Results

Tessa Dwyer is Lecturer, Film and Screen Studies at the School of Culture and Communication at Monash University, Caulfield Campus, Australia. Her publications include contributions in the edited collections Locating the Voice in Film, Contemporary Publics, State of Post-Cinema, and journals across the disciplines of Screen Studies, Translation Studies and Cultural Studies. Her most recent publication appeared in A Reader in International Media Piracy. Author affiliation details are correct at time of print publication.

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

Clifford Thurlow is a writer and independent filmmaker. He co-produced Salvador Dali: A Biography and co-produced and presented The Dali Triangle for Yellowbay Films. The winner of a screenwriting award from EMDA, the European Media Development Award, his screenplay Zeitgeist is in development with Hub Media. Author affiliation details are correct at time of print publication.

Max Thurlow is a journalist who has written for a number of publications including the Daily Mail and the Independent. He has shot, edited and screened a number of travel and short films. Author affiliation details are correct at time of print publication.