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  • Identity and Difference
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Fantasy, Imagination and Interiority

James Walters

Tom Brown is Senior Lecturer in Film at King's College London, UK. He is co-editor, with James Bennett, of Film and Television After DVD (2008). Author affiliation details are correct at time of print publication.

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Fantasy Film : A Critical Introduction

Berg, 2011

Book

...The Invisible Dream Where previous chapters in this book have concerned themselves primarily with the somewhat broader questions that can be posed in the context of fantasy film (entertainment and representation; authorship and genre...

Cinema, State and National Identity

Sarah Barrow

Sarah Barrow is Professor of Film and Media Studies at the University of East Anglia, UK. She has published numerous studies of Hispanic film including special issues of journals Transnational Cinemas and New Cinemas. She co-edited The Routledge Encyclopaedia of Films (2015), a major collection of 200 essays on films from all over the world. Author affiliation details are correct at time of print publication.

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Contemporary Peruvian Cinema : History, Identity and Violence on Screen

I.B.Tauris, 2018

Book

...A survey of the major trends in the history of Peruvian cinema suggests that the relationship between the emergence of the moving image as a popular form, changes on the social and political landscape, and the development of national...

Introduction

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

...Emotions, then, are bound up with how we inhabit the world ‘with’ others. Since emotions are in the phenomenological sense always intentional, and are “directed” towards an object or other (however imaginary), then emotions are precisely...

“This is I, Hamlet the Dane!” Hamlet’s Migration and Integration in the Dramatic Theater as Cyberspace

Alien Imaginations : Science Fiction and Tales of Transnationalism

Bloomsbury Academic, 2015

Book

...In this essay, dramatic theater is identified as a form of information technology, which, in performance takes on characteristics of cyberspace, such as the deliberately sustained ontological distance between the audience and its virtual...

Afterword: where have all the children gone?

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

...It is only in a land where the spaces of states will have been perforated and topologically deformed, and the citizen will have learned to acknowledge the refugee that he himself is, that man’s political survival today is imaginable.Agamben...

The Steppe, Disorientation, Division and Corruption: Social and Economic Visions of Modern Nationhood

Rico Isaacs

Rico Isaacs is a Reader in Politics at Oxford Brookes University. His research focuses on nation-building and institutions in post-Soviet Central Asia. He writes regularly on Central Asian politics and culture. Author affiliation details are correct at time of print publication.

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Film and Identity in Kazakhstan : Soviet and Post-Soviet Culture in Central Asia

I.B. Tauris, 2018

Book

...The previous chapter demonstrated how aspects of contemporary Kazakh cinema reflect the heterogeneity of nationhood and identity. The Tengrist narrative in the work of Yermek Tursunov provides a quasi-primordial conceptualisation of Kazakh...

Lost in Reflection: Selfies and the Echo of Narcissus

Aleks Wansbrough

Aleks Wansbrough is Lecturer at Sydney College of the Arts at University of Sydney in Australia. He has written popular and academic articles concerning the tragic in relation to film and philosophy. He is also the editorial manager of the Journal of Asia-Pacific Pop Culture. Author affiliation details are correct at time of print publication.

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Capitalism and the Enchanted Screen : Myths and Allegories in the Digital Age

Bloomsbury Academic, 2020

Book

...Tracy Alloway and Ross Alloway, “Narcissus Takes a Selfie,” Huffington Post (updated: July 12, 2014). https://www.huffingtonpost.com/tracy-alloway-phd-and-ross-alloway-phd/narcissus-takes-a-selfie_b_5307389“Every narcissist needs a pool...

Wearing Text

Doing Text : Media After the Subject

Auteur, 2016

Book

...Context I am a teacher of English and Media Studies in a high achieving, non-selective faith school in Tower Hamlets. Although the majority of students I teach are British, many of them are second or third generation Asian or African. We...

The Work of Art in Progress: An Analysis of Delicate Crime

Lúcia Nagib

Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima’s Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (Estação-Liberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990). Author affiliation details are correct at time of print publication.

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World Cinema and the Ethics of Realism

Continuum, 2011

Book

...Beto Brant (b. 1964) is undisputedly one of the most creative contemporary filmmakers in Brazil. International audiences will probably be more familiar with names such as Fernando Meirelles (b. 1955) and Walter Salles (b. 1956...

Conclusion

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book

...The logic of capital is the logic of separation: the separation of the human from other species, the separation of the human from the world, the separation of humans from each other through the development of nations, through...