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James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Lincoln Geraghty is Principal Lecturer in Film Studies and Subject Leader for Media Studies in the School of Creative Arts, Film and Media at the University of Portsmouth. He is author of Living with Star Trek: American Culture and the Star Trek Universe, editor of The Influence of Star Trek on Television, Film and Culture, and co-editor of The Shifting Definitions of Genre: Essays on Labelling Films, Television Shows and Media. Author affiliation details are correct at time of print publication.

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

Jason Lee is Professor and Head Leicester Media School at De Montfort University, UK. He has taught screenwriting for over twenty years and has published numerous screenplays. His articles on film have appeared in Film International and Vertigo. His other books include The Metaphysics of Mass Art Vols. I and II (1999), Pervasive Perversions (2005), and Cultures of Addiction (2010). His work has been translated into ten languages. Author affiliation details are correct at time of print publication.