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Borderline: Nauman’s Balls and Acconci’s Shoot

Eva Ehninger

Eva Ehninger

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media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book chapter

...In Understanding Media. The Extensions of Man Marshall McLuhan utilized the myth of love-struck Narcissus yearning for his own image mirrored on the water surface in order to describe the double effect of media—in this case a mirrored...

Frame, Shot and Cut

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book chapter

...What film theory generally discusses as film style, cinematography and the mise-en-scène (costumes, props, set, lighting, editing, sound, acting method), the rhythm of the moving shots, Deleuze prefers to discuss in terms of the framing...

Media Disenchantments

Thomas Köner

Thomas Köner

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media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book chapter

...As a media artist, I am combining visual and auditory experiences. I am interested in the relation of image and sound. Knowing that no such relation exists—two separate senses are addressed that function independently—does not make...

“Local Color”: Light in Faulkner

Hanjo Berressem

Hanjo Berressem

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media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book chapter

...Unidentified participant: Sir, I’ve been told that the title of Light in August came from a colloquialism for the completion of a pregnancy. Is that true?William Faulkner: No, I used it because in my country in August there’s a—a—a peculiar...

The Romantic Readymade: Toward a Material Vitalism of Contemporary Art

Stephen Zepke

Stephen Zepke

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media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book chapter

...The relationship between matter and thought, nature and reason, or body and mind is a perennial philosophical conundrum that continues to animate contemporary debates, not least those around art. The shared conundrum is whether and how...

Between Print Matter and Page Matter: The Codex Platform as Medial Support

Garrett Stewart

Garrett Stewart

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media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book chapter

...What matters in reading the so-called substance of a page, at least in bound form, depends on a substrate of materiality often unrelated (though necessary) to it. An entire genre of conceptual art takes this as its premise and its...

Figure|Ground: Stills from the Films of Bill Morrison

Bill Morrison

Bill Morrison

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media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book chapter

...[all images courtesy of bill morrison–hypnotic pictures...

Moving Images as Ontographic Images (According to Pier Paolo Pasolini)

Lorenz Engell

Lorenz Engell

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media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book chapter

...There can be only little doubt—and were it different, we would probably not contribute to a volume focusing on media and matter—that in the humanities, in cultural studies, and especially in media studies, for a couple of years now, a new...

[Meta]Physics of Media

Walter Seitter

Walter Seitter

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media|matter : the materiality of media|matter as medium

Bloomsbury Academic, 2015

Book chapter

...“Physics of Media” should be read as classification and analysis of media as material entities (Seitter 2002). But does this use of the word “physics” actually correspond to the common usage? Usually, “physics” is about natural...

Ciné-system

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book chapter

...Deleuze’s two volumes on cinema provide a model of ciné-philosophy. Deleuze sets himself the task of compiling a taxonomy of the cinema and ends up with a processual ciné-system. This is a model of ciné-philosophy that can be used...