction: The epic film at the intersection of the global and the national
This chapter examines a particular, and in many respects revealing, tendency in popular English cinema emerging in the years immediately following the EU...
David Carter is retired professor of communicative English at Yonsei University, Seoul, and the author of East Asian Cinema (2007) and The Western (2007), as well as Sigmund Freud and On Cocaine, a translation of essays by Freud. Author affiliation details are correct at time of print publication.
...Christopher Nolan's Inception (2010) is a difficult film to categorize. It partakes of various genres, blurring the distinctions between them. It is science fiction, but it does not contain many of the ingredients associated...
...There are more World War II films—features and shorts, fictional and documentary, theatrical and nontheatrical—than there are films about any other American military conflict. For reasons both ideological (preparing Americans to mobilize...
Eleftheria Thanouli is Assistant Professor in Film Theory at the Film Department at Aristotle University of Thessaloniki. She received her Ph.D. from the University of Amsterdam in 2005. She is the author of Post-Classical Cinema: An International Poetics of Film Narration (2009). Author affiliation details are correct at time of print publication.
...Understanding historical fiction films has lain at the center of academic scholarship ever since Robert Rosenstone published his groundbreaking Visions of the Past (1995) and urged the community to study closely how the cinema had...
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