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Cinematography, Subjectivity, and Guilt

Sandra Meiri

Sandra Meiri is a senior lecturer and academic supervisor of film studies in the Department of Literature, Linguistics and Art, The Open University of Israel. She has taught many undergraduate, graduate courses, and seminars (on film theories, gender, sexuality, film history, film and psychoanalysis) in the Department of Film and Television, Tel Aviv University. Author affiliation details are correct at time of print publication.

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Odeya Kohen-Raz

Odeya Kohen Raz is a lecturer and coordinator of film theory teaching at the Sapir Academic College, a teaching coordinator in the Department of Literature, Linguistics and Art, The Open University of Israel, and teaches in the Department of Film and Television, Tel Aviv University. Author affiliation details are correct at time of print publication.

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Traversing the Fantasy : The Dialectic of Desire/Fantasy and the Ethics of Narrative Cinema

Bloomsbury Academic, 2016

Book

...The Cinematographic Image This chapter analyzes two meta-cinematic films that focus on the filmmaking process: Fellini’s 8½ (1963) and Lynch’s Mulholland Drive (2001). Although neither of them complies with a classical narrative...

Ethology of Death

Elena del Río

Elena del Río is Professor of Film Studies at the University of Alberta, Canada. Her essays have been featured in journals such as Camera Obscura, Discourse, Quarterly Review of Film and Video, Film-Philosophy, The New Review of Film and Television Studies, SubStance, and Deleuze Studies. She has also contributed essays to edited collections on the films of Atom Egoyan, Rainer W. Fassbinder, and on the philosophy of film, and Deleuze and cinema. She is the author of Deleuze and the Cinemas of Performance: Powers of Affection (2008). Author affiliation details are correct at time of print publication.

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The Grace of Destruction : A Vital Ethology of Extreme Cinemas

Bloomsbury Academic, 2016

Book

...A love of life which can say yes to death.As anyone minimally familiar with the films of Takeshi Kitano knows, the most notable characteristic of these films is their pervasive engagement with violent death. It will be the purpose...

Dune

Barry Keith Grant

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

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100 Science Fiction Films : BFI Screen Guides

British Film Institute, 2013

Book

...DIRECTOR David LynchPRODUCER Raffaella De LaurentiisSCREENPLAY David Lynch, based on the 1965 novel by Frank HerbertDIRECTOR OF PHOTOGRAPHY Freddie FrancisEDITOR Anthony GibbsMUSIC TotoPRODUCTION DESIGN Anthony MastersMAIN CAST Francesca...

Positive Negation in Lost Highway

Eric G. Wilson

Eric Wilson is Professor of English and Z. Smith Reynolds Faculty Fellow at Wake Forest University. He is the author of four books, including The Spiritual History of Ice: Romanticism, Science, and the Imagination (Palgrave, 2000). Author affiliation details are correct at time of print publication.

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The Strange World of David Lynch : Transcendental Irony from Eraserhead to Mulholland Dr.

Continuum, 2007

Book

...Luminous Gloom When asked about the inspiration behind Lost Highway, Lynch claimed that meditation can often lead to a film’s major ideas. In practicing this kind of meditation, one simply starts thinking and then allows one idea...
...Stanley Kubrick, no less than Alfred Hitchcock, was a master of suspense. Indeed, one of Kubrick’s most indelible contributions to film expression was an atmospheric form of suspense that unfolds slowly and resounds with dread. To grasp...

Crumb

Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

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100 American Independent Films : BFI Screen Guides

British Film Institute, 2009

Book

...An eclectic documentary-maker firmly rooted in underground comic-book culture, Zwigoff formed a lasting friendship with the artist Robert Crumb in the mid-60s. Bonded through a love of esoteric music, particularly ragtime blues...

The Disease of Morality

Elena del Río

Elena del Río is Professor of Film Studies at the University of Alberta, Canada. Her essays have been featured in journals such as Camera Obscura, Discourse, Quarterly Review of Film and Video, Film-Philosophy, The New Review of Film and Television Studies, SubStance, and Deleuze Studies. She has also contributed essays to edited collections on the films of Atom Egoyan, Rainer W. Fassbinder, and on the philosophy of film, and Deleuze and cinema. She is the author of Deleuze and the Cinemas of Performance: Powers of Affection (2008). Author affiliation details are correct at time of print publication.

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The Grace of Destruction : A Vital Ethology of Extreme Cinemas

Bloomsbury Academic, 2016

Book

...What matters is to affirm the movement of errance and hospitality . . . the force of the outside—against the sedentary, paranoid disposition of consensual community, not only because the community form . . . is sick, but because its control...

Extinction

Elena del Río

Elena del Río is Professor of Film Studies at the University of Alberta, Canada. Her essays have been featured in journals such as Camera Obscura, Discourse, Quarterly Review of Film and Video, Film-Philosophy, The New Review of Film and Television Studies, SubStance, and Deleuze Studies. She has also contributed essays to edited collections on the films of Atom Egoyan, Rainer W. Fassbinder, and on the philosophy of film, and Deleuze and cinema. She is the author of Deleuze and the Cinemas of Performance: Powers of Affection (2008). Author affiliation details are correct at time of print publication.

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The Grace of Destruction : A Vital Ethology of Extreme Cinemas

Bloomsbury Academic, 2016

Book

...The Marxist premise that we cannot save the world ecologically until capitalism is dealt with, should be questioned, and reversed: as long as we imagine life and the world to be primarily anthropogenic, or emerging from human meaning...

Physics of Violence, Folds of Pain

Elena del Río

Elena del Río is Professor of Film Studies at the University of Alberta, Canada. Her essays have been featured in journals such as Camera Obscura, Discourse, Quarterly Review of Film and Video, Film-Philosophy, The New Review of Film and Television Studies, SubStance, and Deleuze Studies. She has also contributed essays to edited collections on the films of Atom Egoyan, Rainer W. Fassbinder, and on the philosophy of film, and Deleuze and cinema. She is the author of Deleuze and the Cinemas of Performance: Powers of Affection (2008). Author affiliation details are correct at time of print publication.

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The Grace of Destruction : A Vital Ethology of Extreme Cinemas

Bloomsbury Academic, 2016

Book

...As it focuses on the pain involved in scenarios of sexual difference and desire, this chapter concerns itself with the most intimate instances of negative affects and forces in this study. But, despite their intimate tone, Rainer W...

Sacred Sensuality in Wild at Heart

Eric G. Wilson

Eric Wilson is Professor of English and Z. Smith Reynolds Faculty Fellow at Wake Forest University. He is the author of four books, including The Spiritual History of Ice: Romanticism, Science, and the Imagination (Palgrave, 2000). Author affiliation details are correct at time of print publication.

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The Strange World of David Lynch : Transcendental Irony from Eraserhead to Mulholland Dr.

Continuum, 2007

Book

...Love among the Ruins Soon after making Wild at Heart, a film loosely based on Barry Gifford’s novel of the same name, a reporter asked Lynch what inspired him about the story. Lynch’s answer was immediate and clear. He was most drawn, he...