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  • Frears, Stephen
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Mick Audsley

Roger Crittenden

Roger Crittenden: After a distinguished career at the BBC, where he gained a special award for sustained excellence as a film editor, he was recruited to the new National Film and Television School as Head of Editing and later became Director of the MA programme. While with the NFTS, he taught in Moscow, Mexico City, Manila, Copenhagen, Singapore, Brisbane Australia, and in Cuba. In 2014 he was given the first ever CILECT International Teaching Award for his outstanding contribution to media pedagogy. More recently, he was appointed Adjunct Professor of Film at Griffith University in Brisbane, Australia. Roger is the author of two books on editing, as well as a book on Truffaut’s Day For Night for the British Film Institute's Film Classic Series. Author affiliation details are correct at time of print publication.

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Fine Cuts : Interviews on the Practice of European Film Editing

Routledge, 2018

Book

... Mick Audsley in his editing suite (Courtesy of Mick Audsley) I originally met with Mick in his edit suite in London’s Soho when he was cutting a fi lm directed by Mike Newell. His long and distinguished career has included signifi...
Image
...Orton and Halliwell's Flat. Night. 1967. Kenneth Halliwell is looking straight at the camera. He is naked and bloody. He looks at something across the room. Halliwell Joe? John? He looks back at the camera. Orton and Halliwell's Flat...

The Hit

Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

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100 Road Movies : BFI Screen Guides

British Film Institute, 2007

Book

...Having made his feature-film debut in 1971 with Gumshoe, Stephen Frears made an immediate return to television, working on the BBC’s Play for Today and Play of the Week slots. After venturing into bigger-budgeted small-screen works with:...

Think Global, Act Local

Eddie Dyja

Eddie Dyja was editor of BFI Film and Television from 1995 to 2005. He now works as a freelance writer and editor and has contributed to Rough Guide to Film and screenonline, and has compiled an online directory of films for children called Now Showing 3. Author affiliation details are correct at time of print publication.

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Studying British Cinema: The 1990s

Auteur, 2010

Book

...While the decade saw the government and representatives from the British film industry working out ways of improving film production in Britain, the world media marketplace went global. Technological advances in digital telecommunications...

Lucia Zucchetti

Roger Crittenden

Roger Crittenden: After a distinguished career at the BBC, where he gained a special award for sustained excellence as a film editor, he was recruited to the new National Film and Television School as Head of Editing and later became Director of the MA programme. While with the NFTS, he taught in Moscow, Mexico City, Manila, Copenhagen, Singapore, Brisbane Australia, and in Cuba. In 2014 he was given the first ever CILECT International Teaching Award for his outstanding contribution to media pedagogy. More recently, he was appointed Adjunct Professor of Film at Griffith University in Brisbane, Australia. Roger is the author of two books on editing, as well as a book on Truffaut’s Day For Night for the British Film Institute's Film Classic Series. Author affiliation details are correct at time of print publication.

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Fine Cuts : Interviews on the Practice of European Film Editing

Routledge, 2018

Book

... L ucia Zucchetti (centre) with assistant Fiona De Souza and director Wash Westmoreland (Courtesy of Lucia Zucchetti) T he original conversation with Lucia took place in her fl at in Notting Hill, not long after she had edited The Deal...

Welcome to Britain – Economic Migrants and Asylum Seekers in British Film

John Fitzgerald

John Fitzgerald teaches media and film in Leicester. Author affiliation details are correct at time of print publication.

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Studying British Cinema: 1999-2009

Auteur, 2010

Book

...Introduction Historically Britain has always been a country that has welcomed economic migrants. With its strong links to the Commonwealth and with Europe, there has been a recognisably fluid migratory pattern into this country since...

“Multi-whatever-it-is”: Dirty Pretty Things

Lesley Brill

Lesley Brill is Professor of English and Film Studies at Wayne State University, USA, and former Chair of the English Departments of Wayne State and the University of Colorado, Boulder, USA. He has published articles on film, literature, and photography, along with three books on film: The Hitchcock Romance (1988), John Huston’s Filmmaking (1996), and Crowds, Power, and Transformation in Cinema (2006). Author affiliation details are correct at time of print publication.

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The Ironic Filmmaking of Stephen Frears

Bloomsbury Academic, 2016

Book

...Frears says this during the “Director’s Commentary” on the Miramax DVD of Dirty Pretty Things. Unless otherwise noted, all quotations from Frears are from this DVD. To quote dialogue, I have also used this DVD, with occasional help...

New Heritage Cinema – Red Buses in the Rain

John Fitzgerald

John Fitzgerald teaches media and film in Leicester. Author affiliation details are correct at time of print publication.

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Studying British Cinema: 1999-2009

Auteur, 2010

Book

...Introduction The term heritage film has many connotations and this chapter hopes to position a new type of heritage film that, rather than having an emphasis on the historical, will instead invoke a new type of Britishness, or in this case,...

My Beautiful Laundrette

Lesley Brill

Lesley Brill is Professor of English and Film Studies at Wayne State University, USA, and former Chair of the English Departments of Wayne State and the University of Colorado, Boulder, USA. He has published articles on film, literature, and photography, along with three books on film: The Hitchcock Romance (1988), John Huston’s Filmmaking (1996), and Crowds, Power, and Transformation in Cinema (2006). Author affiliation details are correct at time of print publication.

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The Ironic Filmmaking of Stephen Frears

Bloomsbury Academic, 2016

Book

...The spinning titles near the opening and at the conclusion of My Beautiful Laundrette suggest both the motion of washing machines, with the starts and stops of their agitators, and the mode of the film. The actions, emotional responses...

Dangerous Liaisons: Pride, Passion, and True Love

Lesley Brill

Lesley Brill is Professor of English and Film Studies at Wayne State University, USA, and former Chair of the English Departments of Wayne State and the University of Colorado, Boulder, USA. He has published articles on film, literature, and photography, along with three books on film: The Hitchcock Romance (1988), John Huston’s Filmmaking (1996), and Crowds, Power, and Transformation in Cinema (2006). Author affiliation details are correct at time of print publication.

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The Ironic Filmmaking of Stephen Frears

Bloomsbury Academic, 2016

Book

...This chapter is a revised version of an article first published by Film International as “True Love, Pride, and Passion: Re-viewing Stephen Frears’s Dangerous Liaisons (1988),” January 13, 2014, accessed on February 4, 2016 from...