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The Life and Death of the Celebrity Author in Maidstone

The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book chapter

...Seeing Maidstone as a cubist documentary, but also a film that challenges, not only, some of the ideas that first came to fruition Russian filmmaker/theorist Dziga Vertov decades prior; Maidstone can be read as a piece of “asymmetrical...
...Where Beyond the Law is a study of the existential duality of the cop and the criminal, the film is also a philosophical treatise on ideas that carry through in the work of Dostoevsky. Mailer’s second film can also be read as a precursor...

A Course in Film-Making

The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book chapter

...In Maidstone, Norman Mailer shows himself from every angle. The film is important because it shows us just as much about Norman Mailer as it showed the cultural and political spectrum of the United States in 1968. Norman T. Kingsley...

Mailer Interrogates Machismo: Self-Reflexive Commentary in Wild 90 and Why Are We in Vietnam?

The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book chapter

...Exploring the author as a character in himself, Norman Mailer comprehends how he is perceived critically by his readers. Out of his critical perception, Mailer he creates, not endorses, arrogant machismo but offers criticisms...

Tough Guys Don’t Dance and The Cinema of Reaganism

The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book chapter

...There was the strong critical backlash that Norman Mailer had to endure in the wake of the release of his final feature film Tough Guys Don’t Dance. As the movie featured too much violence, cheesy over-the-top acting, and was a work...

Commando Raids on the Nature of Reality

Gary D. Rhodes

Gary D. Rhodes, PhD, is currently Head of Area for Film Studies at The Queen’s University of Belfast, Northern Ireland. He is the author of Lugosi (McFarland, 1997) and White Zombie: Anatomy of a Horror Film (McFarland, 2002). Rhodes has also written and directed a number of documentary films. Author affiliation details are correct at time of print publication.

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The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book chapter

...Mailer recounts the making of his Beyond the Law and Maidstone as well as further explores his ideas on the nature of film and existential philosophy.This essay was first published in the Fall 2009 edition of The Mailer Review....

Some Dirt in the Talk

The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book chapter

...Discussing his disdain for traditional Hollywood, Mailer also explores the nature of the actor and the making of his 1968 feature film, Wild 90, as well as provides an in-depth explanation of his approach to existentialism via a study...

Norman Mailer: Interview (1970)

The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book chapter

...Examining his three 1960s films, Norman Mailer sits down with former Newsday film critic and friend Joseph Gelmis to discuss filmmaking as well as films of the 1960s that he feels may have influenced him and those that he thinks...

Maidstone: The Unilinear Abstract

The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book chapter

...Experienced by audiences as a work of anti-narrative, here it is argued that Maidstone has a clear, understandable narrative when in consideration of the context of classic Hollywood films. Maidstone explores classic Hollywood ideas which...

Visualizing Being and Nothingness: Mailer Meets Godot

Justin Bozung

Justin Bozung is a researcher, writer, and part-time archivist, residing in Georgia, USA. He was a featured contributor at Shock Cinema and Videoscope magazines from 2010 to 2014. He has contributed to two books about Stanley Kubrick: 2001: The Lost Science (2013) and Studies in the Horror Film: Stanley Kubrick’s The Shining (2015). Bozung serves on the board of the Norman Mailer Society and lectures about Mailer’s films. Author affiliation details are correct at time of print publication.

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The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book chapter

...Examining Mailer’s first feature film Wild 90 as a piece of absurdist theater, the film is compared and contrasted with the Theater of the Absurd’s most affluent part: Samuel Beckett’s Waiting for Godot. Through mutual aesthetic...