Loading
Loading

Results

  • England
Sort By:  1-10 of 298 (30 pages)
Results per page:
         

Introduction

British Colour Cinema : Practices and Theories

British Film Institute, 2013

Book

...Film fades and colour balances shift. As the organisations responsible for the preservation and restoration of colour film, archives are caught in discussions that are endlessly driven by concerns over the instability of film stock...
...Research at the North West Film Archive at Manchester Metropolitan University and the Yorkshire Film Archives was funded by the Centre for Visual and Oral History Research at the University of Huddersfield during 2012 and contributes to two...
Image
...Street. Day. Posner, a seventeen-year-old boy, is cycling towards school, headphones on, listening to some Ivor Novello (‘I can give you the moon’, say). It is summer, mid-1980s. He stops outside a church, where...

The Opera Virgins Project: Operatic Event Cinema as a New Cultural Experience

Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book

...The ten-year anniversary of the Metropolitan Opera House’s first live cinema broadcast presents a suitable milestone for assessing the maturation of operatic event cinema, which has developed into a distinct art form with particular...

David Charap

Roger Crittenden

Roger Crittenden: After a distinguished career at the BBC, where he gained a special award for sustained excellence as a film editor, he was recruited to the new National Film and Television School as Head of Editing and later became Director of the MA programme. While with the NFTS, he taught in Moscow, Mexico City, Manila, Copenhagen, Singapore, Brisbane Australia, and in Cuba. In 2014 he was given the first ever CILECT International Teaching Award for his outstanding contribution to media pedagogy. More recently, he was appointed Adjunct Professor of Film at Griffith University in Brisbane, Australia. Roger is the author of two books on editing, as well as a book on Truffaut’s Day For Night for the British Film Institute's Film Classic Series. Author affiliation details are correct at time of print publication.

Search for publications

Fine Cuts : Interviews on the Practice of European Film Editing

Routledge, 2018

Book

... D avid Charap editing (Courtesy of David Charap) From fi lms for Pawel Pawlikowski and Terence Davies to a host of important documentaries, David has gleaned an impressive list of credits across fi ction and non-fi ction, giving him...

Accident (2000)

Directed by

 Joseph Losey

Written by

Harold Pinter

Screenplay

Image
...The House. Night. Summer. Long shot. The camera is still, looking at the house from outside the gate, up the short curved drive, across the circular gravel court. In a meadow behind the house, dim shapes of animals. The camera moves slowly...
Image
...Will’s car. King’s Cross. Day Will and Liv drive. There is an awkward silence between them. The atmosphere is charged. Will voice-over When do you stop looking at each other...
...In September 2010, Secret Cinema founder Fabien Riggall explained the growing popularity of immersive film events in the following terms:Secret Cinema is a British company that specializes in ‘immersive’ cinema events. Previous examples...
Image
...Large House In St John's Wood, London. Summer Day. Present Day. Bonnet of a Jaguar foreground. Jo is standing at the window, looking out. Reflected in the window pane demolition of buildings, tall skeletons of new constructions...

The Servant (2000)

Directed by

Joseph Losey

Written by

Harold Pinter

Screenplay

Image
...Knightsbridge Square. October. Day. A quiet square off Knightsbridge. Winter sun. Bare trees. Numerous parked cars. At the far side of the square Barrett appears. From high, see him approach. He stops at the kerb. Cars pass. He crosses...