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  • Madness of King George, The Close
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Conclusion

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

...Relationality in narrative: Female subjectivity in formation in women’s cinema In Irigaray’s critique of the polarization of sexual difference in the philosophy of Levinas in ‘Questions to Emmanuel Levinas’, she insists that the feminine...

Performance

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

...The notion of performance was indelibly stamped on the theorization of gender by the appearance of Judith Butler’s book Gender Trouble: Feminism and the Subversion of Identity, in 1990. Some confusion followed as to the difference between...

Female Subjectivity in Philosophy and Theory

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

...If there is no such thing today as femininity, it is because there never was. (Simone de Beauvoir, The Second Sex, p. 4)My criticism of Western philosophy above all has concerned the forgetting of the existence of a subjectivity which...

Look

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

...The partial history of film feminisms traced in Chapter 2 suggested that no balanced assessment of the advantages and disadvantages of ‘gaze theory’ has ever been undertaken. The very concept of the gaze as formulated by Metz and Mulvey has...

Feminist Film Studies and Women’s Cinema after Psychoanalysis

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

...Feminist film theory originated in a decade when film theory was dominated by the combination of Lacanian psychoanalysis, semiotics and Althusserian Marxism. The confluence of these paradigms in the journal Screen in the 1970s suggests...

Body

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

...In recent years, contemporary gender and queer theory have done at least as much as existential phenomenology to make embodiment a focus of research in cultural studies and the critical humanities. If feminist and queer theorists have led...

Desire

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

...One of the oldest of philosophical concepts, ‘desire’ is perhaps also the most geographically widespread, since it features in Eastern religions such as Buddhism as well as across Western philosophy and theory. Associated particularly...

Freedom

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

...Freedom is a concept central to existentialist thought, and the struggles Sartre underwent, from the 1940s onwards, in order to formulate a satisfactory account of human freedom – a trajectory that leads from Being and Nothingness (1943...

Speech

Kate Ince

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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The Body and the Screen : Female Subjectivities in Contemporary Women’s Cinema

Bloomsbury Academic, 2016

Book chapter

...Isolating the language of film from its images and narrative dimension is not often undertaken, so devoting a whole chapter of this book to ‘Speech’ may require more explanation than the aspects of subjectivity that entitle its other...

Appendix: Selected Filmographies

Roy Perkins

Roy Perkins

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Martin Stollery

Martin Stollery

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British Film Editors : “The Heart of the Movie”

British Film Institute, 2014

Book chapter

...The careers of British editors can be related, in general terms, to the distinction between artists and craftspersons, and to issues of class, education and gender. These provide a broad context for the diverse backgrounds, achievements...