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Introduction: 1999–2019, and Beyond: A Post-Kubrickian Odyssey

Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

...We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?And the stars look very different today. Black Stars In 1969, the song “Space Oddity,” by a young artist named David Bowie, reached the top...

Stanley Kubrick

Ryan Gilbey

Ryan Gilbey is a freelance film journalist and writes for a variety of publications, including Sight & Sound, the Guardian, Observer and the Sunday Times. He is the former film critic for the Independent. It Don’t Worry Me is his first book. Author affiliation details are correct at time of print publication.

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It Don’t Worry Me : Nashville, Jaws, Star Wars and beyond

Faber and Faber, 2003

Book

...Making Barry Lyndon (1975): Stanley Kubrick directs Ryan O’Neal (as Redmond Barry) and Pat Roach (Toole). Barry Lyndon: the Chevalier de Balibari (Patrick Magee) and Redmond Barry (Ryan O’Neal...
...Translated from the original French by Sally Shafto and Jeremi Szaniawski.In 2017, the Cannes premiere and subsequent release of The Killing of a Sacred Deer, coming on the heels of The Lobster (2015), confirmed the improbable international...

Kubrick at the Museum: Post-Cinematic Conditions, Limitations, and Possibilities

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

...This chapter is a revised and updated version of my publication of the same title in Curator: The Museum Journal 60(4) (2017); 227–47.Following Stanley Kubrick’s passing, one of the projects to celebrate his oeuvre and legacy became...

Stanley Kubrick’s Prototypes: The Author as World-Maker

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

...A version of this chapter originally appeared in Kinematograph 20 2004 under the title “Evolutionary Imagineer.” It has been updated and edited for the needs of this collection.Kubrick is like the black slab in 2001: a force of supernatural...
...Stanley Kubrick, no less than Alfred Hitchcock, was a master of suspense. Indeed, one of Kubrick’s most indelible contributions to film expression was an atmospheric form of suspense that unfolds slowly and resounds with dread. To grasp...

The Anxiety of Interpretation: The Shining, Room 237 and Film Criticism

After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

...Rodney Ascher’s essayistic documentary Room 237 (2012) is structured around interpretations of Stanley Kubrick’s The Shining (1980) by five of the film’s legion of obsessives. Midway through the film, one of them, Jay Weidner, lays his...

Afterthoughts

James Naremore

James Naremore is Emeritus Chancellors’ Professor at Indiana University. He is the author of a number of books, including Acting in the Cinema (1988), The Films of Vincente Minnelli (1993), More than Night: Film Noir in its Contexts (1998; 2008) and On Kubrick (2007). Author affiliation details are correct at time of print publication.

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On Kubrick

British Film Institute, 2007

Book

...In the absence of a total synthesis or a key to Kubrick’s work, which I believe would be impossible, it may be useful to offer some remarks on the themes that have emerged from this study. From the beginning I’ve emphasised that Kubrick...

Revolução do Cinema Novo/The Cinema Novo Revolution

Glauber Rocha

,

Glauber Rocha

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Lúcia Nagib

,

Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima’s Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (Estação-Liberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990). Author affiliation details are correct at time of print publication.

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Cecília Mello

,

Cecília Mello is Lecturer in Film Studies at the University of São Paulo, Brazil. She has written previously on Jia Zhangke in book chapters and articles, and she is the co-editor, with Lúcia Nagib, of Realism and the Audiovisual Media (2009; paperback 2013). Author affiliation details are correct at time of print publication.

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Stephanie Dennison

Stephanie Dennison

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Charlotte Smith

Charlotte Smith

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On Cinema

I.B. Tauris, 2019

Book

...The Cinema Process (1961) [1] Is cinema doomed to disappear? Such a question could perhaps be puerile if considered from a traditional critical point of view. Since writing about films began, such a doubt has always existed...

Dream City

James Naremore

James Naremore is Emeritus Chancellors’ Professor at Indiana University. He is the author of a number of books, including Acting in the Cinema (1988), The Films of Vincente Minnelli (1993), More than Night: Film Noir in its Contexts (1998; 2008) and On Kubrick (2007). Author affiliation details are correct at time of print publication.

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On Kubrick

British Film Institute, 2007

Book

...Soon after Fear and Desire opened in New York, Kubrick set out to make another low-budget feature under the auspices of his own company, which he dubbed ‘Minotaur Productions’. In July 1953, via legal representatives, he submitted a script...