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  • Mizoguchi, Kenji
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Kenji Mizoguchi and his Women

Catherine Russell

Catherine Russell is Professor of Film Studies at the Mel Hoppenheim School of Cinema at Concordia University, Canada. Author affiliation details are correct at time of print publication.

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Classical Japanese Cinema Revisited

Continuum, 2011

Book

...As an auteur, Mizoguchi is known mainly for two recurring features over his 24-year career: long, fluid camera movements and suffering women. He excelled in jidai-geki, although he worked in both gendaigeki and jidai-geki genres. His...

Stories without Borders

Alexis Krasilovsky

Alexis Krasilovsky is professor of screenwriting and Media theory and Criticism at California State University, Northridge, teaching courses in Screenplay Adaptation and Film as Literature. Krasilovsky is a member of the Writers Guild of America, West, and is writer/director of the award-winning global documentaries Women Behind the Camera (2007) and Let Them Eat Cake (2014). She is also author of Women Behind the Camera: Conversations with Camerawomen (1997), and co-author of Shooting Women: Behind the Camera, Around the World (2015). Krasilovsky’s narrative film, Blood (1976), was reviewed in the Los Angeles Times as “in its stream-of-consciousness way, more powerful than Martin Scorsese’s Taxi Driver.” Author affiliation details are correct at time of print publication.

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Great Adaptations : Screenwriting and Global Storytelling

Routledge, 2018

Book

... stories without Borders Ugetsu Kenji Mizoguchi’s Ugetsu (Japan, 1953)1 is a classic film that takes its inspiration not only from Japanese theater and history, but from a French short story by Guy de Maupassant and classic Japanese ghost...

The Classical, the Modern and Japanese Cinema in the Global System

Catherine Russell

Catherine Russell is Professor of Film Studies at the Mel Hoppenheim School of Cinema at Concordia University, Canada. Author affiliation details are correct at time of print publication.

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Classical Japanese Cinema Revisited

Continuum, 2011

Book

...Japanese cinema has often been thought of as an “other” to Hollywood classical cinema, exhibiting a stylistic alternative to the narrative realism associated with the American industry.The key influential text in this regard is Noël Burch...