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  • Haneke, Michael Close
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Migration and contemporary Indian cinema: A consideration of Anurag Kashyap and la politique des auteurs in the times of globalization

Kaushik Bhaumik

Kaushik Bhaumik

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...This chapter will examine the career of Anurag Kashyap, a leading film director of contemporary Indian cinema. Kashyap is one of the few in a new generation of directors to have been hailed specifically as an auteur in Indian film critical...

Guillermo Arriaga

Kevin Conroy Scott

Kevin Conroy Scott is the director of the Tibor Jones authors’ agency. He is the editor of Screenwriters’ Masterclass Author affiliation details are correct at time of print publication.

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Screenwriters’ Masterclass : Screenwriters Talk About Their Greatest Movies

Faber & Faber, 2010

Book chapter

...Guillermo Arriaga‘Each one is a son of a bitch.’ El Chivo (Emilio Echevarría) waits for the right moment to re-enter his daughter’s life.‘You do not choose what you write, it chooses you.’Guillermo Arriaga is the author of three novels...

Control, Creative Constraints and Self-Contradiction

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

...The author: impossible and indispensable There are many reasons why the concept of the auteur, as it applies to the film director, should not be carried over into the twenty-first century. First of all, because it has...

Ethology of Death

Elena del Río

Elena del Río is Professor of Film Studies at the University of Alberta, Canada. Her essays have been featured in journals such as Camera Obscura, Discourse, Quarterly Review of Film and Video, Film-Philosophy, The New Review of Film and Television Studies, SubStance, and Deleuze Studies. She has also contributed essays to edited collections on the films of Atom Egoyan, Rainer W. Fassbinder, and on the philosophy of film, and Deleuze and cinema. She is the author of Deleuze and the Cinemas of Performance: Powers of Affection (2008). Author affiliation details are correct at time of print publication.

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The Grace of Destruction : A Vital Ethology of Extreme Cinemas

Bloomsbury Academic, 2016

Book chapter

...A love of life which can say yes to death.As anyone minimally familiar with the films of Takeshi Kitano knows, the most notable characteristic of these films is their pervasive engagement with violent death. It will be the purpose...

Space and time in the land of the end of history

Marco Grosoli

Marco Grosoli

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...As of 2015, the stupendous output of Filipino director Lavrente Diaz totaled over fifty hours of film. To dissect such an overwhelming body of work would require more than these few pages, and in fact, might not even fit the scope...

Paul Laverty

Kevin Conroy Scott

Kevin Conroy Scott is the director of the Tibor Jones authors’ agency. He is the editor of Screenwriters’ Masterclass Author affiliation details are correct at time of print publication.

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Screenwriters’ Masterclass : Screenwriters Talk About Their Greatest Movies

Faber & Faber, 2010

Book chapter

...Paul Laverty‘I fucking love you, I need you, you’re the only person I got in my life.’ Liam (Martin Compston) studies the River Clyde and plans for his family’s future.‘Did you mean to set out to make a sixty million dollar propaganda...

Patrick Mcgrath

Kevin Conroy Scott

Kevin Conroy Scott is the director of the Tibor Jones authors’ agency. He is the editor of Screenwriters’ Masterclass Author affiliation details are correct at time of print publication.

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Screenwriters’ Masterclass : Screenwriters Talk About Their Greatest Movies

Faber & Faber, 2010

Book chapter

...‘How are we going to know what’s going on in Spider’s head?’ Spider (Ralph Fiennes) reconstructs his past.‘We don’t have to like them, we just have to be not bored by them.’Patrick McGrath was born in London and grew up near Broadmoor...

Self/Aggression

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

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Funny Frames : The Filmic Concepts of Michael Haneke

Continuum, 2010

Book chapter

...While it is a commonplace to note that the films of Michael Haneke deal with situations of violence, film criticism as well as the rapidly growing scholarship on Haneke have neglected to remark that the topos of self-aggression also...

A Cinema of Abjection?

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

...Two films from Cannes Two films that prompted much discussion at the 2016 Cannes Festival were the Palme d’Or winner, Ken Loach’s I, Daniel Blake, and the surprise of the festival...

Alex Garland

Kevin Conroy Scott

Kevin Conroy Scott is the director of the Tibor Jones authors’ agency. He is the editor of Screenwriters’ Masterclass Author affiliation details are correct at time of print publication.

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Screenwriters’ Masterclass : Screenwriters Talk About Their Greatest Movies

Faber & Faber, 2010

Book chapter

...Alex Garland‘Jim’s a normal decent guy and in the normal sequence of events he’s going to kill anyone with a baseball bat …’ Jim (Cillian Murphy) alone in a deserted London, outside the House of Parliament.‘Structure is what I love’Both...