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The Big Picture

Mary Cybulski

Mary Cybulski is a script supervisor with more than twenty years experience. She has learned and invented techniques that have made her one of the most skilled and valued script supervisors in the US. She is the first call for many of our most inventive directors: John Sayles, David Mamet, Jodie Foster, M. Night Shyamalan, Ang Lee, Charlie Kaufman, Michel Gondry and Tony Gilroy. During these years she has developed her craft by both learning and inventing professional techniques. Author affiliation details are correct at time of print publication.

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Beyond Continuity : Script Supervision for the Modern Filmmaker

Focal Press, 2014

Book

... The Big Picture Here are a few unrelated but important points before I wrap up. ACTORS ARE ANGELS In your work as a script supervisor, you will from time to time come across touchy actors: actors who need absolute quiet, actors who freak...

A Feminine Mystique

Murray Pomerance

Murray Pomerance is an independent scholar based in Toronto, Canada. He is the author of books including The Eyes Have It: Cinema and the Reality Effect (2013), Alfred Hitchcock's America (2013) and the BFI Film Classics on Hitchcock's Marnie (2014) and The Man Who Knew Too Much (2016). Author affiliation details are correct at time of print publication.

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Virtuoso : Film Performance and the Actor’s Magic

Bloomsbury Academic, 2019

Book

...Writing of anxiety in the Victorian age, Nina Auerbach addresses the virtuosic social structure we may call “theatricality”:Glenn Close as Albert in Albert Nobbs (Rodrigo Garcia, Mockingbird/Trillium, 2011). Digital frame...

Imaginary Signifiers/Voyeuristic Pleasures

Nitzan Ben-Shaul

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

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Film : The Key Concepts

Berg, 2007

Book

...Introduction The psychological effects of films on spectators have intrigued theoreticians since the medium’s inception. Two major psychological approaches to film can be discerned. One focuses upon the conscious perceptual and cognitive...

Wearing Text

Doing Text : Media After the Subject

Auteur, 2016

Book

...Context I am a teacher of English and Media Studies in a high achieving, non-selective faith school in Tower Hamlets. Although the majority of students I teach are British, many of them are second or third generation Asian or African. We...

Gender Change/Orientation

Cynthia Whitcomb

Cynthia Whitcomb has sold more than 70 feature-length screenplays, 25 of which have been filmed. Her scripts have won and been nominated for many awards, including the Emmy Award, Cable Ace Award, Edgar Allan Poe Award, Humanitas Award, and Writers Guild of America Awards. Her students have also gone on to write successful box-office hits. She has taught screenwriting for many years, including seven at the acclaimed UCLA Film School. Author affiliation details are correct at time of print publication.

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The Heart of the Film : Writing Love Stories in Screenplays

Routledge, 2017

Book

... Gender Change/Orientation chapTer 23 GENDER CHANGE/ ORIENTATION This is a new genre. Quite a few examples have been produced in the last twenty years. I’m not talking about gay love stories where both parties are gay. Those...

Structure

Alexis Krasilovsky

Alexis Krasilovsky is professor of screenwriting and Media theory and Criticism at California State University, Northridge, teaching courses in Screenplay Adaptation and Film as Literature. Krasilovsky is a member of the Writers Guild of America, West, and is writer/director of the award-winning global documentaries Women Behind the Camera (2007) and Let Them Eat Cake (2014). She is also author of Women Behind the Camera: Conversations with Camerawomen (1997), and co-author of Shooting Women: Behind the Camera, Around the World (2015). Krasilovsky’s narrative film, Blood (1976), was reviewed in the Los Angeles Times as “in its stream-of-consciousness way, more powerful than Martin Scorsese’s Taxi Driver.” Author affiliation details are correct at time of print publication.

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Great Adaptations : Screenwriting and Global Storytelling

Routledge, 2018

Book

... structure Heroes and Heroines – Where are We Going? the hero’s Journey: traveling in disguise in The Hero with a Thousand Faces, anthropologist Joseph Campbell described the eighteen stages of a journey that a hero like Jason must take...

Case Histories: Alienated Labor in William Gibson’s Pattern Recognition and Zero History

Alien Imaginations : Science Fiction and Tales of Transnationalism

Bloomsbury Academic, 2015

Book

...William Gibson’s 2003 Pattern Recognition presents a gender shift from Neuromancer’s male protagonist “Case” to the female “Cayce,” a critical reworking of the figure of the global nomad, which John Marx recognizes as part...

Introduction

Sandra Meiri

Sandra Meiri is a senior lecturer and academic supervisor of film studies in the Department of Literature, Linguistics and Art, The Open University of Israel. She has taught many undergraduate, graduate courses, and seminars (on film theories, gender, sexuality, film history, film and psychoanalysis) in the Department of Film and Television, Tel Aviv University. Author affiliation details are correct at time of print publication.

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and

Odeya Kohen-Raz

Odeya Kohen Raz is a lecturer and coordinator of film theory teaching at the Sapir Academic College, a teaching coordinator in the Department of Literature, Linguistics and Art, The Open University of Israel, and teaches in the Department of Film and Television, Tel Aviv University. Author affiliation details are correct at time of print publication.

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Traversing the Fantasy : The Dialectic of Desire/Fantasy and the Ethics of Narrative Cinema

Bloomsbury Academic, 2016

Book

...This book establishes a new and comprehensive psychoanalytic model of spectatorship based on the conjunction of the operation of desire/fantasy in narrative film (classical, mainstream, and classical/mainstream authorial) and film...

Abusing Self and Others: Puritan Accounts of the Shakespearian Stage

Colin MacCabe

Colin MacCabe is Distinguished Professor of English and Film at the University of Pittsburgh, USA, Director of the Pitt in London Programme, and Honorary Professor of English at the University of Exeter, UK. He was formerly Head of Research and Education at the British Film Institute; co-founder of the production company Minerva Pictures, and Chair of the London Consortium which he helped to found in 1995 with Birkbeck, University of London, Tate and the Architectural Association. His publications include, as co-editor with Lee Grieveson, Empire and Film and Film and the End of Empire (BFI Publishing, 2011). Author affiliation details are correct at time of print publication.

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The Eloquence of the Vulgar : Language, Cinema and the Politics of Culture

British Film Institute, 1998

Book

...Throughout the period covered by these essays the majority of my teaching at the University of Pittsburgh was devoted to Renaissance language and literature. Much of this teaching has been on Milton. Milton is of central interest because...

Reclaiming Undeserving Women: Contemporary Female Biopics

Julia Erhart

Julia Erhart is Associate Professor in the School of Humanities and Creative Arts at Flinders University. She researches in the areas of contemporary women filmmakers and feminist and LGBT representations in film and television and is the recipient of a grant from the Australian Academy of the Humanities (2016), a Citation for Outstanding Contribution to Student Learning from the Australian Office for Learning and Teaching (2014), and a fellowship from Fulbright (2000). Author affiliation details are correct at time of print publication.

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Gendering History on Screen : Women Filmmakers and Historical Films

I.B.Tauris, 2018

Book

...A cinematic portrait of a real individual, the biographical film, or biopic, has been an enduring and popular vehicle for re-created history on-screen. The biopic initially emerged as an aesthetically predictable and commercially reliable...