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La Fleur du mal (2003): Keeping it in the Family

Jacob Leigh

Dr. Jacob Leigh is Lecturer in the department of Media Arts at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

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The Late Films of Claude Chabrol : Genre, Visual Expressionism and Narrational Ambiguity

Bloomsbury Academic, 2017

Book chapter

...Incest, inheritance, politics and terroir: these are the leading subjects of La Fleur du mal. The film’s narrative structure is founded on a principle of repetition; it opens with Pierre Charpin’s corpse and it ends with Gérard’s (Bernard...

Toy Story: Firing on All Eight

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

...Arriving in theaters in late 1995, Toy Story was acclaimed as a breakthrough for its use of computer-generated animation, and proved to be a major commercial success. But its success was not due solely to the technology behind it....

The Fellowship of the Ring: The Shotgun Approach

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

...In bringing The Fellowship of the Ring to the screen, the filmmakers faced two difficult problems at the outset: a large “installed base” of devoted fans who had read J. R. R. Tolkien’s The Lord of the Rings trilogy and thus had...

Fellini’s Nights of Cabiria: Nocturnal Episodes

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

...This picture, which won the Oscar for Best Foreign Film in 1957, provides a contrast in structure to the others analyzed herein. While by no means as “experimental” as the films Federico Fellini made a few years later, it is still...

Conclusion

Costas Constandinides

Costas Constandinides is Assistant Professor in the Department of Communications at the University of Nicosia, Cyprus. He is the author of From Film Adaptation to Post-celluloid Adaptation (Continuum, 2010). Author affiliation details are correct at time of print publication.

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From Film Adaptation to Post-Celluloid Adaptation : Rethinking the Transition of Popular Narratives and Characters across Old and New Media

Continuum, 2010

Book chapter

...Parts of my discussion throughout this work wish to defend the digital image by attempting to introduce a new discursive practice that understands the digital image as a more complex and meaningful operation. I use the term post-celluloid...

Psychoanalytic film theory

Todd McGowan

Todd McGowan is Associate Professor of Film at the University of Vermont, US. He is the author of The Fictional Christopher Nolan (2012), Out of Time: Desire in Atemporal Cinema (2011), The Impossible David Lynch (2007), The Real Gaze: Film Theory After Lacan (2007), and other books. Author affiliation details are correct at time of print publication.

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Psychoanalytic Film Theory and The Rules of the Game

Bloomsbury Academic, 2015

Book chapter

...The unconscious The foundation of psychoanalysis is the unconscious. Psychoanalysis emerges with the discovery of the disturbance that unconscious thoughts cause in the daily life of neurotic subjects and how it shapes the dreams of even...

An Introduction to Sequences

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

...Why Sequences? The great challenge in writing a feature-length screenplay is sustaining audience emotional involvement from page one through 120. Most writers can dash off a ten-or fifteen-minute script with little planning; as the length...

The Piano (Australia / NZ / France, 1993): Love in a Rough Place

Philip Gillett

Philip Gillett is an independent film critic and writer and author of The British Working Class in Postwar Film. Author affiliation details are correct at time of print publication.

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Movie Greats : A Critical Study of Classic Cinema

Berg, 2008

Book chapter

...Production companies: Jan Chapman Productions/CiBY 2000Producer: Jan ChapmanDirector/ Screenplay: Jane CampionPhotographer: Stuart DryburghProduction Designer: Andrew McAlpineMusic: Michael NymanEditor: Veronika JenetCast: Holly Hunter (Ada...

North by Northwest: 1,700 Miles in Nine Sequences

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Screenwriting : The Sequence Approach

Bloomsbury Academic, 2004

Book chapter

...All writers should be aware of the profound distinction between a story (narrative) and the telling of a story (narration). A single story can be told any number of different ways, primarily by manipulating what the audience knows and when...

Toward Post-Celluloid Adaptation

Costas Constandinides

Costas Constandinides is Assistant Professor in the Department of Communications at the University of Nicosia, Cyprus. He is the author of From Film Adaptation to Post-celluloid Adaptation (Continuum, 2010). Author affiliation details are correct at time of print publication.

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From Film Adaptation to Post-Celluloid Adaptation : Rethinking the Transition of Popular Narratives and Characters across Old and New Media

Continuum, 2010

Book chapter

...In his book The Language of New Media, Lev Manovich discusses new media in relation to the history of visual media such as cinema and illustrates how new and old forms work together in order to shape new narrative modes and aesthetics...