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How to Grasp Historical Media Dispositifs in Practice

Andreas Fickers

Andreas Fickers is Professor of Contemporary and Digital History at Luxembourg University, Luxembourg. His research ranges from transnational media history to the European history of technology and theory of digital history. He is the co-editor in chief of the open access online journal VIEW – European Journal of Television History and Culture and the author, most recently, of Communicating Europe: Technologies, Information, Events (Palgrave, 2016). Author affiliation details are correct at time of print publication.

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Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...This contribution’s point of departure is the search for alternative ways to draft historical statements on past media practices. The main concern centres on how historical objects of media technology can be used as sources...

The Landscape in the Memory: Animated Travel Diaries

María Lorenzo Hernández

María Lorenzo Hernández

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Animated Landscapes : History, Form and Function

Bloomsbury Academic, 2015

Book chapter

...This chapter is based on research presented at the 2nd International Conference in Illustration and Animation CONFIA, held in Porto, Portugal, November 29, 2013, under the title ‘Animated Travel Diaries. Memory, Transit and Experience’.This...

Becoming YouTube’s Grandad: Media, Age, and Generation in a Virtual Community

Susan Aasman

Susan Aasman is Associate Professor of History at the University of Groningen, the Netherlands. As a media historian and active researcher, she has written extensively about the history of amateur media and the history of documentary filmmaking. Since 2012, she has served as the chief editor for the Dutch Journal for Media History. Author affiliation details are correct at time of print publication.

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Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...This contribution explores the iconic video collection of the YouTube vlogger Peter Oakley, better known as “Geriatric1927.” During a period of eight years, Oakley, born in 1927, posted more than 400 vlogs. Over the years he would receive...

Amateurs: Naïve Artists or Everyday Experts?

Patrice Flichy

Patrice Flichy

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Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...What are the skills, the pleasures and the subjective meanings of being “amateur” using the internet to express his passion? The amateur is not the opposite of the professional, he is halfway between the ordinary man and the professional...

Charting Changing Amateur Production Practices: Testimonials of Moviemaking Enthusiasts

Ryan Shand

Ryan Shand

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Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...Between 2008ߝ14, I interviewed a number of amateur moviemakers on various aspects of their leisure pursuit, including reflections on production practices. Many issues related to amateur moviemaking were discussed, but three topics emerged...

Home Mode, Community Mode, Counter Mode: Three Functional Modalities for Coming to Terms with Amateur Media Practices

Tom Slootweg

Tom Slootweg

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Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...Tom Slootweg, 2017, “Coming to Terms with the Amateur through Functional Modalities: The Home, Community and Counter Mode,” Aasman, Fickers and Wachelder, eds Materializing Memories: Dispositifs, Generations and Amateurs...

Introduction

Susan Aasman

,

Susan Aasman is Associate Professor of History at the University of Groningen, the Netherlands. As a media historian and active researcher, she has written extensively about the history of amateur media and the history of documentary filmmaking. Since 2012, she has served as the chief editor for the Dutch Journal for Media History. Author affiliation details are correct at time of print publication.

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Andreas Fickers

Andreas Fickers is Professor of Contemporary and Digital History at Luxembourg University, Luxembourg. His research ranges from transnational media history to the European history of technology and theory of digital history. He is the co-editor in chief of the open access online journal VIEW – European Journal of Television History and Culture and the author, most recently, of Communicating Europe: Technologies, Information, Events (Palgrave, 2016). Author affiliation details are correct at time of print publication.

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and

Joseph Wachelder

Joseph Wachelder is Associate Professor of History at Maastricht University, the Netherlands. His research focuses on interactions between science and culture, and his wide-ranging publication history has addressed issues in higher education, the popularization of science, colour and sense experience in art and science, and educational toys and games. He has previously held positions in Gewina (the Dutch Society for the History of Medicine, Mathematics, Science and Technology) and the European Society for the History of Science (ESHS). Author affiliation details are correct at time of print publication.

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Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...This volume explores the cultural role and significance of amateur mediated memory practices, with a strong focus on home movies, yet not an exclusive one, and we do so from a longue durée perspective. Home movie practices originated...

21 Grams (2003)

Directed by

Alejandro González Iñárritu

Written by

Guillermo Arriaga

Screenplay

Image
...Cristina’s Room ‒ Day Male and female clothing is strewn around an upper-middle-class room, decorated in good taste. A leather jacket hangs draped over a chair and a lead-blue dress lies on the floor. Cristina...

The Social Construction of Generations in a Media Society: The Case of Postwar West Germany

Benjamin Möckel

Benjamin Möckel

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Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...This article asks how “generations” are created through media discourses and public debates and what modern generational history can learn from theoretical and methodological approaches of media studies.Recent scholarship on generational...

Film-of-Life

Benjamin Noys

Benjamin Noys

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

...From Plato’s anxieties concerning the simulacra’s disruption of the distinction between original and copy, to Lacan’s implicit critique of the imaginary as the site of doubling and deadly violence, Western metaphysics attests...