Loading

Results

Sort By:  1-10 of 57 (6 pages)
Results per page:
         

“Black in white”: Language, world-making and the American contract in the cinema of Quentin Tarantino

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...Quentin Tarantino’s cinema is a cinema of words and transactions. Speech is often literally mise-en-scène in his films, as in the fabled dialogues of Pulp Fiction (1994). It is sometimes doubled by camera placement, movements, and editing...

Of intruders (and guests): The films of Michael Haneke and Aleksey Balabanov

Jeremi Szaniawski

Jeremi Szaniawski is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

Search for publications

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...Without music, life would be a mistake.Many readers are likely already familiar with the tale of the frog boiled alive when a flame is lit underneath the pot in which it is leisurely bubbling. With the temperature rising, the warmth...

The art of encounter and (self-)fabulation: Eduardo Coutinho’s cinema of bodies and words

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...Eduardo Coutinho: Documentary choices and political clarity The early 2000s proved both a crucial and hopeful period for Brazilian audiovisual production: in those nascent moments of the twenty-first century, Brazilian film production...

Shareable cinema: The politics of Abbas Kiarostami

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...One of the most celebrated auteurs to emerge on the international scene in the last few decades, Abbas Kiarostami has nonetheless frequently been treated by admirers and detractors alike as an art house or festival filmmaker whose cultural...

Abderrahmane Sissako: On the politics of African auteurs

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...Abderrahmane Sissako is in many ways the epitome of the film director as auteur as the term is commonly used in both academic and cinephilic circles. One of few African filmmakers whose films have circulated widely on the international...

From political engagement to politics of abjection in Polish auteur cinema: The case of Wojtek Smarzowski

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...“Quite unexpectedly, [Wojtek] Smarzowski has become the most important film director of our times,” wrote film reviewer Zdzisław Pietrasik for the weekly Polityka, in May of 2014. Citing the cult following gained by some of Smarzowski...

Godard’s stereoscopic essay: Thinking in and with Adieu au langage

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...The auteur as essayist Speaking to a sold-out audience at the US premiere of Jean-Luc Godard’s Goodbye to Language (Adieu au langage, 2014) at the New York Film Festival, Amy Taubin credited the legendary eighty-three-year-old director...

Fatih Akin’s moral geometry

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...Does anyone doubt that auteur films played a serious role in aesthetic, political, and philosophic discussions of the postwar period until 1968, 1975, or maybe 1989? What about in our era? Is there anything left of the “classic art cinema...

Suffocating kinesis: The late films of Aleksey Gherman

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

...Who will deliver us from the unexpected restoration of the reign of beauty and its disreputable ideology, aesthetic philosophy? In a society in which the near-total commodification of the world, linked with the already looming world market,...

Alex Garland

Kevin Conroy Scott

Kevin Conroy Scott is the director of the Tibor Jones authors’ agency. He is the editor of Screenwriters’ Masterclass Author affiliation details are correct at time of print publication.

Search for publications

Screenwriters’ Masterclass : Screenwriters Talk About Their Greatest Movies

Faber & Faber, 2010

Book chapter

...Alex Garland‘Jim’s a normal decent guy and in the normal sequence of events he’s going to kill anyone with a baseball bat …’ Jim (Cillian Murphy) alone in a deserted London, outside the House of Parliament.‘Structure is what I love’Both...