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  • Lee, Spike
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Contemporary Crime

Steve Neale

Steve Neale

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The Cinema Book

British Film Institute, 2007

Book

...Criminals, crime, victims of crime, and official and unofficial agents of law, order and justice have featured in films since the turn of the century. The earliest American crime films include A Career in Crime (1900), The Bold Bank Robbery...

How to perform a critical race analysis

Alessandra Raengo

Alessandra Raengo teaches in the Moving Image Studies doctoral program at Georgia State University, USA. Her research focuses on blackness in the visual and aesthetic fields. She is the author of On the Sleeve of the Visual: Race as Face Value, and coordinator of liquid blackness, a research project on blackness and aesthetics. Author affiliation details are correct at time of print publication.

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Critical Race Theory and Bamboozled

Bloomsbury Academic, 2016

Book

...The purpose of this book has been to conceptualize how concerns addressed within Critical Race Theory can provide tools of formal analysis to be employed in film studies. The book’s narrative has drawn from three bodies of scholarship...

Introduction

Alessandra Raengo

Alessandra Raengo teaches in the Moving Image Studies doctoral program at Georgia State University, USA. Her research focuses on blackness in the visual and aesthetic fields. She is the author of On the Sleeve of the Visual: Race as Face Value, and coordinator of liquid blackness, a research project on blackness and aesthetics. Author affiliation details are correct at time of print publication.

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Critical Race Theory and Bamboozled

Bloomsbury Academic, 2016

Book

...The term “Critical Race Theory” emerged in the context of legal studies in the 1980s but has since come to indicate, more broadly, scholarship from several disciplines in the humanities that focuses on issues of race. When scholars...

Alternative Focus Topics for the Story of Malcolm X

Alexis Krasilovsky

Alexis Krasilovsky is professor of screenwriting and Media theory and Criticism at California State University, Northridge, teaching courses in Screenplay Adaptation and Film as Literature. Krasilovsky is a member of the Writers Guild of America, West, and is writer/director of the award-winning global documentaries Women Behind the Camera (2007) and Let Them Eat Cake (2014). She is also author of Women Behind the Camera: Conversations with Camerawomen (1997), and co-author of Shooting Women: Behind the Camera, Around the World (2015). Krasilovsky’s narrative film, Blood (1976), was reviewed in the Los Angeles Times as “in its stream-of-consciousness way, more powerful than Martin Scorsese’s Taxi Driver.” Author affiliation details are correct at time of print publication.

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Great Adaptations : Screenwriting and Global Storytelling

Routledge, 2018

Book

... alternative Focus topics for the story of Malcolm X in bringing the story of Malcolm X to the screen in 1992, spike Lee affirmed that it was all right for a filmmaker to make changes in an historical figure’s biographical story “as long...

“Always Take Care of Ganja”

Hélène Charlery

Hélène Charlery

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Women Who Kill : Gender and Sexuality in Film and Series of the Post-feminist Era

Bloomsbury Academic, 2020

Book

...Lisa Coulthard argued that “[interrogations] of violence and gender have always been a significant part of film, feminist theory, and film criticism.” Lisa Coulthard, “Killing Bill: Rethinking feminism and film violence,” in Y. Tasker...

The Attraction of Stars and Genres

Roy Stafford

Roy Stafford is a freelance lecturer and writer based in West Yorkshire, working in film education with independent cinemas. He is co-author, with Gill Branston, of The Media Student's Book (Routledge, 4th edition 2006) and has produced a wide range of film materials for teachers and students. Author affiliation details are correct at time of print publication.

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Understanding Audiences and the Film Industry

British Film Institute, 2007

Book

...Using two detailed case studies in a similar way to Chapter 1, this chapter explores the importance of stars and genres in attracting audiences to specific films.Once film studies had begun to focus on genre as a useful critical tool...

Stacy Cochran

Projections 11 : New York Film-makers on Film-making

Faber and Faber Limited, 2002

Book

...Stacy Cochran wrote and directed the forthcoming Drop Back Ten (featured in the dramatic competition of the 2000 Sundance Film Festival), Boys (1995), and My New Gun, which was selected for the Directors' Fortnight at the 1992 Cannes Film...

David O. Russell

Projections 11 : New York Film-makers on Film-making

Faber and Faber Limited, 2002

Book

...David O. Russell's films include the critically acclaimed Three Kings, Flirting with Disaster and Spanking the Monkey, which was the winner of the Audience Award at the 1994 Sundance Film Festival, as well as recipient of Best First Feature...

Harmony Korine

Projections 11 : New York Film-makers on Film-making

Faber and Faber Limited, 2002

Book

...Harmony Korine's first involvement in film occurred when, at nineteen, he wrote the screenplay for Kids, directed by Larry Clark in 1995. He has since written and directed the features Gummo (Honorable Mention at the 1997 Venice Film...

Spike Lee

Projections 11 : New York Film-makers on Film-making

Faber and Faber Limited, 2002

Book

...Spike Lee's films include She's Gotta Have It, School Daze, Do the Right Thing, Mo' Better Blues, Jungle Fever, Malcolm X, Crooklyn, Clockers, Girl 6, and Summer of Sam. Lee's NYU short, Joe's Bed-Stuy Barbershop: We Cut Heads (1982), won...