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Moving Images as Ontographic Images (According to Pier Paolo Pasolini)

media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book

...There can be only little doubt—and were it different, we would probably not contribute to a volume focusing on media and matter—that in the humanities, in cultural studies, and especially in media studies, for a couple of years now, a new...

[Meta]Physics of Media

media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book

...“Physics of Media” should be read as classification and analysis of media as material entities (Seitter 2002). But does this use of the word “physics” actually correspond to the common usage? Usually, “physics” is about natural...

Ciné-system

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book

...Deleuze’s two volumes on cinema provide a model of ciné-philosophy. Deleuze sets himself the task of compiling a taxonomy of the cinema and ends up with a processual ciné-system. This is a model of ciné-philosophy that can be used...

Upstairs Downstairs

Murray Pomerance

Murray Pomerance is an independent scholar living in Toronto, Canada. He is the editor of the Techniques of the Moving Image series and the Horizons of Cinema series, and co-editor, with Lester D. Friedman and Adrienne L. McLean respectively, of the Screen Decades and Star Decades series. Pomerance has written, edited and co-edited several books, including Virtuoso: Film Performance and the Actor’s Magic (2019), A Dream of Hitchcock (2019), Cinema, If You Please (2018), Moment of Action (2016), Alfred Hitchcock's America (2013), The Horse who Drank the Sky: Film Experience beyond Narrative and Theory (2008), and two BFI Classics on Marnie (2014) and The Man Who Knew Too Much (2016). Author affiliation details are correct at time of print publication.

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Virtuoso : Film Performance and the Actor’s Magic

Bloomsbury Academic, 2019

Book

...The movie screen is both flat and intensely reflective, the latter a product of decades of material research dedicated to producing brightness. The light from the projector hits the screen most strongly in the center, and in earlier...

Movement: the Movement-image

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book

...Deleuze begins his investigation into the cinema in terms of its movements in two arenas: the philosophical and the technical. Deleuze argues that movement informs our understanding of the formation of worlds in terms of the types...

Media|Matter: An Introduction

Bernd Herzogenrath

Bernd Herzogenrath is Professor of American Studies at the University of Frankfurt, Germany. Author affiliation details are correct at time of print publication.

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media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book

...The philologies and the humanities are part of the modern media society, and thus participate in a field of forces determined by constantly changing parameters, be it cultural, material, theoretical, scientific, or technical ones. Since...

Borderline: Nauman’s Balls and Acconci’s Shoot

media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book

...In Understanding Media. The Extensions of Man Marshall McLuhan utilized the myth of love-struck Narcissus yearning for his own image mirrored on the water surface in order to describe the double effect of media—in this case a mirrored...

Effacement and Allure

Murray Pomerance

Murray Pomerance is an independent scholar living in Toronto, Canada. He is the editor of the Techniques of the Moving Image series and the Horizons of Cinema series, and co-editor, with Lester D. Friedman and Adrienne L. McLean respectively, of the Screen Decades and Star Decades series. Pomerance has written, edited and co-edited several books, including Virtuoso: Film Performance and the Actor’s Magic (2019), A Dream of Hitchcock (2019), Cinema, If You Please (2018), Moment of Action (2016), Alfred Hitchcock's America (2013), The Horse who Drank the Sky: Film Experience beyond Narrative and Theory (2008), and two BFI Classics on Marnie (2014) and The Man Who Knew Too Much (2016). Author affiliation details are correct at time of print publication.

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Virtuoso : Film Performance and the Actor’s Magic

Bloomsbury Academic, 2019

Book

...An elemental truth of cinema, often reiterated and as soon forgotten: that in the theater the actor’s face is knowable to only a few members of the audience, but in cinema the face is available for all.Close-up shot of Kim Novak in Vertigo...

Frame, Shot and Cut

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book

...What film theory generally discusses as film style, cinematography and the mise-en-scène (costumes, props, set, lighting, editing, sound, acting method), the rhythm of the moving shots, Deleuze prefers to discuss in terms of the framing...

Media Disenchantments

media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book

...As a media artist, I am combining visual and auditory experiences. I am interested in the relation of image and sound. Knowing that no such relation exists—two separate senses are addressed that function independently—does not make...