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Making it Legal

Kurt Lancaster

Kurt Lancaster earned his PhD from New York University and has shot documentaries that have screened nationally and internationally. He is the author of DSLR Cinema and has consulted for the Pulitzer Prize winning newspaper, The Christian Science Monitor, training their print journalists in video journalism, and he has shot and edited documentary journalism pieces. He is an associate professor of digital filmmaking in the School of Communication at Northern Arizona University, where he teaches courses on documentary and multimedia journalism. Author affiliation details are correct at time of print publication.

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Production House Cinema : Starting and Running Your Own Cinematic Storytelling Business

Focal Press, 2016

Book

... CHAPTER 3 Making it Legal Filing an LLC, Writing Contracts, Music Rights, and Getting Insurance 45 With an understanding of the process used to apply the cinematic style to client-based work, including ways to develop a story (Chapter 1...
...Introduction In this chapter, we explore whether eyeblinks can be used as a measurement of spectators’ narrative transportation into a cinematic narrative. In our experiment, we show that spectators’ eyeblinks increase when watching film...

Music

Filmmaking : Direct Your Movie from Script to Screen Using Proven Hollywood Techniques

Focal Press, 2011

Book

... Music 467 v. Spot the music by determining starting i. View the movie with the and stopping points composer and discuss iii. C hoose an instru- for each piece of viii. Export the score theme, tone and feel of ment palette for music...

Music

Clifford Thurlow

Clifford Thurlow is a writer and independent filmmaker. He co-produced Salvador Dali: A Biography and co-produced and presented The Dali Triangle for Yellowbay Films. The winner of a screenwriting award from EMDA, the European Media Development Award, his screenplay Zeitgeist is in development with Hub Media. Author affiliation details are correct at time of print publication.

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Max Thurlow

Max Thurlow is a journalist who has written for a number of publications including the Daily Mail and the Independent. He has shot, edited and screened a number of travel and short films. Author affiliation details are correct at time of print publication.

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Making Short Films : The complete guide from script to screen

Bloomsbury, 2013

Book

... Music Sound plays a vital part in the overall feel of a film, but it is music more than anything that brings out the emotional heart of a scene and the director has to learn to leave space for music in order for it to be a part...

Music

The SHORT! Guide to Producing : The Practical Essentials of Producing Short Films

Routledge, 2018

Book

... Music Kinds of Film Music If you are in the habit of watching movies until the last credit has rolled (a very instructive practice for any budding fi lmmaker, by the way), you’ve no doubt become accustomed to the blizzard of text...

Sound Beyond Nature | Sound Beyond Culture or: Why is the Prague Golem Mute?

sonic thinking : a media philosophical approach

Bloomsbury Academic, 2017

Book

...I have to start by begging the reader’s pardon. First, as the outlines I will give are short and abridged—in more than one case the brevity of my explanations may stand in high tension to the complexity and the significance of the questions...

Narrative

Robert Edgar

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Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

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Steven Rawle

Steven Rawle is a Senior Lecturer in Film Studies at York St. John University, UK, where he teaches film form and the politics of global cultural production at undergraduate and postgraduate levels. Author affiliation details are correct at time of print publication.

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The Language of Film

Fairchild Books, 2015

Book

...directorJohn BoormanZardoz is an interesting film depicting a society based around myth and legend—and therefore based around narratives. In the end, it is a copy of The Wizard of Oz that leads Zed to understand the world he inhabits...

Walking into Sound

sonic thinking : a media philosophical approach

Bloomsbury Academic, 2017

Book

...−1 granja 11:45, 27.4.2010−2 fagosa−3 castro daire−4 ermida−5 ribas 19:45, 28.4.2010−6 pinhero−7 villa nova−8 ester 19:00, 29.4.2010−9 nodar Notes A listening diary about a three-day listeningwalk (approx. 40 km) at the bank...

Sound

Robert Edgar

,

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

Search for publications
and

Steven Rawle

Steven Rawle is a Senior Lecturer in Film Studies at York St. John University, UK, where he teaches film form and the politics of global cultural production at undergraduate and postgraduate levels. Author affiliation details are correct at time of print publication.

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The Language of Film

Fairchild Books, 2015

Book

...director Brian De Palma A variant on Antonioni’s Blow-Up(1966), De Palma’s film is about the power of sound; collecting sounds for a slasher film one night, a sound technician thinks he records a murder. The film plays with our subjective...

Because Tramps Like Us, Baby We Were Born to Run

Bryan Cook

Bryan Cook is currently the Executive Content Producer and Director of Multimedia at Team One Advertising in Los Angeles. Over the course of Bryan's fifteen year career as an Editor and Post Producer, he has partnered with many of the best ad agencies, networks and production shops in the world, and projects he has worked on have been honored by Ad Age, Adweek, Cannes, The Effie Awards, The Facebook Awards, FWA, The Golden Trailer Awards, and the Tribeca Film Festival. Author affiliation details are correct at time of print publication.

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The Art of Short Form Content : From Concept to Color Correction

Focal Press, 2016

Book

... Because Tramps Like Us, Baby We Were Born to Run: itself. Routine, responsibility, decay of institutions, corruption: this is all the world closing in. Music, when it’s really great, pries that shit back open and lets people back in,...