Results

Dr. Jacob Leigh is Lecturer in the department of Media Arts at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

Tim van der Heijden

Joseph Wachelder is Associate Professor of History at Maastricht University, the Netherlands. His research focuses on interactions between science and culture, and his wide-ranging publication history has addressed issues in higher education, the popularization of science, colour and sense experience in art and science, and educational toys and games. He has previously held positions in Gewina (the Dutch Society for the History of Medicine, Mathematics, Science and Technology) and the European Society for the History of Science (ESHS). Author affiliation details are correct at time of print publication.

Susan Aasman is Associate Professor of History at the University of Groningen, the Netherlands. As a media historian and active researcher, she has written extensively about the history of amateur media and the history of documentary filmmaking. Since 2012, she has served as the chief editor for the Dutch Journal for Media History. Author affiliation details are correct at time of print publication.

Andreas Fickers is Professor of Contemporary and Digital History at Luxembourg University, Luxembourg. His research ranges from transnational media history to the European history of technology and theory of digital history. He is the co-editor in chief of the open access online journal VIEW – European Journal of Television History and Culture and the author, most recently, of Communicating Europe: Technologies, Information, Events (Palgrave, 2016). Author affiliation details are correct at time of print publication.

Joseph Wachelder is Associate Professor of History at Maastricht University, the Netherlands. His research focuses on interactions between science and culture, and his wide-ranging publication history has addressed issues in higher education, the popularization of science, colour and sense experience in art and science, and educational toys and games. He has previously held positions in Gewina (the Dutch Society for the History of Medicine, Mathematics, Science and Technology) and the European Society for the History of Science (ESHS). Author affiliation details are correct at time of print publication.

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.

Barry Monahan is lecturer in Film Studies at the University College Cork, Ireland. He has published Ireland’s Theatre on Film: Style, Stories and the National Stage on Screen (2009), and also written on Irish cinema from different theoretical and aesthetic perspectives in various collections of essays, including Screening Irish America (2009), Genre and Cinema: Ireland and Transnationalism (2007), and Viewpoints: Theoretical Perspectives on Irish Visual Texts (2013). He contributes regularly to Estudios Irlandeses, the Spanish Journal of Irish Studies. Author affiliation details are correct at time of print publication.

Irina Souch is Lecturer in Literary and Cultural Analysis at the University of Amsterdam, The Netherlands. Author affiliation details are correct at time of print publication.

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.