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The Home Movie Archive Live

Patricia R. Zimmermann

Patricia R. Zimmermann

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Amateur Filmmaking : The Home Movie, the Archive, the Web

Bloomsbury Academic, 2014

Book chapter

...Overture The live music, multimedia, spoken-word project, Memescapes (U.S.A. 2007), produced by Ann Michel and Phil Wilde in collaboration with the Human Studies Film Archives (HSFA) of the Smithsonian Institution, was a special commission...

The Viewser as Curator: The Online Film Festival Platform

Geli Mademli

Geli Mademli

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Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

...Over the last decade there has been a major transformation in the film festival world with regard to the mechanism of the films’ outreach. An increasing number of film festivals have decided to explore the potential of digital technologies...

The American Independent Producer and the Film Value Chain

James Lyons

James Lyons

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Beyond the Bottom Line : The Producer in Film and Television Studies

Bloomsbury Academic, 2014

Book chapter

...In August 2012 the Sundance Institute, the organization responsible for the Sundance Film Festival, made available on its official website a short film entitled ‘The Creative Producer: The Unsung Hero of Indie Filmmaking’.‘The Creative...

Maps, Grids, Instructions: Pop-up Cinemagoing and Tourist Performance

María A.

María A.

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and

Vélez- Serna

Vélez- Serna

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Cinema and tourism intersect in many ways, from cross-promotional strategies to aesthetic regimes and representational conventions. The proliferation of film festivals, and of film festival studies, has brought to the fore the politics...

Movie Mutations 2: Second Round

Quintín

,

Quintín

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Mark Peranson

,

Mark Peranson

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Nicole Brenez

,

Nicole Brenez

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Adrian Martin

Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing. Author affiliation details are correct at time of print publication.

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and

Jonathan Rosenbaum

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book chapter

...Buenos Aires, 18 December 2001Dear Mark,A few days ago I wrote about Amélie (Le fabuleux destin d’Amélie Poulain, 2001) for your magazine, Cinema Scope. According to you, it’s the only negative review of the film that’s appeared...

‘Beyond Film’ Experience: Festivalizing Practices and Shifting Spectatorship at Glasgow Film Festival

Lesley-Ann Dickson

Lesley-Ann Dickson

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Introduction As ‘festivities’ film festivals are characterized by temporal structures (a distinct beginning and end), which present audiences with a momentary departure from the norm, that is, from more routine, or habitual, modes of film...

Thoughts on Recent ‘Underground’ Film [1972]

Malcolm Le Grice

Peter Kardia is widely recognised as a radical and influential teacher at both Saint Martins and the Royal College during the 60s and 70s, and his essay on how we should be approaching art and education will be central to the book. Hester Wesley has researched and written on Peter's influence on art education and his teaching at Saint Martins and the Royal College, placing it into wider context of art education generally. The last essay will be by Malcolm Le Grice (art historian) on the influence of the art teacher and art schools in history on the artist. The introduction is by Roderick Coyne who is an artist and who also taught at Saint Martins for 10 years. Author affiliation details are correct at time of print publication.

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Experimental Cinema in the Digital Age

British Film Institute, 2001

Book chapter

...For at least two years I have felt ready to make some theoretical statements about film language in relation to the ‘Underground’ film. A problem which has held me up is the discrepancy I feel between the actual experience I get from...

GasLand

Jeff Swimmer

Jeff Swimmer is Associate Professor at Chapman University’s Dodge College of Film and Media Arts, USA, where he teaches Documentary Production and directs the renowned International Documentary program. He is an award-winning Writer and Producer of documentary films on both sides of the Atlantic. His programs have aired on BBC, PBS, NBC News, HBO, A&E, CNN, DISCOVERY, THE HISTORY CHANNEL, TRAVEL CHANNEL, ARTE and many others. His 2001 Northern Ireland: Dying For Peace (Supervising Producer, CNN) won a DuPont Award in 2001. Author affiliation details are correct at time of print publication.

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Documentary Case Studies : Behind the Scenes of the Greatest (True) Stories Ever Told

Bloomsbury Academic, 2015

Book chapter

...director and producerJosh FoxOscar Nominee, Best Documentary Feature—2010summaryJosh Fox’s brash and brazen road trip through an America landscape besieged by what Fox calls an all-out assault from the oil and gas fracking industry...

Glory and Demise: 1960–1970

Vrasidas Karalis

Vrasidas Karalis is Associate Professor in Modern Greek Studies at the University of Sydney. He has published extensively on Greek culture, history and art. He is the editor of the Journal of Modern Greek Studies (Australia and New Zealand). In the area of film studies he has published on Theo Angelopoulos, Sergei Eisenstein and Alfred Hitchcock. Author affiliation details are correct at time of print publication.

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A History of Greek Cinema

Continuum, 2012

Book chapter

...The New Decade THE 1960S FORMED THE PERIOD WHEN GREEK cinema was so prolific that, according to anecdotal statistical evidence, the studios were releasing one and a half movies every two weeks. In 1961, the first attempts to establish...

Documentary Tradition in the Twenty-First Century

Betsy A. McLane

Betsy A. McLane is the Director Emerita of the International Documentary Association. She holds degrees in cinema: a BFA from Ithaca College, MA and Ph.D. from The University of Southern California School of Media Arts. She has taught courses on film and documentary at Loyola Marymount University, The University of Vermont, Emerson College, The University of Southern California and California State University, San Bernadino, Palm Desert Campus. She is a Past President of the University Film and Video Association, and most recently served as the Project Director for The American Documentary Showcase, a program of the Bureau of Educational and Cultural Affairs of the US Department of State. Author affiliation details are correct at time of print publication.

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A New History of Documentary Film

Continuum, 2012

Book chapter

...There are many fine examples of new films being made that fall sometimes more, sometimes less, into established documentary traditions. To follow are only a few examples, from the US mainly, but the quality and complexity of such work...