Screen Studies: Bloomsbury and Faber Screenplays and Criticism - Searc
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The Auteurist Special Effects Film: Kubrick’s 2001: A Space Odyssey (1968) and the ‘Single-Generation Look’

The Hollywood Renaissance : Revisiting American Cinema’s Most Celebrated Era

Bloomsbury Academic, 2018

Book chapter

...A film technician watching 2001 cannot help but be impressed by the fact that the complex effects scenes have an unusually sharp, crisp and grain-free appearance – a clean ‘single-generation look’ to coin a phrase. [. . .] The circumstance...

2001: A Space Odyssey (GB/ US, 1968): The Long Voyage to Destiny

Philip Gillett

Philip Gillett is an independent film critic and writer and author of The British Working Class in Postwar Film. Author affiliation details are correct at time of print publication.

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Movie Greats : A Critical Study of Classic Cinema

Berg, 2008

Book chapter

...Production company: MGMProducer/ Director: Stanley KubrickScreenplay: Stanley Kubrick, Arthur C. ClarkeSource: Arthur C. Clarke (short story: ‘The Sentinel’)Photography: Geoffrey UnsworthProduction design: Tony Masters, Harry Lange, Ernie...

Transnational Topographies: Barry Lyndon as Irish Odyssey

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...A little bit of Hollywood has fallen off the merry-go-round and landed in Ireland.An innovation every day.In Chapter 3, I argue that succession—which is both a temporal ordering and a process of exchange between generations—structures...

Introduction

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Ireland mustn’t be such a bad place so, if the Yanks want to come to Ireland to do their filming.In an interview aired on May 2, 2013 on National Public Radio’s “Morning Edition” program, David Chase, the creator of the popular HBO...

Untimely Cinema: Barry Lyndon and the 1970s

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Perhaps when everything is beautiful, nothing is beautiful.The preceding chapters have explored key aspects of the discourse of temporality within Barry Lyndon (1975), including the way it counters narrative sequence with a disruptive...

Adapting Barry Lyndon: A Tale of Two Auteurs

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...A great narrative is a kind of miracle.[Stanley Kubrick] thought that Thackeray was better than any screenwriter alive.Stanley Kubrick “aspired to be the novelist of American filmmakers,” according to Robert Kolker (97). His films have been...

The Rhythm and the Rest: Painting, Cinema, Stillness

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Three hours and four minutes of pictures.There is no work which does not have its beginning and end in other arts.We expect photographs, like paintings, to be transparent in the manner that is captured by the term “looking through...

Pushing the Frontiers of Reality: Science Fiction and the Counterculture

Lincoln Geraghty

Lincoln Geraghty is Principal Lecturer in Film Studies and Subject Leader for Media Studies in the School of Creative Arts, Film and Media at the University of Portsmouth. He is author of Living with Star Trek: American Culture and the Star Trek Universe, editor of The Influence of Star Trek on Television, Film and Culture, and co-editor of The Shifting Definitions of Genre: Essays on Labelling Films, Television Shows and Media. Author affiliation details are correct at time of print publication.

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American Science Fiction Film and Television

Berg, 2009

Book chapter

...Following the plethora of bug-eyed alien, nuclear mutation films seen in the 1950s, science fiction in the 1960s turned away from its B-movie roots and started to focus on the more political aspects of nuclear proliferation...

Barry Lyndon and Aesthetic Time

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Eternity itself rests in unity, and this image we call time.A new relationship to time was the most significant change, and perhaps the defining development, of the French Revolution.When it emphasizes the time in which things take place...

Paternal Crisis, or: History as Succession

Maria Pramaggiore

is Head of Media Studies at the National University of Ireland at Maynooth. She has published four books, two on Irish cinema, and one a co-authored textbook, Film: A Critical Introduction (2011; with Tom Wallis), now in its third edition. Author affiliation details are correct at time of print publication.

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Making Time in Stanley Kubrick’s Barry Lyndon : Art, History, and Empire

Bloomsbury Academic, 2015

Book chapter

...Considered Kubrick’s “most literary” film by Vincent Lo Brutto (45) and described by Frank Rich as “as far away from literary modes of filmmaking as you can possibly get” (27), Barry Lyndon is, in fact, both literary and abstract....