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The Event and the Picture

Deeper than Oblivion : Trauma and Memory in Israeli Cinema

Bloomsbury Academic, 2013

Book chapter

...Jaques Rancière, The Future of the Image, trans. Gregory Elliott (London: Verso, 2007 [2003]), 13.The art of Voici must be based on what it refused. Introduction David Perlov’s last film My Stills 1952–2002 is aesthetically unique...

Rescreening Perpetrator Images: Witnessing the Past in A Film Unfinished and Photographer

Brad Prager

Brad Prager is Associate Professor of German and a member of the Program in Film Studies at the University of Missouri. He is the author of The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth (2007) and Aesthetic Vision and German Romanticism: Writing Images (2007). He is also the coeditor of a volume on Visual Studies and the Holocaust entitled Visualizing the Holocaust: Documents, Aesthetics, Memory (2008), as well as of a recent volume on contemporary German cinema, and is the editor of Wiley-Blackwell’s Companion to Werner Herzog(2012). Author affiliation details are correct at time of print publication.

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After the Fact : The Holocaust in 21st Century Documentary Film

Bloomsbury Academic, 2015

Book chapter

...At Adolf Eichmann’s trial in Jerusalem, Resnais’s Night and Fog was entered into evidence. The court screened the film on June 8, 1961, and the Israeli journalist Haim Gouri describes the scene: “The sound is not played (‘so...

Gender, the Military, Memory, and the Photograph

Deeper than Oblivion : Trauma and Memory in Israeli Cinema

Bloomsbury Academic, 2013

Book chapter

...On Monday, August 16, 2010, Israeli bloggers copied and circulated several images posted on Facebook by a former Israeli soldier, Eden Abergil. The photographs, part of a series labeled “IDF—the best time of my life,” depicted Abergil...

“Our Traumas”

Boaz Hagin

Boaz Hagin is Lecturer at the Department of Film and Television, Tel Aviv University. He is author of Death in Classical Hollywood Cinema (2010), co-editor of Just Images: Ethics and the Cinematic (2011), and co-author with Thomas Elsaesser of Memory, Trauma, and Fantasy in American Cinema (2012, in Hebrew). Author affiliation details are correct at time of print publication.

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Deeper than Oblivion : Trauma and Memory in Israeli Cinema

Bloomsbury Academic, 2013

Book chapter

...Frozen days Danny Lerner’s first feature film, Frozen Days (2006), was presented by its director and received by critics in Israel as a unique achievement in Israeli cinema. They viewed it as a genre film, a noir thriller, shot...

“Walking through walls”

Deeper than Oblivion : Trauma and Memory in Israeli Cinema

Bloomsbury Academic, 2013

Book chapter

...Siegfried Kracauer, History: The Last Things before the Last (Princeton: Marcus Wiener Publishing [1969] 1995), 8. Quoted in Ahmad H. Sa’di and Lila Abu-Lughod, eds, Nakba: Palestine, 1948, and the Claims of Memory (New York: Columbia...

Schlock and Awe

Tony Shaw

Tony Shaw is Professor of Contemporary History at the University of Hertfordshire, UK. He is an internationally-recognized expert in the fields of history, film and propaganda. Author affiliation details are correct at time of print publication.

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Cinematic Terror : A Global History of Terrorism on Film

Bloomsbury Academic, 2015

Book chapter

...The years immediately following Constantin Costa-Gavras’ State of Siege saw the flowering of a brand new geopolitical phenomenon, ‘international terrorism’. During the mid- to late 1970s, self-proclaimed terrorist groups espousing world...

Forgiveness on Film: Resentment and Reconciliation in Forgiving Dr. Mengele and Landscapes of Memory: The Life of Ruth Klüger

Brad Prager

Brad Prager is Associate Professor of German and a member of the Program in Film Studies at the University of Missouri. He is the author of The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth (2007) and Aesthetic Vision and German Romanticism: Writing Images (2007). He is also the coeditor of a volume on Visual Studies and the Holocaust entitled Visualizing the Holocaust: Documents, Aesthetics, Memory (2008), as well as of a recent volume on contemporary German cinema, and is the editor of Wiley-Blackwell’s Companion to Werner Herzog(2012). Author affiliation details are correct at time of print publication.

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After the Fact : The Holocaust in 21st Century Documentary Film

Bloomsbury Academic, 2015

Book chapter

...In Chanoch Ze’evi’s documentary Hitler’s Children (2011), Rainer Höss, the grandson of the murderous Auschwitz commandant Rudolf Höss, visits the site of the former Auschwitz camp. Accompanied by the Israeli journalist Eldad Beck, Höss...

The Agonies of an Eternal Victim

Deeper than Oblivion : Trauma and Memory in Israeli Cinema

Bloomsbury Academic, 2013

Book chapter

...About ten years ago […] I bought a plot of land. I was a newlywed and I thought that one day maybe my family and I would want to live in a little house of our own […] Because of a clerical mistake at the land registry office, the slice...

Traces of War

Raz Yosef

Raz Yosef is Senior Lecturer and the chair of the cinema studies B.A. Program at the Department of Film and Television, Tel Aviv University. He is the author of Beyond Flesh: Queer Masculinities and Nationalism in Israeli Cinema (2004), To Know a Man: Masculinity, Sexuality and Ethnicity in Israeli Cinema (2010, in Hebrew), The Politics of Loss and Trauma in Contemporary Israeli Cinema (2011), and co-editor of Just Images: Ethics and the Cinematic (2011). Author affiliation details are correct at time of print publication.

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Deeper than Oblivion : Trauma and Memory in Israeli Cinema

Bloomsbury Academic, 2013

Book chapter

...Pierre Nora, “Between Memory and History,” in Realms of Memory: Rethinking the French Past, ed. Pierre Nora and Lawrence D. Kritzman, trans. Arthur Goldhammer (New York: Columbia University Press, 1996), 8.Modern memory is first of all...

Filming Decolonization: Pasolini’s Geopolitical Afterlife

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...Pasolini’s own version of tiers-mondisme and, more generally, his geopolitical understanding of liberation struggles, which I defined as “heretical orientalism,” Luca Caminati, Orientalismo eretico...