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  • Masculinity
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Men’s Grooming

The Hair Stylist Handbook : Techniques for Film and Television

Focal Press, 2016

Book

... Men’s Grooming One of the most common situations you’ll run across while working as a hair stylist or makeup artist in the entertainment industry is establishing or maintaining haircuts and facial hair. Facial hair alone can define...

Imaginary Signifiers/Voyeuristic Pleasures

Nitzan Ben-Shaul

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

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Film : The Key Concepts

Berg, 2007

Book

...Introduction The psychological effects of films on spectators have intrigued theoreticians since the medium’s inception. Two major psychological approaches to film can be discerned. One focuses upon the conscious perceptual and cognitive...

Old Joy

Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

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100 American Independent Films : BFI Screen Guides

British Film Institute, 2009

Book

...A gentle study of masculinity in modern America, Kelly Reichardt’s Sundance-winning Old Joy also offers a poignant, if minimalist, portrayal of friendship, loss and alienation in the Bush era.Mark (London), settled down and expecting his...

France’s “new Don Juan”: The Representation of Alain Delon’s Youth

Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book

...In Chapter 3, Gwénaëlle Legras examines Delon’s early media profile, showing how he was positioned between the generic traditions of French cinema of the late 1950s and the modernity that he was seen to represent both physically...

Introduction

Marianne Kac-Vergne

Marianne Kac-Vergne is Associate Professor at the Université de Picardie Jules Verne in Amiens, France, where she teaches courses in American cultural history at graduate and undergraduate levels. Her research focuses on gender and genre in American cinema, and she has published and presented on masculinity and femininity in science fiction, romantic comedy and western films. Author affiliation details are correct at time of print publication.

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Masculinity in Contemporary Science Fiction Cinema : Cyborgs, Troopers and other Men of the Future

I.B.Tauris, 2018

Book

...‘Man Has Made His Match … Now It’s His Problem’The tagline for the original release of Blade Runner (Ridley Scott, 1982) is indicative of the conflation between man and mankind that is so common in the science fiction genre. This idea...

Toujours Delon: The Script of Aging

Sue Harris

Sue Harris is Reader in French Cinema at Queen Mary University of London, UK. She is an Associate Editor of French Cultural Studies, the author of Bertrand Blier (2001) and co-editor of France in Focus: Film and National Identity (2000) and From Perversion to Purity: The Stardom of Catherine Deneuve (2007), among other titles. Author affiliation details are correct at time of print publication.

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Alain Delon : Style, Stardom, and Masculinity

Bloomsbury Academic, 2015

Book

...Toujours is the theme song to Frank Riva, sung by Axelle Red. The lyrics speak of continuity between the past and the present and implicitly between youth and the experience of maturity: “There will always be something of you in me/ You...
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...Cocktail Lounge ‒ Night We only see his face, speaking through the shadows. He brushes his index finger lightly across his lips as he speaks. He knows: his lips are his most sexual organ. Julian You know who I...

Taxi Driver (2002)

Directed by

Martin Scorcese

Written by

Paul Schrader

Screenplay

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...TRAVIS GETS A JOB Film opens on exterior of Manhattan cab garage. Weather-beaten sign above driveway reads: ‘Taxi Enter Here.’ Yellow cabs scuttle in and out. It is winter, snow is piled on the curbs, the wind is howling. Inside the garage...

‘More, Much More . . . Roger Moore’: A New Bond for a New Decade

Robert Shail

Robert Shail is Professor of Film in the Northern Film School at Leeds Beckett University, UK, and formerly Head of Film and Media at the University of Wales, Lampeter. He has published widely on British cinema and the representation of masculinity. Recent publications include 'Anarchy in the UK: Reading Beryl the Peril via Historic Conceptions of Childhood' in the Journal of Graphic Novels and Comics. He was awarded a Leverhulme Fellowship in 2012 to investigate the history of the Children's Film Foundation. Author affiliation details are correct at time of print publication.

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Seventies British Cinema

British Film Institute, 2008

Book

...And what, I can hear you all asking with bated breath, is Mr Roger Moore like as James Bond? Mr Moore as Bond is exactly like the Mr Moore who played The Saint, who in his turn is the nearest approximation to the Mr Moore who plays...