Screen Studies: Bloomsbury and Faber Screenplays and Criticism - Searc
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Coda

Mike Figgis

Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...What’s now happening is a kind of rethink. As the professional cameras are getting smaller, the domestic cameras are getting a little bit bigger. I believe the design will meet somewhere in the middle. The camera will be of a size more...

Post-Production

Mike Figgis

Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...A Disciplined Environment Is Crucial You write a brilliant script set in the Bahamas, with scenes in the Sahara Desert and a climax outside the Old Bailey – it may be a great idea, but how on earth are you going to raise money for it?...

Digital Technology – An Update

Mike Figgis

Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...This book was written and published in 2007. Having glanced at the coda in that edition, one of the things I highlighted was that the technical information in the book would very quickly go out of date. And much of it has. We have got rid...

Pre-Production, Part 1: The Budget

Mike Figgis

Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...What Kind of a Film-maker Are You? I think it comes down to this. Many film-makers, if they are honest, want to be photographed standing on a very large crane, next to a very large Arriflex, with about a hundred people in the background...

Working with Actors

Mike Figgis

Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...‘Are you nervous?’ An actor can be (a), a highly trained individual who has studied the art of acting in some kind of educational establishment, and then, through fairly regular experience in film and theatre, has developed all...

Camera Movement

Mike Figgis

Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...Perpetual Motion In the early days of cinema cameras were necessarily very heavy and, because of their value, considered very vulnerable. So the best thing one could do with them was to secure them very tightly on a tripod or similar...

Distribution

Mike Figgis

Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...P&A Once you step into the arena of film-making, because of the time and costs involved you have pretty much endorsed the idea that your film will go into a public domain and, one hopes, be seen by three or four hundred people at a sitting....

Lighting

Mike Figgis

Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

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Digital Film-Making

Faber & Faber, 2007

Book chapter

...California über alles The technique of lighting has evolved throughout the history of cinema. When the first cameras were constructed and the first emulsion stock developed, film speeds were very slow. This meant that in order to get a good...

Music

Mike Figgis

Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

Search for publications

Digital Film-Making

Faber & Faber, 2007

Book chapter

...The Psychological Backbone My theory of film music is that the essential psychology of a film is supplied by music. It functions as a psychological backbone. In fact, some film-makers self-consciously avoid using music for this very reason:...

Excursions into Super-8, 16mm, Super-16 and Hi-8

Mike Figgis

Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces. Author affiliation details are correct at time of print publication.

Search for publications

Digital Film-Making

Faber & Faber, 2007

Book chapter

...Opening Shots It was 1980. I had been working for ten years with a performance group called the People Show, and I had become convinced that they should get involved with film. But they weren’t interested, so I decided to leave. I thought I...