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Ideology

Robert Edgar

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Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

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Steven Rawle

Steven Rawle is a Senior Lecturer in Film Studies at York St. John University, UK, where he teaches film form and the politics of global cultural production at undergraduate and postgraduate levels. Author affiliation details are correct at time of print publication.

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The Language of Film

Fairchild Books, 2015

Book

...director Richard Lester Richard Lester is an interesting director forthose who are intrigued by the disruption of reality and film form. His playful style reminds the audience that they are watching a piece of fiction. The inclusion of John...

Marxist Film Theory

Anna Kornbluh

Anna Kornbluh is Associate Professor of English at the University of Illinois, Chicago, US. She is the author of Realizing Capital (2013), and her articles on Marxist aesthetics have appeared in Mediations, Novel, the LARB, Understanding Film: Marxist Perspectives, Lacan & Contemporary Cinema, and the Bloomsbury Companion to Marx. Author affiliation details are correct at time of print publication.

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Marxist Film Theory and Fight Club

Bloomsbury Academic, 2019

Book

...In this chapter, I offer an overview of a few key concepts in Marxist theory that prove particularly foundational for the project of film theory, along with a summary of some of the ways those foundations have been built upon. The key...

Ideological Criticism

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

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Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

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An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book

...Most movies you are likely to see are made in capitalist societies, and, in such societies, those with a great deal of wealth usually own and control the means of producing more wealth—factories, corporations, businesses, and the like...

After Pinochet: Andrés Wood’s Machuca

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book

...In 1973 the Chilean president Salvador Allende, the first avowed Marxist to win a free election, was overthrown in a violent coup by the CIA-backed General Augusto Pinochet. Pinochet oversaw one of the most murderous and repressive...

Letter from Buenos Aires

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book

...Buenos Aires, April 2007You’ve got to credit the Argentines: they don’t muck about. While almost every film festival in the world, whatever its pretensions, gets sucked into the celebrity circuit, in Buenos Aires there’s only one thing...

Coda: Allegory Spills into the Streets

Michelle Langford

Michelle Langford is Senior Lecturer in Film Studies at the University of New South Wales, Sydney, Australia. Her research spans the cinemas of Iran and Germany. She is author of Allegorical Images: Tableau, Time and Gesture in the Cinema of Werner Schroeter (2006) and the editor of The Directory of World Cinema: Germany (2012, 2013). Her work on Iranian cinema has appeared in leading film studies journals including Camera Obscura, Screen and Screening the Past. Author affiliation details are correct at time of print publication.

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Allegory in Iranian Cinema : The Aesthetics of Poetry and Resistance

Bloomsbury Academic, 2019

Book

...About Elly was released in Iran just days before the 2009 election that controversially returned incumbent President Mahmoud Ahmadinejad to power amid accusations of election rigging. The film continued to play in theatres across Tehran...

War zones: the making of City of God and other favela films

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book

...Cannes 2002 was one of those years when La Croisette was crackling with buzz about a film that wasn’t in the official competition and wasn’t familiar to one and all, yet was building up a frenzied word of mouth as the festival progressed...

Cannes, 2008

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book

...Ten years after Central Station triumphed at the Berlin Film Festival, the 2008 Cannes festival was heralded as one in which the South Americans were showing in force. It was no longer the case that a lone Brazilian of an international...

Media Specificity and the Analogy of the Digital

Eleftheria Thanouli

Eleftheria Thanouli is Assistant Professor in Film Theory at the Film Department at Aristotle University of Thessaloniki. She received her Ph.D. from the University of Amsterdam in 2005. She is the author of Post-Classical Cinema: An International Poetics of Film Narration (2009). Author affiliation details are correct at time of print publication.

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History and Film : A Tale of Two Disciplines

Bloomsbury Academic, 2019

Book

...Every time a new medium appears, an alarm goes off. It triggers a certain anxiety as well as eagerness among people to fathom the qualities and functions of the newcomer before determining its place in their lives. The effort to understand...

Introduction

Brad Prager

Brad Prager is Associate Professor of German and a member of the Program in Film Studies at the University of Missouri. He is the author of The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth (2007) and Aesthetic Vision and German Romanticism: Writing Images (2007). He is also the coeditor of a volume on Visual Studies and the Holocaust entitled Visualizing the Holocaust: Documents, Aesthetics, Memory (2008), as well as of a recent volume on contemporary German cinema, and is the editor of Wiley-Blackwell’s Companion to Werner Herzog(2012). Author affiliation details are correct at time of print publication.

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After the Fact : The Holocaust in 21st Century Documentary Film

Bloomsbury Academic, 2015

Book

...The Holocaust Documentary: In Stages On November 29, 1945 the prosecution at the Nuremberg Trials introduced a documentary film into evidence and played it for the court. The documentary, Nazi Concentration Camps, begins with a static shot...