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Eric R. Williams has written professionally for American Movie Classics, Workshop Productions, Universal Studios, Grateful Films, and Fox Interactive. His screenplays have been workshopped at the Film Independent Producers Lab in Los Angeles, and have won three prestigious awards: Best New Work from the Writers Guild of America, Award for Individual Excellence in Screenwriting from the Ohio Arts Council, and an Emmy Award for Interactive Media. Eric is the author of the Routledge Focus book The Screenwriters Taxonomy. He is also an award-winning educator and the inaugural director of the MFA in Communication Media Arts program at Ohio University where he teaches screenwriting and virtual reality production. Eric earned his undergraduate degree from Northwestern University in Chicago, and his MFA from Columbia University in New York City. You can learn more by visiting his website: www.WilliamsOnStory.com. Author affiliation details are correct at time of print publication.

Sue Thornham is Professor of Media and Film at the University of Sussex, UK. She is the author of numerous books including Women, Feminism and Media (2007), What if I Had Been the Hero (BFI Publishing 2012); the co-author, with Tony Purvis, of Television Drama: Theories and Identities (2005); the editor of Feminist Film Theory: A Reader (1999), and the co-editor, with Caroline Bassett and Paul Marris, of Media Studies: A Reader (3rd edition 2009). Author affiliation details are correct at time of print publication.

Alexis Krasilovsky is professor of screenwriting and Media theory and Criticism at California State University, Northridge, teaching courses in Screenplay Adaptation and Film as Literature. Krasilovsky is a member of the Writers Guild of America, West, and is writer/director of the award-winning global documentaries Women Behind the Camera (2007) and Let Them Eat Cake (2014). She is also author of Women Behind the Camera: Conversations with Camerawomen (1997), and co-author of Shooting Women: Behind the Camera, Around the World (2015). Krasilovsky’s narrative film, Blood (1976), was reviewed in the Los Angeles Times as “in its stream-of-consciousness way, more powerful than Martin Scorsese’s Taxi Driver.” Author affiliation details are correct at time of print publication.

Alexis Krasilovsky is professor of screenwriting and Media theory and Criticism at California State University, Northridge, teaching courses in Screenplay Adaptation and Film as Literature. Krasilovsky is a member of the Writers Guild of America, West, and is writer/director of the award-winning global documentaries Women Behind the Camera (2007) and Let Them Eat Cake (2014). She is also author of Women Behind the Camera: Conversations with Camerawomen (1997), and co-author of Shooting Women: Behind the Camera, Around the World (2015). Krasilovsky’s narrative film, Blood (1976), was reviewed in the Los Angeles Times as “in its stream-of-consciousness way, more powerful than Martin Scorsese’s Taxi Driver.” Author affiliation details are correct at time of print publication.

Alexis Krasilovsky is professor of screenwriting and Media theory and Criticism at California State University, Northridge, teaching courses in Screenplay Adaptation and Film as Literature. Krasilovsky is a member of the Writers Guild of America, West, and is writer/director of the award-winning global documentaries Women Behind the Camera (2007) and Let Them Eat Cake (2014). She is also author of Women Behind the Camera: Conversations with Camerawomen (1997), and co-author of Shooting Women: Behind the Camera, Around the World (2015). Krasilovsky’s narrative film, Blood (1976), was reviewed in the Los Angeles Times as “in its stream-of-consciousness way, more powerful than Martin Scorsese’s Taxi Driver.” Author affiliation details are correct at time of print publication.

Kelly McErlean has developed graduate and postgraduate programs in film and new media for local and international delivery and successfully delivered eLearning and onsite contracts for international broadcast organisations on behalf of the European Broadcasting Union. Kelly lectures on new media, film and entrepreneurship at the Department of Creative Arts, Media and Music, Dundalk Institute of Technology, Ireland. He has won several awards including a Golden Spider Award and a Digital Media Award for his film, new media, and photographic works. Kelly holds a PhD in visual culture from the National College of Art and Design, Dublin. Author affiliation details are correct at time of print publication.

Eric R. Williams has written professionally for American Movie Classics, Workshop Productions, Universal Studios, Grateful Films, and Fox Interactive. His screenplays have been workshopped at the Film Independent Producers Lab in Los Angeles, and have won three prestigious awards: Best New Work from the Writers Guild of America, Award for Individual Excellence in Screenwriting from the Ohio Arts Council, and an Emmy Award for Interactive Media. Eric is the author of the Routledge Focus book The Screenwriters Taxonomy. He is also an award-winning educator and the inaugural director of the MFA in Communication Media Arts program at Ohio University where he teaches screenwriting and virtual reality production. Eric earned his undergraduate degree from Northwestern University in Chicago, and his MFA from Columbia University in New York City. You can learn more by visiting his website: www.WilliamsOnStory.com. Author affiliation details are correct at time of print publication.

Alexis Krasilovsky is professor of screenwriting and Media theory and Criticism at California State University, Northridge, teaching courses in Screenplay Adaptation and Film as Literature. Krasilovsky is a member of the Writers Guild of America, West, and is writer/director of the award-winning global documentaries Women Behind the Camera (2007) and Let Them Eat Cake (2014). She is also author of Women Behind the Camera: Conversations with Camerawomen (1997), and co-author of Shooting Women: Behind the Camera, Around the World (2015). Krasilovsky’s narrative film, Blood (1976), was reviewed in the Los Angeles Times as “in its stream-of-consciousness way, more powerful than Martin Scorsese’s Taxi Driver.” Author affiliation details are correct at time of print publication.

Lee Zahavi Jessup, author of Getting It Write: An Insider’s Guide to a Screenwriting Career, is a highly sought after screenwriting career coach with 20+ years of industry experience. Lee’s clients include writers working in film and television, participants in the prestigious television writing programs, contest winners and many more. An invited speaker at the WGA, NBC, UCLA and countless screenwriting conferences, Lee is a contributor for Script Magazine and has been interviewed by many screenwriting-centric television shows, web series and podcasts. Author affiliation details are correct at time of print publication.

Alexis Krasilovsky is professor of screenwriting and Media theory and Criticism at California State University, Northridge, teaching courses in Screenplay Adaptation and Film as Literature. Krasilovsky is a member of the Writers Guild of America, West, and is writer/director of the award-winning global documentaries Women Behind the Camera (2007) and Let Them Eat Cake (2014). She is also author of Women Behind the Camera: Conversations with Camerawomen (1997), and co-author of Shooting Women: Behind the Camera, Around the World (2015). Krasilovsky’s narrative film, Blood (1976), was reviewed in the Los Angeles Times as “in its stream-of-consciousness way, more powerful than Martin Scorsese’s Taxi Driver.” Author affiliation details are correct at time of print publication.