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Coda

Mike Figgis

Mike Figgis is the renowned musician/film-maker whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, the award-winning Leaving Las Vegas, as well as the innovative digital films Timecode and Hotel. His photographs have been displayed at galleries, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...What’s now happening is a kind of rethink. As the professional cameras are getting smaller, the domestic cameras are getting a little bit bigger. I believe the design will meet somewhere in the middle. The camera will be of a size more...

Introduction

Nichola Dobson

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Nichola Dobson is a teaching fellow in design and screen cultures at Edinburgh College of Art, UK. Founding editor of Animation Studies (2006 - 2011) and Animation Studies 2.0 (2012- present). Author affiliation details are correct at time of print publication.

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Annabelle Honess Roe

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Annabelle Honess Roe is a lecturer at the University of Surrey, UK, where she is the programme director for Film Studies. Her scholarship and teaching focuses on animation, documentary and popular culture more broadly. Author affiliation details are correct at time of print publication.

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Amy Ratelle

Amy Ratelle is the Research Coordinator for the Semaphore Research Cluster on Mobile and Pervasive Computing, at the University of Toronto, Canada. Author affiliation details are correct at time of print publication.

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and

Caroline Ruddell

Caroline Ruddell is Lecturer in Film and TV Studies at Brunel University, London, UK. She is Reviews Editor for the animation: an interdisciplinary journal and sits on various Editorial Boards. Author affiliation details are correct at time of print publication.

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The Animation Studies Reader

Bloomsbury Academic, 2019

Book chapter

...Animation studies has grown exponentially in the past three decades. In that time it has evolved from a nascent sub-area of film studies that charted the history of the cartoon form, and the studios and animators who produced it, via...

Introduction: Documentary’s Vocal Projections

Maria Pramaggiore

Maria Pramaggiore is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Vocal Projections : Voices in Documentary

Bloomsbury Academic, 2019

Book chapter

...Vocal Projections: Voices in Documentary seeks to reconsider if not displace the primacy of the visual in documentary studies by focusing on the way documentaries engage with the sonic capacities and the semiotic implications of human...

Post-Production

Mike Figgis

Mike Figgis is the renowned musician/film-maker whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, the award-winning Leaving Las Vegas, as well as the innovative digital films Timecode and Hotel. His photographs have been displayed at galleries, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...A Disciplined Environment Is Crucial You write a brilliant script set in the Bahamas, with scenes in the Sahara Desert and a climax outside the Old Bailey – it may be a great idea, but how on earth are you going to raise money for it?...

Digital Technology – An Update

Mike Figgis

Mike Figgis is the renowned musician/film-maker whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, the award-winning Leaving Las Vegas, as well as the innovative digital films Timecode and Hotel. His photographs have been displayed at galleries, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...This book was written and published in 2007. Having glanced at the coda in that edition, one of the things I highlighted was that the technical information in the book would very quickly go out of date. And much of it has. We have got rid...

Pre-Production, Part 1: The Budget

Mike Figgis

Mike Figgis is the renowned musician/film-maker whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, the award-winning Leaving Las Vegas, as well as the innovative digital films Timecode and Hotel. His photographs have been displayed at galleries, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...What Kind of a Film-maker Are You? I think it comes down to this. Many film-makers, if they are honest, want to be photographed standing on a very large crane, next to a very large Arriflex, with about a hundred people in the background...

Working with Actors

Mike Figgis

Mike Figgis is the renowned musician/film-maker whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, the award-winning Leaving Las Vegas, as well as the innovative digital films Timecode and Hotel. His photographs have been displayed at galleries, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...‘Are you nervous?’ An actor can be (a), a highly trained individual who has studied the art of acting in some kind of educational establishment, and then, through fairly regular experience in film and theatre, has developed all...

Camera Movement

Mike Figgis

Mike Figgis is the renowned musician/film-maker whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, the award-winning Leaving Las Vegas, as well as the innovative digital films Timecode and Hotel. His photographs have been displayed at galleries, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...Perpetual Motion In the early days of cinema cameras were necessarily very heavy and, because of their value, considered very vulnerable. So the best thing one could do with them was to secure them very tightly on a tripod or similar...

Distribution

Mike Figgis

Mike Figgis is the renowned musician/film-maker whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, the award-winning Leaving Las Vegas, as well as the innovative digital films Timecode and Hotel. His photographs have been displayed at galleries, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...P&A Once you step into the arena of film-making, because of the time and costs involved you have pretty much endorsed the idea that your film will go into a public domain and, one hopes, be seen by three or four hundred people at a sitting....

Lighting

Mike Figgis

Mike Figgis is the renowned musician/film-maker whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, the award-winning Leaving Las Vegas, as well as the innovative digital films Timecode and Hotel. His photographs have been displayed at galleries, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...California über alles The technique of lighting has evolved throughout the history of cinema. When the first cameras were constructed and the first emulsion stock developed, film speeds were very slow. This meant that in order to get a good...