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  • Malick, Terrence
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Terrence Malick

Ryan Gilbey

RYAN GILBEY writes on film for the Independent, the Guardian, and Sight and Sound and is author of It Don’t Worry Me (2004). Author affiliation details are correct at time of print publication.

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It Don’t Worry Me : Nashville, Jaws, Star Wars and beyond

Faber and Faber, 2003

Book

...Making Badlands (1973): Martin Sheen (Kit) and Terrence Malick. Days of Heaven (1978): Linda Manz. Hand your watch to the usher on your way into a Terrence Malick movie. Time doesn’t really figure...

Voicing Meaning: On Terrence Malick's Characters

Steven Rybin

Steven Rybin

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Terrence Malick : Film and Philosophy

Continuum, 2011

Book

...The worlds of Terrence Malick's films are vibrantly sensual, open-ended experiential frames that challenge viewers to reflect upon the ideas brought to, and inspired by, each viewing. These films perhaps strike us less as aesthetic...

Terrence Malick's Histories of Violence

John Bleasdale

John Bleasdale

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Terrence Malick : Film and Philosophy

Continuum, 2011

Book

...Fire A fire rages through the films of Terrence Malick. In Badlands, a family home is doused in petrol and set alight; the piano, the sheet music, the food, the furniture, a doll's house and a child's bed with its forlorn china doll...

Introduction

Stuart Kendall

Stuart Kendall teaches Critical Studies at the California College of the Arts, US. He is the author of Georges Bataille and The Ends of Art and Design. Author affiliation details are correct at time of print publication.

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and

Thomas Deane Tucker

Thomas Deane Tucker is a professor of Humanities at Chadron State College, US. He is the author of Derridada: Duchamp as Readymade Deconstruction. Author affiliation details are correct at time of print publication.

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Terrence Malick : Film and Philosophy

Continuum, 2011

Book

...In the preface to his book The World Viewed: Reflections on the Ontology of Film, first published in 1971, philosopher Stanley Cavell acknowledges his gratefulness to Terrence Malick.Stanley Cavell, The World Viewed: Reflections...

Rührender Achtung: Terrence Malick's Cinematic Neo-Modernity

Thomas Wall

Thomas Wall

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Terrence Malick : Film and Philosophy

Continuum, 2011

Book

...I leave these words of Schiller in their German to allow some play in the transla tion to English. The play is integral to my reading of Malick.Es giebt Augenblicke in unserm Leben, wo wir derNatur in Pflanzen, Mineralen, Thieren...

The Belvedere and the Bunkhouse: Space and Place in Days of Heaven

Ian Rijsdijk

Ian Rijsdijk

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Terrence Malick : Film and Philosophy

Continuum, 2011

Book

...While the house in Days of Heaven is never named, Malick's original script from 1976 includes the following description: “EXT. Belvedere. At the center of the bonanza, amid a tawny sea of grain, stands a gay Victorian house, three stories...

Fields of Vision: Human Presence in the Plain Landscapes of Terrence Malick and Wright Morris

Matthew Evertson

Matthew Evertson

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Terrence Malick : Film and Philosophy

Continuum, 2011

Book

...There's a simple reason for grain elevators, as there is for everything, but the force behind the reason, the reason for the reason, is the land and the sky. There's too much sky out here, for one thing, too much horizontal, too many lines...

Days of Heaven

Terrence Malick : Rehearsing the Unexpected

Faber & Faber, 2015

Book

...The shooting of Badlands deeply influenced the way Malick approached filmmaking. Badlands had proved how essential it was to take advantage of the moments during which ‘small miracles’ occurred, and shown the need for sensitive...

The New World

Terrence Malick : Rehearsing the Unexpected

Faber & Faber, 2015

Book

...Lemony Snicket’s A Series of Unfortunate Events (2004), based on the books by Daniel Handler, directed by Brad Sieberling, with Jim Carrey, Jude Law, Meryl Streep.Andrei Rublev, directed in 1966 by Andrei Tarkovsky, with Anatoli Solonitsyn...

Conclusion: How can we use art History in Filmmaking?

Gillian McIver

Gillian McIver is filmmaker and Lecturer in Film at the SAE Institute, London, UK. She has curated art exhibitions, and worked as a filmmaker in Russia and Germany, as well as Canada, and remains based in London. Her artist films have been screened internationally on every continent, and she also works as a producer and director. She has been Visiting Lecturer at many institutions, and has taught at Roehampton University, UK. Author affiliation details are correct at time of print publication.

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Art History for Filmmakers : The Art of Visual Storytelling

Fairchild Books, 2016

Book

...Whether we realize it or not, there is a relationship between the long history of art and what filmmakers do. Of course, no film is simply the product of its director; a film happens when the director puts together his or her vision of how...