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  • Godard, Jean-Luc
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The Moment of Colour: Colour, Modernism and Abstraction

Paul Coates

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

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Cinema and Colour : The Saturated Image

British Film Institute, 2010

Book

...The Moment of Colour: The Fin De SiÈcle Any mythology seeking a pre-eminent ‘moment’ of colour’s liberation would have to take very seriously the candidacy of the fin de siècle. The preoccupation with colour may be most obvious in two...

Farewell to Cinema; Hello to Africa

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book

...If in the last chapter we considered how ‘smaller’ films like those featuring images captured by smartphones constitute non-cinema in various respects, in this chapter I shall argue that the very latest digital imaging technologies can...

Media Specificity and the Analogy of the Digital

Eleftheria Thanouli

Eleftheria Thanouli is Assistant Professor in Film Theory at the Film Department at Aristotle University of Thessaloniki. She received her Ph.D. from the University of Amsterdam in 2005. She is the author of Post-Classical Cinema: An International Poetics of Film Narration (2009). Author affiliation details are correct at time of print publication.

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History and Film : A Tale of Two Disciplines

Bloomsbury Academic, 2019

Book

...Every time a new medium appears, an alarm goes off. It triggers a certain anxiety as well as eagerness among people to fathom the qualities and functions of the newcomer before determining its place in their lives. The effort to understand...

Conclusion

Steve Choe

Steve Choe is an Assistant Professor in the Department of Cinema and Comparative Literature at the University of Iowa, USA. He researches and teaches courses on German cinema, South Korean cinema, and topics in film theory, philosophy, and phenomenology. Author affiliation details are correct at time of print publication.

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Afterlives : Allegories of Film and Mortality in Early Weimar Germany

Bloomsbury Academic, 2014

Book

...Afterlives of the twentieth century On September 28, 2010, The Daily Telegraph printed an article with the headline: “First World War Officially Ends.”“First World War Officially Ends,” The Daily Telegraph, September 28, 2010. Its first...

Cinema out of Control: These are Not Films

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book

...I ended the last chapter by proposing that the small, the poor and the low have equal value to the big, the rich and the high, perhaps even calling into question the perceived need for value as a concept and its concomitant creation...

Melos, Drama, Melodrama: From Demy to Sirk to Antonioni

Paul Coates

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

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Cinema and Colour : The Saturated Image

British Film Institute, 2010

Book

...Introduction In the first chapter of this book I mentioned the relationship between colour’s licence to roam free and the practices of both modernism and fantasy. In each case, the elements of which the film is composed may be peeled...

The Other on Loan: Two or Three Things I Know about Her

John E. Drabinski

John E. Drabinski teaches at Hampshire College. He is the author of Sensibility and Singularity: The Problem of Phenomenology in Levinas. Author affiliation details are correct at time of print publication.

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Godard Between Identity and Difference

Continuum, 2008

Book

...Maybe, if the film comes off.. maybe then will be revealed what Merleau-Ponty calls the ‘singular existence’ of a person—Juliette's in particular.The face is a conceptless experience.All the classical concepts interrogated by Levinas...

International Advances

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

... International Advances j The year 1950 is a useful point to demarcate a number of changes in film history, among them the pervasive movement for change in film. Nowhere is this more apparent than in the growth in achievement...

Passion, Agamben and the Gestures of Work

Libby Saxton

Libby Saxton

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book

...Film is linked to the movements and rhythms of work. Recent critical writing has opened new perspectives on the medium’s relation to labor, energy and the human body. Mary Ann Doane points out that the emergence of cinema coincided...

Migration and contemporary Indian cinema: A consideration of Anurag Kashyap and la politique des auteurs in the times of globalization

Kaushik Bhaumik

Kaushik Bhaumik

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book

...This chapter will examine the career of Anurag Kashyap, a leading film director of contemporary Indian cinema. Kashyap is one of the few in a new generation of directors to have been hailed specifically as an auteur in Indian film critical...