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How to perform a critical race analysis

Alessandra Raengo

Alessandra Raengo teaches in the Moving Image Studies doctoral program at Georgia State University, USA. Her research focuses on blackness in the visual and aesthetic fields. She is the author of On the Sleeve of the Visual: Race as Face Value, and coordinator of liquid blackness, a research project on blackness and aesthetics. Author affiliation details are correct at time of print publication.

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Critical Race Theory and Bamboozled

Bloomsbury Academic, 2016

Book chapter

...The purpose of this book has been to conceptualize how concerns addressed within Critical Race Theory can provide tools of formal analysis to be employed in film studies. The book’s narrative has drawn from three bodies of scholarship...

Critical Race Theory and Bamboozled

Alessandra Raengo

Alessandra Raengo teaches in the Moving Image Studies doctoral program at Georgia State University, USA. Her research focuses on blackness in the visual and aesthetic fields. She is the author of On the Sleeve of the Visual: Race as Face Value, and coordinator of liquid blackness, a research project on blackness and aesthetics. Author affiliation details are correct at time of print publication.

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Critical Race Theory and Bamboozled

Bloomsbury Academic, 2016

Book chapter

...Bamboozled is a satire of the desire for blackness in American mass media. It centers on a television writer, Pierre Delacroix, who is so dissatisfied with his inability to bring to production successful shows with “positive content” about...

Critical Race Theory

Alessandra Raengo

Alessandra Raengo teaches in the Moving Image Studies doctoral program at Georgia State University, USA. Her research focuses on blackness in the visual and aesthetic fields. She is the author of On the Sleeve of the Visual: Race as Face Value, and coordinator of liquid blackness, a research project on blackness and aesthetics. Author affiliation details are correct at time of print publication.

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Critical Race Theory and Bamboozled

Bloomsbury Academic, 2016

Book chapter

...Formal equality and the problem of the “color-blind” Any piece of scholarship about race will have to explicitly or implicitly justify its own existence in the larger world. Why talk about race? Why risk being divisive by bringing it up...

Introduction

Alessandra Raengo

Alessandra Raengo teaches in the Moving Image Studies doctoral program at Georgia State University, USA. Her research focuses on blackness in the visual and aesthetic fields. She is the author of On the Sleeve of the Visual: Race as Face Value, and coordinator of liquid blackness, a research project on blackness and aesthetics. Author affiliation details are correct at time of print publication.

Search for publications

Critical Race Theory and Bamboozled

Bloomsbury Academic, 2016

Book chapter

...The term “Critical Race Theory” emerged in the context of legal studies in the 1980s but has since come to indicate, more broadly, scholarship from several disciplines in the humanities that focuses on issues of race. When scholars...

Wes Anderson

Tod Lippy

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John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 11 : New York Film-makers on Film-making

Faber and Faber Limited, 2002

Book chapter

...Wes Anderson has directed and co-written (with Owen Wilson) the features Bottle Rocket (1996) and Rushmore (1998), which garnered Anderson both a Best Director Independent Spirit Award and a New Generation Award from the Los Angeles Film...

Walter Bernstein

Tod Lippy

,

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 11 : New York Film-makers on Film-making

Faber and Faber Limited, 2002

Book chapter

...Walter Bernstein's screenplays include Fail-Safe (both for the 1964 Sidney Lumet film and Stephen Frears's 2000 remake), Heller in Pink Tights, The Molly Maguires, The Front, Semi-Tough, Yanks (with Colin Welland), and The House on Carroll...

Buck Henry

Tod Lippy

,

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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and

Walter Donohue

Walter Donohue

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Projections 11 : New York Film-makers on Film-making

Faber and Faber Limited, 2002

Book chapter

...Buck Henry wrote the screenplays for The Graduate (with Calder Willingham), Candy, Catch-22, The Owl and the Pussycat, What's Up, Doc?, and To Die For, among many others. He co-directed Heaven Can Wait with Warren Beatty, wrote and directed...

Carter Burwell

Tod Lippy

,

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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and

Walter Donohue

Walter Donohue

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Projections 11 : New York Film-makers on Film-making

Faber and Faber Limited, 2002

Book chapter

...Carter Burwell composed his first film score for the Coen Brothers' Blood Simple; he has since scored all of their films, as well as nearly fifty others, including Being John Malkovich, High Fidelity, Three Kings, Velvet Goldmine, Gods...

Christine Vachon

Tod Lippy

,

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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and

Walter Donohue

Walter Donohue

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Projections 11 : New York Film-makers on Film-making

Faber and Faber Limited, 2002

Book chapter

...Christine Vachon, co-founder of Killer Films, is an independent producer whose films include Boys Don't Cry, Velvet Goldmine, Happiness, Kiss Me Guido, I Shot Andy Warhol, Stonewall, Kids, Safe, Go Fish, Swoon and Poison. She won...

Stacy Cochran

Tod Lippy

,

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Search for publications
and

Walter Donohue

Walter Donohue

Search for publications

Projections 11 : New York Film-makers on Film-making

Faber and Faber Limited, 2002

Book chapter

...Stacy Cochran wrote and directed the forthcoming Drop Back Ten (featured in the dramatic competition of the 2000 Sundance Film Festival), Boys (1995), and My New Gun, which was selected for the Directors' Fortnight at the 1992 Cannes Film...