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A Cinematic Half-Twist: Art, Exploitation, and the Subversion of Sexual Norms in Kim Ki-duk’s Moebius

Exploiting East Asian Cinemas : Genre, Circulation, Reception

Bloomsbury Academic, 2017

Book chapter

...Quoted in Ha Seong-tae, “Moebius, The Discomfort of the Uncomfortable Gaze at Kim Ki-duk [Moebius Kim Ki-deok gamdok ul bulpyeonhae haneun siseon ui bulpyeonham],” OhMyNews (June 12, 2013...

Introduction

Ken Provencher

Ken Provencher has taught film and media studies at Josai International University in Tokyo, Japan, and Loyola Marymount University, Los Angeles. His work focuses on the transnational Hollywood industry, especially its relation to East Asian media industries and popular cultures. He has contributed to The Companion to Wong Kar-wai, The Quarterly Review of Film and Video, and The Velvet Light Trap, among others. Author affiliation details are correct at time of print publication.

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and

Mike Dillon

Mike Dillon teaches film and media studies at California State University, Fullerton. His research focuses on the relationship between media cultures and transnational human mobility. His publications include essays in Journal of South Asian Film and Media Studies, Mediascape, and Reconstruction, among other; and chapters in the anthologies Negative Cosmopolitanisms and Transnational Horror Cinema. Author affiliation details are correct at time of print publication.

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Exploiting East Asian Cinemas : Genre, Circulation, Reception

Bloomsbury Academic, 2017

Book chapter

...Go to the Internet Movie Database (IMDb) page for Park Chan-wook’s South Korean thriller Oldboy (Oldeuboi, 2003), and you will find both traditional and nontraditional forms of categorization. The page identifies the movie’s title, year...

Don’t Bother to Dispatch the FBI: Representations of Serial Killers in New Korean Cinema

Exploiting East Asian Cinemas : Genre, Circulation, Reception

Bloomsbury Academic, 2017

Book chapter

...Introduction On January 26, 1983, a forty-two-year old Korean man named Yi Tong-sik—an amateur photographer and a professional plumber—was arrested for the murder of a twenty-four-year old woman named Kim. Yi had grown up in poor...

Kitano’s Outrageous Exploitation Cinema: Yakuza Nobility and the Biopolitics of Crime

Elena del Río

Elena del Río is Professor of Film Studies at the University of Alberta, Canada. Her essays have been featured in journals such as Camera Obscura, Discourse, Quarterly Review of Film and Video, Film-Philosophy, The New Review of Film and Television Studies, SubStance, and Deleuze Studies. She has also contributed essays to edited collections on the films of Atom Egoyan, Rainer W. Fassbinder, and on the philosophy of film, and Deleuze and cinema. She is the author of Deleuze and the Cinemas of Performance: Powers of Affection (2008). Author affiliation details are correct at time of print publication.

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Exploiting East Asian Cinemas : Genre, Circulation, Reception

Bloomsbury Academic, 2017

Book chapter

...Introduction In examining Kitano Takeshi’s Outrage (2010) and Outrage Beyond (2012), this chapter will take as its point of departure these films’ dismantling of the division between art and trash. Underpinning this dismantling is the idea...

Sexual Deviance and the Naked Body in Cinematic Representations of Nazis

Nazisploitation! : The Nazi Image in Low-Brow Cinema and Culture

Continuum, 2012

Book chapter

...I would like to start with two films and two female concentration camp officers: both are responsible for horrific deaths of their inmates, both are portrayed as highly sexual figures, frequently shown nude and engaged in intercourse. One...

Steampunked Kung Fu: Technologized Modernity in Stephen Fung’s Tai Chi Films

Exploiting East Asian Cinemas : Genre, Circulation, Reception

Bloomsbury Academic, 2017

Book chapter

...Introduction: Exploiting Kung Fu Ang Lee’s Crouching Tiger, Hidden Dragon (臥虎藏龍, 2000) is one of those seminal works that have directed popular and critical attention to a cinematic genre, the wuxia pian (武俠片, Chinese martial arts film...

Introduction

Daniel H. Magilow

Daniel H. Magilow is Associate Professor of German at the University of Tennessee, Knoxville, USA. He is the author of The Photography of Crisis: The Photo Essays of Weimar Germany (2012) and In Her Father's Eyes: A Childhood Extinguished by the Holocaust (2008) and the co-editor, along with Elizabeth Bridges and Kristin T. Vander Lugt, of Nazisploitation! The Nazi Image in Low-Brow Culture and Cinema (2012). Author affiliation details are correct at time of print publication.

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Nazisploitation! : The Nazi Image in Low-Brow Cinema and Culture

Continuum, 2012

Book chapter

...When Vincent Canby of The New York Times reviewed Ilsa, She Wolf of the SS (1974) on November 30, 1975, he posed a question to his readers and future historians. ‘If it’s possible to reconstruct the interests, attitudes and values of a lost...

Utterly without Redeeming Social Value? ‘Nazi Science’ Beyond Exploitation Cinema

Nazisploitation! : The Nazi Image in Low-Brow Cinema and Culture

Continuum, 2012

Book chapter

...An earlier version of this essay was presented at the fifth biennial Film & History conference on ‘Film and Science: Fictions, Documentaries, and Beyond’, Chicago, October 30-November 2, 2008. It has been substantially revised...

Revisiting the Cruel Apparatus

David Church

David Church is a film historian specializing in genre studies, taste cultures, and histories of film exhibition and distribution. He is a Lecturer in Comparative Cultural Studies at Northern Arizona University, USA, and is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (2015). Author affiliation details are correct at time of print publication.

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Nazisploitation! : The Nazi Image in Low-Brow Cinema and Culture

Continuum, 2012

Book chapter

...Inspired by Georges Bataille’s account of fifteenth-century child murderer Gilles de Rais,This is according to director Agustín Villaronga. See the interview on the DVD for In a Glass Cage, Cult Epics, 2005. See also Georges Bataille...

Messing Up World War II-Exploitation

Nazisploitation! : The Nazi Image in Low-Brow Cinema and Culture

Continuum, 2012

Book chapter

...When online film critic James Berardinelli celebrates Inglourious Basterds (2009) as ‘one hell of an enjoyable ride’ and Roger Ebert labels it ‘a big, bold, audacious war movie’, they allude to the pleasure of watching a film that employs...