Loading

Results

  • Italy Close
Sort By:  1-10 of 150 (15 pages)
Results per page:
         

Pasolini Undead

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...Pasolini’s survival, his obtrusive persistence as a trope of public discourse and representation—well over forty years after his violent death in 1975 and well over sixty since he first came to literary prominence in Italy as a writer...

Pasolini embodied

Luca Peretti

Luca Peretti is Visiting Assistant Professor in Contemporary Italian Studies at Ohio State University, USA. He works on film history, non-fiction cinema, Jewish Italian culture, and Italian intellectual history. He co-edited Immagini di piombo: Cinema, storia e terrorismi in Europa (2014) and has published for, among others, Senses of Cinema, The Italianist: Film Issue, and Cinema e storia. He is also a freelance journalist. Author affiliation details are correct at time of print publication.

Search for publications
and

Karen T. Raizen

Karen T. Raizen is Visiting Assistant Professor of Italian at Bard College, USA. Her research focuses mainly on aesthetics and language in baroque opera and theater; her current book project explores the diffusion and evolution of the figure of Pulcinella from the Commedia dell’Arte tradition. Her publications have appeared in I Tatti Studies, Italica, and Senses of Cinema, among others. She also works as a translator and editor. Author affiliation details are correct at time of print publication.

Search for publications

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...The film Pasolini (Abel Ferrara, 2014) recounts the last days of the life of the filmmaker and poet. Willem Dafoe plays Pasolini; the author of this interview, Maurizio Braucci, is one of the screenwriters of the film...

Pasolini Reloaded

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...Dico a N.: “Voglio fare l’impresa, scrivere del Pigneto senza nominare Pasolini,” poiché Pasolini, come ho già scritto altrove, a Roma è come il prezzemolo; lo trovi dappertutto, figuriamoci al Pigneto. [I say to N, “I...

Pier Paolo Pasolini’s Political Animism

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...Pier Paolo Pasolini, Petrolio , trans. Ann Goldstein (New York: Pantheon Books, 1997), 51. “One can move from reality to a dream: but it is impossible to move from a dream to another dream...

When the Assistants Profane Cinema

Janet Harbord

Janet Harbord is Professor of Film Studies at Queen Mary, University of London, UK. She is the author of several books on film and philosophies of the moving image, including Chris Marker: La Jetée (2009), The Evolution of Film (2006) and Film Cultures (2002). She is the recipient of grants from the AHRC, EPSRC and the Leverhulme Trust. Author affiliation details are correct at time of print publication.

Search for publications

Ex-centric Cinema : Giorgio Agamben and Film Archaeology

Bloomsbury Academic, 2016

Book chapter

...Do it yourself: Instruction or description?When André Bazin writes in the mid-twentieth century about the origins of cinema, he sees a history in which the idea of cinema was set against its material form. The idea of cinema, he argues...

Italian Cinema

The Cinema Book

British Film Institute, 2007

Book chapter

...Italian cinema is internationally famous for its silent epics (that influenced D. W. Griffith), postwar neo-realism (seen by many as a decisive turning point in film form) and such canonical directors as Michelangelo Antonioni, Federico...

Producer and Director? Or, ‘Authorship’ in 1950s Italian Cinema

Beyond the Bottom Line : The Producer in Film and Television Studies

Bloomsbury Academic, 2014

Book chapter

...Narratives of post-war Italian cinema have consistently excluded the role of the producer in their analysis of this important era of Italian film-making. They subscribe instead to the perspective of the politique des auteurs initiated...

The Loss of the Separated World: On Pasolini’s Communism

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...“We’re all in danger,” in In Danger: A Pasolini Anthology , ed. Jack Hirschman (San Francisco, CA: City Lights Books, 2010), 235. Translations are mine unless otherwise noted. In cases where a good English...

From Accattone to “Profezia”: Pier Paolo Pasolini and Productive Failure

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...Failure is a term that does not lend itself to an easy definition. For one thing, it is relational, almost reactionary (and it even at times positions itself as such): it is always responding to a culture, gesture, or demand of success...

After the Feature, Part 1 : Standardisation, Differentiation and Branding (and the Search for the ‘Punch’)

Joel Frykholm

Joel Frykholm is Research Associate and Lecturer in the Department of Media Studies at Stockholm University, Sweden. Author affiliation details are correct at time of print publication.

Search for publications

George Kleine and American Cinema : The Movie Business and Film Culture in the Silent Era

British Film Institute, 2015

Book chapter

...In Chapter 1, we explored how cinema turned into mass entertainment, and an everyday cultural practice, fuelled by audiences’ constant thirst for new and exciting motion pictures. In Chapter 2, we discussed how the breakthrough...