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Conclusion

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Throughout this monograph, I have argued that Carroll’s work has a lot to offer to those interested in film, not only because of its clarity of expression and the strict adherence to the norms of logical reasoning, but also because...

Institutional Context

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Noël Carroll is one of the main proponents of cognitivism in film studies and the most important scholar in the field applying analytic philosophy to his work. This chapter will argue that it is precisely these theoretical...

Film Theory

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Carroll distinguishes between film theory, on the one hand, and interpretation and evaluation, on the other. For him interpretation articulates the relationship between various thematic, formal or functional aspects of an artwork or a group...

Time

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book

...Deleuze provides an extensive array of different types and forms of time-images that screen images produce and express. Deleuze’s description of the time-image provides a philosophical and mathematical explanation for different aspects...

Assessment of Theory

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Carroll’s theories command considerable attention within the cognitivist paradigm and have influenced numerous scholars working under it. But those who subscribe to other approaches have been far less enthusiastic about his work...

Marketing

Clifford Thurlow

Clifford Thurlow is a writer and independent filmmaker. He co-produced Salvador Dali: A Biography and co-produced and presented The Dali Triangle for Yellowbay Films. The winner of a screenwriting award from EMDA, the European Media Development Award, his screenplay Zeitgeist is in development with Hub Media. Author affiliation details are correct at time of print publication.

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and

Max Thurlow

Max Thurlow is a journalist who has written for a number of publications including the Daily Mail and the Independent. He has shot, edited and screened a number of travel and short films. Author affiliation details are correct at time of print publication.

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Making Short Films : The complete guide from script to screen

Bloomsbury, 2013

Book

... Marketing So the final cut of your film has been saved, backed up and snail mailed to a family member for safety. Unfortunately, now the hard work really begins. Even if your short is an epic in 10 minutes with game changing production...

Introduction: The Blackest and Whitest of Swans

Tessa Dwyer

,

Tessa Dwyer is Lecturer, Film and Screen Studies at the School of Culture and Communication at Monash University, Caulfield Campus, Australia. Her publications include contributions in the edited collections Locating the Voice in Film, Contemporary Publics, State of Post-Cinema, and journals across the disciplines of Screen Studies, Translation Studies and Cultural Studies. Her most recent publication appeared in A Reader in International Media Piracy. Author affiliation details are correct at time of print publication.

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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and

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book

...Prologue We would like to begin this introduction to Seeing into Screens: Eye Tracking the Moving Image with a brief reading of the preliminary research we have conducted on the opening six minutes to Black Swan (Darren Aronofsky 2010...

Introduction: Deleuze’s Cinematographic Consciousness

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book

...Gilles Deleuze (1925–1995) was the first philosopher to write a two-volume account of cinema. Deleuze creates a very specific open system of thinking about how and what the screen medium does. This book, Deleuze and Cinema: The Film...

Introduction

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

Search for publications

Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Currently a distinguished professor at the CUNY Graduate Center, Noël Carroll is one of the most widely cited philosophers of art. Over more than 40 years, he has written widely on popular art, mass art, narration, art evaluation, humour...

Topology

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book

...The topology of screen-space is the mind-map of the creators of the image: writers, concept artists, directors, sound engineers, editors, cinematographers, as fitted together under the production budget and design. Technically...