Loading
Loading

Results

  • Book chapter Close
Sort By:  1-10 of 5337 (534 pages)
Results per page:
         

Introduction – The Adolescent Industry: ‘Teen’ and ‘Film’

Catherine Driscoll

Catherine Driscoll is Professor of Gender and Cultural Studies, University of Sydney, Australia, and author of Girls: Feminine Adolescence in Popular Culture and Cultural Theory (2002) and Modernist Cultural Studies (2010). Author affiliation details are correct at time of print publication.

Search for publications

Teen Film : A Critical Introduction

Berg, 2011

Book chapter

...As a teenager in rural Australia I saw many films that now appear in studies of teen film. I remember seeing Grease (1978), Friday the Thirteenth (1980), Little Darlings (1980), WarGames (1983) and many more that are included in some...

Inventing ‘Teen Film’

Catherine Driscoll

Catherine Driscoll is Professor of Gender and Cultural Studies, University of Sydney, Australia, and author of Girls: Feminine Adolescence in Popular Culture and Cultural Theory (2002) and Modernist Cultural Studies (2010). Author affiliation details are correct at time of print publication.

Search for publications

Teen Film : A Critical Introduction

Berg, 2011

Book chapter

...Jake’s grandfather: ‘He’s plenty old and people don’t mature anymore. They stay jackasses all their lives.’Turning to teen film after the 1950s, Thomas Doherty (2002: 190) summarizes the next forty years as ‘a series of postclassical phases...

The Delon Trilogy: Le Samouraï (1967), Le Cercle rouge (1970), Un flic (1972)

Ginette Vincendeau

Ginette Vincendeau is Professor of Film Studies at King's College London. She is the editor of the BFI/Cassell Encyclopedia of European Cinema, and the author of The Companion to French Cinema (BFI/Cassell 1996) and Pépé le Moko (BFI, 1998). Author affiliation details are correct at time of print publication.

Search for publications

Jean-Pierre Melville : ‘An American in Paris’

British Film Institute, 2003

Book chapter

...With his last three gangster films, Le Samouraï, Le Cercle rouge and Un flic, Melville reached the apogee of his career as a popular film-maker. His Resistance epic LArmée des ombres, made in 1969 between Le Samouraï and Le Cercle rouge...

Conclusion: In the gallery and on the air

A. L. Rees

A.L. Rees was Head of the Time-Based Media course at Maidstone College of Art from 1988 - 1995 and then Research Tutor at the Royal College of Art until 2014. Author affiliation details are correct at time of print publication.

Search for publications

A History of Experimental Film and Video : From the Canonical Avant-Garde to Contemporary British Practice

British Film Institute, 2011

Book chapter

...In the mid-1990s, a new generation of ‘young British artists’ took up film- and video-making in ways that implicitly challenged – or blatantly ignored - the tradition of experimental cinema. It was more pictorial than materialist, and often...

Part One: The canonical avant-garde

A. L. Rees

A.L. Rees was Head of the Time-Based Media course at Maidstone College of Art from 1988 - 1995 and then Research Tutor at the Royal College of Art until 2014. Author affiliation details are correct at time of print publication.

Search for publications

A History of Experimental Film and Video : From the Canonical Avant-Garde to Contemporary British Practice

British Film Institute, 2011

Book chapter

...Origins of the moving image (1780–1880) New movements in cultural history rarely have a single and agreed starting date, and to trace either the moment when cinema began or when it became an art is a matter of argument. The emblematic...

Classification

Catherine Driscoll

Catherine Driscoll is Professor of Gender and Cultural Studies, University of Sydney, Australia, and author of Girls: Feminine Adolescence in Popular Culture and Cultural Theory (2002) and Modernist Cultural Studies (2010). Author affiliation details are correct at time of print publication.

Search for publications

Teen Film : A Critical Introduction

Berg, 2011

Book chapter

...Dave: With no power, comes no responsibility. Except, that wasn’t true.The three chapters that make up the final part of this book involve a change of direction. Instead of overviewing the genre and scholarship and commentary on teen film...

From The Element of Crime to Europa and Zentropa

Jack Stevenson

Jack Stevenson is a US critic, curator and lecturer based in Denmark. His books include Tod Browning's Freaks (1997), Addicted (2000) and Fleshpot (2000). Author affiliation details are correct at time of print publication.

Search for publications

Lars Von Trier

British Film Institute, 2002

Book chapter

...The Element of Crime – conception and filming On 13 September 1982, a seven-page synopsis appeared with the working title, Folie à deux – a psychiatric term for a mutually infectious form of insanity which usually develops between two...

Introduction

A. L. Rees

A.L. Rees was Head of the Time-Based Media course at Maidstone College of Art from 1988 - 1995 and then Research Tutor at the Royal College of Art until 2014. Author affiliation details are correct at time of print publication.

Search for publications

A History of Experimental Film and Video : From the Canonical Avant-Garde to Contemporary British Practice

British Film Institute, 2011

Book chapter

...Siting the avant-garde There have been innovative film-makers since film and cinema began, emerging from mainstream and arthouse feature production to push cinema a step further into untried territory.innovative film-makers...

Introduction

Philip Gillett

Philip Gillett is an independent film critic and writer and author of The British Working Class in Postwar Film. Author affiliation details are correct at time of print publication.

Search for publications

Movie Greats : A Critical Study of Classic Cinema

Berg, 2008

Book chapter

...How do films achieve eminence? The question has troubled me ever since a friend admitted that he found Citizen Kane boring. My guilty secret was that I shared his feelings. This was sufficient reason for reappraising the film canon...

Teenage Wasteland

Catherine Driscoll

Catherine Driscoll is Professor of Gender and Cultural Studies, University of Sydney, Australia, and author of Girls: Feminine Adolescence in Popular Culture and Cultural Theory (2002) and Modernist Cultural Studies (2010). Author affiliation details are correct at time of print publication.

Search for publications

Teen Film : A Critical Introduction

Berg, 2011

Book chapter

...Teen film does not accurately portray the lives of adolescents despite its use of the ‘fabulously consuming trivia of everyday teen life’ (Martin 1994: 65). But as John Frow argues, every genre entails a particular ‘structure of address...