Loading
Loading

Results

  • Globalization
Sort By:  1-10 of 321 (33 pages)
Results per page:
         

Introduction: What is Non-Cinema?

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

Search for publications

Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book

...For Jonathan Beller, cinema is co-extensive with capital. Jonathan Beller, The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle (Lebanon, NH: Dartmouth College Press, 2006). In an era when the measure...

Hara and Kobayashi’s ‘Private Documentaries’

Lúcia Nagib

Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima’s Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (Estação-Liberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990). Author affiliation details are correct at time of print publication.

Search for publications

World Cinema and the Ethics of Realism

Continuum, 2011

Book

...I would like to thank Alex King for making available the recording of the Q&A with Kazuo Hara and Sachiko Kobayashi, led by me, at the Leeds International Film Festival, on 10 November 2007. My thanks also go to Mika Ko who acted...

Conceptual Realism in Land in Trance and I Am Cuba

Lúcia Nagib

Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima’s Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (Estação-Liberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990). Author affiliation details are correct at time of print publication.

Search for publications

World Cinema and the Ethics of Realism

Continuum, 2011

Book

...In this chapter, I will look at two political films, Land in Trance (Terra em transe, Glauber Rocha, 1967) and I Am Cuba (Soy Cuba/Ya Kuba, Mikhail Kalatozov, 1964), which address the subject of revolution – a failed revolution...

Conclusion: Cinema as Infrastructure

Stephen Groening

Stephen Groening is Assistant Professor of Cinema and Media Studies at the University of Washington, USA. Author affiliation details are correct at time of print publication.

Search for publications

Cinema Beyond Territory : Inflight Entertainment and Atmospheres of Globalisation

British Film Institute, 2014

Book

...The globalist visions analysed in this book were both inspired by and inspirational to cinema and aviation. They relied on the logics of technological solutionism – the idea that social relations can be transformed, altered and/or fixed...

Research on Editing and its Effects

Fernando Morales Morante

Luís Fernando Morales Morante is Professor at the Autonomous University of Barcelona, Spain. He is the author of several books, and has worked as an editor for Panamericana Televisión and Frecuencia Latina, as well as for the media postproduction company Advanced Video Systems in Lima, Peru. Author affiliation details are correct at time of print publication.

Search for publications

Editing and Montage in International Film and Video : Theory and Technique

Routledge, 2017

Book

... RESEARCH ON EDITING AND ITS EFFECTS In this last chapter we review research being carried out on editing and its effects. As outlined in our theoretical framework, the interest of cog- nitive perception psychologists in these issues...

Filming with Editing in Mind

Fernando Morales Morante

Luís Fernando Morales Morante is Professor at the Autonomous University of Barcelona, Spain. He is the author of several books, and has worked as an editor for Panamericana Televisión and Frecuencia Latina, as well as for the media postproduction company Advanced Video Systems in Lima, Peru. Author affiliation details are correct at time of print publication.

Search for publications

Editing and Montage in International Film and Video : Theory and Technique

Routledge, 2017

Book

... FILMING WITH EDITING IN MIND DISCONTINUOUS FILMING WITH A SINGLE CAMERA Most TV programs are produced with a system of multiple live cameras or pre-recordings. Nevertheless, an effective and complete filming process does not necessary...

The Work of Art in Progress: An Analysis of Delicate Crime

Lúcia Nagib

Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima’s Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (Estação-Liberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990). Author affiliation details are correct at time of print publication.

Search for publications

World Cinema and the Ethics of Realism

Continuum, 2011

Book

...Beto Brant (b. 1964) is undisputedly one of the most creative contemporary filmmakers in Brazil. International audiences will probably be more familiar with names such as Fernando Meirelles (b. 1955) and Walter Salles (b. 1956...

Conclusion

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

Search for publications

Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book

...The logic of capital is the logic of separation: the separation of the human from other species, the separation of the human from the world, the separation of humans from each other through the development of nations, through...

Editing and Montage

Fernando Morales Morante

Luís Fernando Morales Morante is Professor at the Autonomous University of Barcelona, Spain. He is the author of several books, and has worked as an editor for Panamericana Televisión and Frecuencia Latina, as well as for the media postproduction company Advanced Video Systems in Lima, Peru. Author affiliation details are correct at time of print publication.

Search for publications

Editing and Montage in International Film and Video : Theory and Technique

Routledge, 2017

Book

... EDITING AND MONTAGE Definition and Scope of Practice Since its inception, montage has been considered the principal tool for constructing audiovisual narratives and activating emotional responses in viewers. Film theorists...

The Self-Performing Auteur: Ethics in João César Monteiro

Lúcia Nagib

Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima’s Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (Estação-Liberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990). Author affiliation details are correct at time of print publication.

Search for publications

World Cinema and the Ethics of Realism

Continuum, 2011

Book

...… he was incessantly looking for a diamond in the mud. He held it in his fingers, at each film. He dropped it and looked for it again, desperately, in his next film.It seems appropriate to conclude this book by focusing on the Portuguese...