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Maps, Grids, Instructions: Pop-up Cinemagoing and Tourist Performance

María A.

María A.

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and

Vélez- Serna

Vélez- Serna

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Cinema and tourism intersect in many ways, from cross-promotional strategies to aesthetic regimes and representational conventions. The proliferation of film festivals, and of film festival studies, has brought to the fore the politics...

Never Seen a Shot Like that Before! Playfulness and Participatory Audiences in San Sebastian Horror and Fantasy Film Festival

Rosana Vivar

Rosana Vivar

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Introduction It was 2 November 2015 and The Howl (Paul Hyett, 2015) was playing on the screen when, like a young Quaker, I was overtaken by the need to speak. The room was incandescent, and after four intense years of attending the San...

‘Beyond Film’ Experience: Festivalizing Practices and Shifting Spectatorship at Glasgow Film Festival

Lesley-Ann Dickson

Lesley-Ann Dickson

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book chapter

...Introduction As ‘festivities’ film festivals are characterized by temporal structures (a distinct beginning and end), which present audiences with a momentary departure from the norm, that is, from more routine, or habitual, modes of film...