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Approaching Fantasy Film

James Walters

James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

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Fantasy Film : A Critical Introduction

Berg, 2011

Book chapter

...Fantasy and the Moment A series of critics and theoristsLotte Eisner, Fritz Lang, New York: Da Capo Press, 1976, 190; Tom Gunning, The Films of Fritz Lang: Allegories of Vision and Modernity, London: British Film Institute, 2000, pp....

Fantasy, Childhood and Entertainment

James Walters

James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

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Fantasy Film : A Critical Introduction

Berg, 2011

Book chapter

...Questions of Value A significant strand of fantasy cinema features a close association with and strong investment in concepts of childhood. From Cecil Hepworth’s 1903 adaptation of Alice in Wonderland to Victor Fleming’s The Wizard of Oz...

Fantasy, Imagination and Interiority

James Walters

James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

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Fantasy Film : A Critical Introduction

Berg, 2011

Book chapter

...The Invisible Dream Where previous chapters in this book have concerned themselves primarily with the somewhat broader questions that can be posed in the context of fantasy film (entertainment and representation; authorship and genre...

Fantasy, Authorship and Genre

James Walters

James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

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Fantasy Film : A Critical Introduction

Berg, 2011

Book chapter

...Who Made What In Chapter 1 I suggested that a series of creative decisions taken by Fritz Lang in the concluding moments of You Only Live Once effectively transform both the tone and narrative possibilities of the film, giving rise...

Fantasy, History and Cinema

James Walters

James Walters is Lecturer in Film and Television Studies at the University of Birmingham and author of Alternative Worlds in Hollywood Cinema and co-editor of Film Moments: Criticism, History, Theory. Author affiliation details are correct at time of print publication.

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Fantasy Film : A Critical Introduction

Berg, 2011

Book chapter

...Fantasies of Time and Space There has been a marked recent resurgence in fantasy film, ranging from large-scale (and large-budget) Hollywood franchises such as the Harry Potter (2001–), Chronicles of Narnia (2005–) and His Dark Materials...

Film Constructs

Nitzan Ben-Shaul

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

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Film : The Key Concepts

Berg, 2007

Book chapter

...Introduction Semiological and structural approaches that developed in the 1950s strove to decipher some deep underlying sign system (semiology) or structure (structuralism) able to explain or reveal the meaning of a variety of surface...

“A Breath of Fresh Air for the Documentary”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

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and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

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The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...KIT: Market forces have pushed the equipment towards the limits of the human sensorium even as its costs have fallen. A CONTRADICTION (1) ensues. With Digitization (1.1), cheap media production kit begins to match older professional...

“A Walk in the Woods”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

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Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...IMAGE: The concept of the documentary is grounded in an assumption about the AUTHENTICITY (1) of the photographic image as determined by an audience Indexing (1.1) it as such. The given is that the image is Evidence (1.2) that can be so...

“Giving Voice”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

Search for publications

Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...CO-CREATING: Beyond the authenticity of the filmeds’ personal presentation of self on the screen lies the question of their editorial CONTROL (1) in general. Digital facilitates the Engagement (1.1) of acting subjects and enables...

“Life as Narrativized”

Brian Winston

,

Brian Winston is the Lincoln Professor at the University of Lincoln, UK. He has held senior academic posts at universities both in the UK and the USA and is a visiting professor at Beijing Normal University. In 1985, he won an Emmy for documentary script-writing and he is the editor of The Documentary Film Book. Author affiliation details are correct at time of print publication.

Search for publications

Gail Vanstone

Gail Vanstone is the coordinator of the Culture & Expression program at York University, Canada. She is concerned with the affordances of new technology for the documentary and women’s film production. She is the author of D is for Daring, a history of Studio D the feminist film unit at Canada’s National Film Board. Author affiliation details are correct at time of print publication.

Search for publications
and

Wang Chi

Wang Chi is a lecturer at the Communication University of China and a doctoral student at the University of Lincoln, UK. He has published widely on the documentary in Chinese, including the edited volumes (with Brian Winston) Documenting and Methods (2014). Author affiliation details are correct at time of print publication.

Search for publications

The Act of Documenting : Documentary Film in the 21st Century

Bloomsbury Academic, 2017

Book chapter

...STORY: The third aspect of digital’s potential is that it aids the spectator’s escape from the constraints of narrative linearity and its patriarchal voice. This, though, can be more simulated than genuine, and any interactivity involved...