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“A Walk in the Woods”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

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Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

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The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...IMAGE: The concept of the documentary is grounded in an assumption about the AUTHENTICITY (1) of the photographic image as determined by an audience Indexing (1.1) it as such. The given is that the image is Evidence (1.2) that can be so...

The psychology of practice

Jason Lee

Jason Lee is Professor and Head Leicester Media School at De Montfort University, UK. He has taught screenwriting for over twenty years and has published numerous screenplays. His articles on film have appeared in Film International and Vertigo. His other books include The Metaphysics of Mass Art Vols. I and II (1999), Pervasive Perversions (2005), and Cultures of Addiction (2010). His work has been translated into ten languages. Author affiliation details are correct at time of print publication.

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The Psychology of Screenwriting : Theory and practice

Bloomsbury Academic, 2013

Book chapter

...Finding your intention While any clear division between the unconscious and the conscious would be inaccurate, in general the unconscious mind is always one step ahead of the conscious mind. This means, for the purpose of creativity...

“Life as Narrativized”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...STORY: The third aspect of digital’s potential is that it aids the spectator’s escape from the constraints of narrative linearity and its patriarchal voice. This, though, can be more simulated than genuine, and any interactivity involved...

“When the Lights go up”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

Search for publications

Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...RECEPTION: Assessing the OUTCOMES of spectatorship (1) is vexed. For those more traditional documentaries, by no means all, that seek to be socially engaged, meaningful Impact (1.1) can be variously defined from the provocation of direct...

“You Have to Make up Your Own Mind”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

Search for publications

Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...PERCEPTION: The audience has justifiable EXPECTATIONS (1) of the documentary filmmaker that they be given information but they are not thereby absolved from themselves determining its Truth (1.1). However, failing to inform them of what...

MINUTES: The Act of Documenting

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

Search for publications

Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...In this book, we have suggested some salient points for discussion of the twenty-first century documentary realizing that:capturing documentary’s future is an unfinished work.However, it is up to all of us to create it. Now. It’s up...

An Agenda

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

Search for publications

Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...For the documentary film, at the outset of the twenty-first century, a peculiarly potent range of factors both liberate and threaten:The much-hailed triumph of documentary filmssubsists on the shakiest of foundations . . . .but the vitality...

The psychology of character

Jason Lee

Jason Lee is Professor and Head Leicester Media School at De Montfort University, UK. He has taught screenwriting for over twenty years and has published numerous screenplays. His articles on film have appeared in Film International and Vertigo. His other books include The Metaphysics of Mass Art Vols. I and II (1999), Pervasive Perversions (2005), and Cultures of Addiction (2010). His work has been translated into ten languages. Author affiliation details are correct at time of print publication.

Search for publications

The Psychology of Screenwriting : Theory and practice

Bloomsbury Academic, 2013

Book chapter

...We have seen that there is a complex relationship between cinema and identity. While there is some truth in the statement that Hollywood films are action based and European films are character based these bland divisions are not helpful...

Marketing Your Finished Popular Genre Screenplay

Stephen V. Duncan

Stephen Duncan is an Associate Professor, and currently Chair of the Screenwriting Department, at Loyola Marymount University. Author affiliation details are correct at time of print publication.

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Genre Screenwriting : How to Write Popular Screenplays That Sell

Continuum, 2008

Book chapter

...The Screenplay Is a Product The last thing a screenwriter wants to think about is selling his or her screenplay. “I’m an artist, why do I need to get involved in the business shenanigans?” you might ask. The answer is simple: a screenplay...

“Nous sommes dans le bain”/“We are Implicated”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

Search for publications

Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...CARE: The basis of ethical filmmaking is that no HARM (1) shall be done by the filmmaker to the filmed; but allowing for subjectivity and concomitantly the greater Involvement (1.1) of the filmed as co-creators alters this: even...