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Pier Paolo Pasolini’s Political Animism

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...Pier Paolo Pasolini, Petrolio , trans. Ann Goldstein (New York: Pantheon Books, 1997), 51. “One can move from reality to a dream: but it is impossible to move from a dream to another dream...

From Accattone to “Profezia”: Pier Paolo Pasolini and Productive Failure

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...Failure is a term that does not lend itself to an easy definition. For one thing, it is relational, almost reactionary (and it even at times positions itself as such): it is always responding to a culture, gesture, or demand of success...

Pasolini for the Anthropocene

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...Ever since the term Anthropocene was introduced by chemist Paul Crutzen in 2000 to describe our new geological epoch, a new subcategory of the Holocene and the Quaternary, it has become coin of the realm of the humanities, passed around...

The Archaeology of the Debate: Cinema and Literature as Analogies for History

Eleftheria Thanouli

Eleftheria Thanouli is Assistant Professor in Film Theory at the Film Department at Aristotle University of Thessaloniki. She received her Ph.D. from the University of Amsterdam in 2005. She is the author of Post-Classical Cinema: An International Poetics of Film Narration (2009). Author affiliation details are correct at time of print publication.

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History and Film : A Tale of Two Disciplines

Bloomsbury Academic, 2019

Book chapter

...It may come as a surprise that a number of key thinkers and practitioners in cinema, visual media, or art in general, should take an interest in the theory and philosophy of history. Yet, it is hardly a coincidence. The study of cultural...

La Rabbia: Pasolini’s Color Ecstasy

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...The authors acknowledge equal contribution and conceived the entire article together. Nicola Perugini composed the introduction and section ‘Editing Worlds and the Ecstasy of Color.’ Francesco Zucconi composed sections ‘Pasolini’s Rage...

“Howls from the Left”: Pier Paolo Pasolini, Allen Ginsberg, and the Legacies of Beat America

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...“Work…” “… Work?!?!” With every mention of gainful employment on the American television series Dobie Gillis (1959–63), the “beatnik” character would squawk the word back—with utter incredulity...

Television, Neo-Capitalism, and Modernity: Pasolini on TV

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...I would like to thank Giovanna Lipari and Vanessa Roghi, who helped me in all possible ways with the availability of all the sources used to write this essay. I also thank the participants in The Legacy of Pasolini conference, held at Yale...

Filming Decolonization: Pasolini’s Geopolitical Afterlife

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...Pasolini’s own version of tiers-mondisme and, more generally, his geopolitical understanding of liberation struggles, which I defined as “heretical orientalism,” Luca Caminati, Orientalismo eretico...