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  • Exploitation cinema
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A Cinematic Half-Twist: Art, Exploitation, and the Subversion of Sexual Norms in Kim Ki-duk’s Moebius

Hye Seung Chung

Hye Seung Chung

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David Scott Diffrient

David Scott Diffrient

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Exploiting East Asian Cinemas : Genre, Circulation, Reception

Bloomsbury Academic, 2017

Book

...Quoted in Ha Seong-tae, “Moebius, The Discomfort of the Uncomfortable Gaze at Kim Ki-duk [Moebius Kim Ki-deok gamdok ul bulpyeonhae haneun siseon ui bulpyeonham],” OhMyNews (June 12, 2013...

Introduction

Ernest Mathijs

Ernest Mathijs is Associate Professor of Film Studies at the University of British Columbia, Canada. He is the author of The Cinema of David Cronenberg (2008), co-author of Cult Cinema (2011) and co-editor of The Cult Film Reader (2008). Author affiliation details are correct at time of print publication.

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Xavier Mendik

Xavier Mendik is Professor of Cult Cinema Studies within Birmingham School of Media at Birmingham City University, UK, from where he runs the Cine-Excess International Film Festival. He is editor of Shocking Cinema of the Seventies (2002) and co-editor of Alternative Europe (2004) and Underground USA (2002). Author affiliation details are correct at time of print publication.

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100 Cult Films : BFI Screen Guides

British Film Institute, 2011

Book

...In recent years, cult cinema has moved from the pulp periphery to the centre of critical debate. From initially being celebrated in fanzines and journalistic essays, the study of cult has now become a key part of film criticism...

Introduction

Ken Provencher

Ken Provencher has taught film and media studies at Josai International University in Tokyo, Japan, and Loyola Marymount University, Los Angeles. His work focuses on the transnational Hollywood industry, especially its relation to East Asian media industries and popular cultures. He has contributed to The Companion to Wong Kar-wai, The Quarterly Review of Film and Video, and The Velvet Light Trap, among others. Author affiliation details are correct at time of print publication.

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Mike Dillon

Mike Dillon teaches film and media studies at California State University, Fullerton. His research focuses on the relationship between media cultures and transnational human mobility. His publications include essays in Journal of South Asian Film and Media Studies, Mediascape, and Reconstruction, among other; and chapters in the anthologies Negative Cosmopolitanisms and Transnational Horror Cinema. Author affiliation details are correct at time of print publication.

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Exploiting East Asian Cinemas : Genre, Circulation, Reception

Bloomsbury Academic, 2017

Book

...Go to the Internet Movie Database (IMDb) page for Park Chan-wook’s South Korean thriller Oldboy (Oldeuboi, 2003), and you will find both traditional and nontraditional forms of categorization. The page identifies the movie’s title, year...

Don’t Bother to Dispatch the FBI: Representations of Serial Killers in New Korean Cinema

Kyu Hyun Kim

Kyu Hyun Kim

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Exploiting East Asian Cinemas : Genre, Circulation, Reception

Bloomsbury Academic, 2017

Book

...Introduction On January 26, 1983, a forty-two-year old Korean man named Yi Tong-sik—an amateur photographer and a professional plumber—was arrested for the murder of a twenty-four-year old woman named Kim. Yi had grown up in poor...

Baise-moi

Ernest Mathijs

Ernest Mathijs is Associate Professor of Film Studies at the University of British Columbia, Canada. He is the author of The Cinema of David Cronenberg (2008), co-author of Cult Cinema (2011) and co-editor of The Cult Film Reader (2008). Author affiliation details are correct at time of print publication.

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100 Cult Films : BFI Screen Guides

British Film Institute, 2011

Book

...DIRECTOR Virginie Despentes, Coralie Trinh ThiPRODUCER Philippe GodeauWRITER Virginie Despentes, Coralie Trinh Thi (book: Virginie Despentes)CINEMATOGRAPHY Benoît ChamaillardEDITING Aïlo Auguste, Francine Lemaître, Véronique RosaORIGINAL...

Kitano’s Outrageous Exploitation Cinema: Yakuza Nobility and the Biopolitics of Crime

Elena del Río

Elena del Río is Professor of Film Studies at the University of Alberta, Canada. Her essays have been featured in journals such as Camera Obscura, Discourse, Quarterly Review of Film and Video, Film-Philosophy, The New Review of Film and Television Studies, SubStance, and Deleuze Studies. She has also contributed essays to edited collections on the films of Atom Egoyan, Rainer W. Fassbinder, and on the philosophy of film, and Deleuze and cinema. She is the author of Deleuze and the Cinemas of Performance: Powers of Affection (2008). Author affiliation details are correct at time of print publication.

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Exploiting East Asian Cinemas : Genre, Circulation, Reception

Bloomsbury Academic, 2017

Book

...Introduction In examining Kitano Takeshi’s Outrage (2010) and Outrage Beyond (2012), this chapter will take as its point of departure these films’ dismantling of the division between art and trash. Underpinning this dismantling is the idea...

Sexual Deviance and the Naked Body in Cinematic Representations of Nazis

Michael D. Richardson

Michael D. Richardson

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Nazisploitation! : The Nazi Image in Low-Brow Cinema and Culture

Continuum, 2012

Book

...I would like to start with two films and two female concentration camp officers: both are responsible for horrific deaths of their inmates, both are portrayed as highly sexual figures, frequently shown nude and engaged in intercourse. One...

Steampunked Kung Fu: Technologized Modernity in Stephen Fung’s Tai Chi Films

Kenneth Chan

Kenneth Chan

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Exploiting East Asian Cinemas : Genre, Circulation, Reception

Bloomsbury Academic, 2017

Book

...Introduction: Exploiting Kung Fu Ang Lee’s Crouching Tiger, Hidden Dragon (臥虎藏龍, 2000) is one of those seminal works that have directed popular and critical attention to a cinematic genre, the wuxia pian (武俠片, Chinese martial arts film...

The Masque of the Red Death

Xavier Mendik

Xavier Mendik is Professor of Cult Cinema Studies within Birmingham School of Media at Birmingham City University, UK, from where he runs the Cine-Excess International Film Festival. He is editor of Shocking Cinema of the Seventies (2002) and co-editor of Alternative Europe (2004) and Underground USA (2002). Author affiliation details are correct at time of print publication.

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100 Cult Films : BFI Screen Guides

British Film Institute, 2011

Book

...© Alta Vista ProductionsDIRECTOR Roger CormanPRODUCER Roger CormanWRITER Charles Beaumont, R. Wright Campbell, Edgar Allan PoeCINEMATOGRAPHY Nicolas RoegEDITING Ann ChegwiddenORIGINAL MUSIC David LeePRINCIPAL CAST Vincent Price, Hazel...

Pink Flamingos

Xavier Mendik

Xavier Mendik is Professor of Cult Cinema Studies within Birmingham School of Media at Birmingham City University, UK, from where he runs the Cine-Excess International Film Festival. He is editor of Shocking Cinema of the Seventies (2002) and co-editor of Alternative Europe (2004) and Underground USA (2002). Author affiliation details are correct at time of print publication.

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100 Cult Films : BFI Screen Guides

British Film Institute, 2011

Book

...Dreamland ProductionsDIRECTOR John WatersPRODUCER John WatersWRITER John WatersCINEMATOGRAPHY John WatersEDITING John WatersORIGINAL MUSIC John WatersPRINCIPAL CAST Divine (Babs Johnson), Edith Massey, Mary Vivian Pearce, Danny Mills, David...